Wenders, too, now regards photography as a thing of the past. “It’s not just the meaning of the image that has changed – the act of looking does not have the same meaning. Now, it’s about showing, sending and maybe remembering. It is no longer essentially about the image. The image for me was always linked to the idea of uniqueness, to a frame and to composition. You produced something that was, in itself, a singular moment. As such, it had a certain sacredness. That whole notion is gone.”
The article in The Guardian is not one that will explain to you in detail why photography is now over, it is more the sense that for Wenders it left him behind when he gave his Polaroid camera to Patti Smith. The article is littered with the sounds of names crashing to the floor when dropped.
Why the Photographers Gallery would be bothered with showing pictures by someone who never thought of themselves as a photographer is beyond me. However, what do I know, I am sure all those names littering the floor and on the wall in the 3″ x 3″ white iconic frames will be enough to have hordes of people wanting to visit and buy a book or a postcard
If you want to read the article it is here
Heinz, 1973, by Wim Wenders Photograph: © Wim Wenders
Ephemera … Campbell Soups, New York, 1972. Photograph: © Wim Wenders
‘They were made from the gut’ … Valley of the Gods, Utah, 1977, by Wim Wenders. Photograph: © Wim Wenders/Courtesy Deutsches Filminstitut Frankfurt