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Tag Archives: The Guardian

GREGORY CREWDSON: CATHEDRAL OF THE PINES

I find I can rely upon the culture section of The Guardian for many interesting articles about photography. If you have been on my courses you will have found that I talk about Gregory Crewdson, his images are cinematic in many aspects, both the nature of their creation and the sense they provoke. He has a new exhibition called Cathedral of The Pines and it is reviewed in the The Guardian

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‘They were more difficult because they were less spectacular’ … Father and Son, 2013. Photograph: © Gregory Crewdson / Courtesy Gagosian Gallery

In 2013, in retreat from “a difficult divorce”, Gregory Crewdson moved from Manhattan to a converted church in rural Massachusetts. “I had to relocate myself, physically and psychologically,” says the photographer. So he spent his time mountain trekking, long-distance swimming and, when the winter set in, cross-country skiing.

“I was out in the snow one day when I came upon a sign for a section of the Appalachian Trail called Cathedral of the Pines,” he adds. “It stopped me in my tracks, just the resonance of the name. I knew I had to use it.”

The resulting series is more sombre, foreboding and inward-looking than the meticulously staged cinematic photographs that made his name. It opens this week at the Photographers’ Gallery in London, the first time the institution has devoted all its gallery space to a single artist.

Cathedral of the Pines took two and a half years to shoot and, typically for Crewdson, required the kind of preparation that usually attends a Hollywood film: months of casting, location hunting and storyboarding, with an extensive crew to oversee lighting, props, wardrobe, makeup and even some special effects involving artificial smoke and mist.

The new exhibition can be seen from the 23rd at The Photographers Gallery

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Gregory Crewdson The Haircut, 2014 Digital pigment print Image size: 37 1/2 × 50 inches (95.3 × 127 cm) Edition of 3 + 2 APs © Gregory Crewdson

“By my standards, it was relatively restrained,” he says, laughing and citing his 2008 series Beneath the Roses, which cost as much as a mid-budget movie and entailed four city streets being closed down for shots that required rain and snow-making machines.

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Gregory Crewdson The Motel, 2014 Digital pigment print Image size: 37 1/2 × 50 inches (95.3 × 127 cm) Edition of 3 + 2 APs © Gregory Crewdson

Cathedral of the Pines was challenging in a different way. “These pictures are smaller in scale and, to a degree, they were more difficult because they were less spectacular. You have to create meaning and atmosphere in a more intimate way, which makes lighting, for instance, a lot more challenging.”

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Foreboding … Mother and Daughter, 2014 Photograph: © Gregory Crewdson / Courtesy Gagosian Gallery

see more pictures and read the rest of the review in the Guardian here

find out about the exhibition at the Photographers Gallery here

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Supercharged children– in pictures

yet more startling images found in the Guardian.

Known for his portraits of Spanish miners, Pierre Gonnord has turned his technique to young people, creating portraits that look like oil paintings. Light of the Soul by Pierre Gonnord is at Festival Portrait(s), Vichy, France, 16 June to 10 September. All photographs: Pierre Gonnord; he is represented by the Galería Juana de Aizpuru, Madrid

Pierre Gonnord

Nicola, 2010 ‘I know why I do portraits. For the opportunity of encounters. These life experiences. Learn from others, listen, watch, see, feel, express. It’s to open one’s eyes to the world, to know other universes, other realities in order to go beyond one’s own small frontiers in the urban environment and enter little by little into the sharing and the understanding of humanity’

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Iris, 2011 ‘Installed in the silence of a room, generally a very small space, sometimes with daylight, sometimes with a lamp, a flash, just one spot … in a short distance, in the same living area, I can talk with the individual, my fellow, a chosen human being, and looking at him I repeat once again this old ritual. A very short moment. Probably the most ancient since man has been on Earth. Strip little by little all the details, and in silence try to catch what maybe is under the skin’

Pierre Gonnord

Adriano, 2010 ‘I chose the person, the individual, alone in the margins of his social group,’ says Gonnord. ‘When I travel and meet a community, I have time enough to establish contacts and connections, to know individuals that move me for their charisma, sensitivity, intelligence, shyness, beauty … and this is why I decide to invite them (and no others) to do a portrait’

Pierre Gonnord

Attia, 2010 ‘We are absolutely and irreparably involved in otherness. I would like for my portraits to situate us as spectators in front of this other that is at the same time our spectator. The other exists because we exist’

Remarkable aren’t they? see more here 

Even better go and see his website here

Gods of garbage – in pictures

Fascinating set of pictures found in The Guardian

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways

Fabrice Monteiro’s All images courtesy the artist, Photo Basel 2017 and Mariane Ibrahim Gallery

‘Who is fighting for clean water in the US? Native Americans. Who is fighting for land preservation in Australia? Aboriginals. The rainforest in Brazil? Indigenous peoples.’

Fabrice Monteiro’s All images courtesy the artist, Photo Basel 2017 and Mariane Ibrahim Gallery

‘When I started the project, I found out what Senegal’s biggest environmental challenges were and chose nine topics that seemed the most visual.’

Fabrice Monteiro’s All images courtesy the artist, Photo Basel 2017 and Mariane Ibrahim Gallery

The surreal figures wear costumes made in collaboration with Dakar-based designer Doulcy, from items found at each location.

Fabrice Monteiro’s All images courtesy the artist, Photo Basel 2017 and Mariane Ibrahim Gallery

Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series The Prophecy is on show at Photo Basel 2017 until 18 June. All images courtesy the artist, Photo Basel 2017 and Mariane Ibrahim Gallery

See more of these astonishing images here

And visit Fabrice Monteiro’s site here

‘I take portraits of gods’: Nobuyuki Kobayashi

With his gorgeous and patiently realised black and white images, Kobayashi searches for a spiritual dimension in the calm beauty of nature. Using a large-format 8×10 camera, the platinum palladium printing technique and sumptuous paper, Kobayashi fills his nature photography with a deep sensuality. An exhibition of his work, Portraits of Nature: Myriads of Gods, is at Sway Gallery, London, to 28 March. All photos: Nobuyuki Kobayashi

As seen in The Guardian

'I take portraits of gods': the photography of Nobuyuki Kobayashi – in pictures

Kodou Platinum prints allow for deep dark tones and create a beautiful matte finish

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Souzou Kobayashi prints on Hosokawa paper, a product that has been made in the same way since 1642. He says he uses this paper to add a ‘Japanese identity’ to his work

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Zen ‘I just keep walking around until I can find a place that incites my emotions,’ says Kobayashi. ‘I feel as though I am not the one who finds places to shoot but am led there by places’

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Shin ‘Strength, beauty and nobleness: all characteristics reveal themselves to me’

See more here

The body art of Aida Muluneh – in pictures

Sometimes the most startling things show up and it is with thanks to the Guardian this time. Aida Muluneh is a photographer and film-maker from Ethiopia.

Born in Ethiopia in 1974, Aïda left the country at a young age and spent an itinerant childhood between Yemen and England. After several years in a boarding school in Cyprus, she finally settled in Canada in 1985. In 2000, she graduated with a degree from the Communication Department with a major in Film from Howard University in Washington, D.C.

After graduation she worked as a photojournalist at the Washington Post, however her work can be found in several publications.

Her work is beautiful and surprising in colour and presentation and also quite wonderful.

Aida Muluneh

Memory of Libya

Aida Muluneh

Sai Mado. The Distant Gaze

Aida Muluneh

The Morning Bride Muluneh has had an uprooted existence since her birth in Ethiopia, living in Yemen, the UK, Cyprus, Canada and finally the US, where she worked as a photojournalist for the Washington Post

Aida Muluneh

Age of Anxiety She has since returned to Ethiopia, a move she describes as ‘a lesson in humility, and what it means to return to a land that was foreign to me’

Aida Muluneh

Denkinesh Birth on Ground These works are from her series The World Is 9, named after a saying of her grandmother: ‘The world is nine, it is never complete and it’s never perfect’

See more of these images here on the Guardian page

Visit Aida Muluneh site here

Unhappy families: Weronika Gesicka’s warped Americana – in pictures

As seen in The Guardian

These rather disturbing but fascinating images are by Weronika Gęsicka

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Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. All images: Weronika Gęsicka

Polish photographer Weronika Gęsicka takes corny American photography and manipulates it into something surreal and uncomfortable.  Weronika Gesicka, born in 1984 in Włocławek (Poland). Graduated from the graphics department of the Academy of Fine Arts in Warsaw and the Academy of Photography in the same city. She received a scholarship from the polish Minister of Culture and National Heritage. Weronika is doing projects about memory and its mechanisms. She is interested in the scientific and pseudoscientific theories, mnemonics and various disorders concerning it. Her main field of activity is photography, but she also create objects and artifacts, often in collaboration with craftsmen and sometimes with other artists. An important part of her art is working with archive materials of various sources. These are both image banks or images found on the Internet and police archives or old press photography.

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‘Who are, or were, these people in the images? Are they actors playing happy families, or real persons whose photos were put up for sale by the image bank? That is not fully clear’

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‘Who are, or were, these people in the images? Are they actors playing happy families, or real persons whose photos were put up for sale by the image bank? That is not fully clear’

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Polish photographer Weronika Gęsicka takes corny American photography and manipulates it into something surreal and uncomfortable

See more from The Guardian article here

 

Malick Sidibé: The Eye of Modern Mali – Exhibition in London

Les jeunes bergers peulhs, 1972. Photograph: © Malick Sidibé Courtesy Galerie MAGNIN-A, Paris.

Les jeunes bergers peulhs, 1972.
Photograph: © Malick Sidibé Courtesy Galerie MAGNIN-A, Paris.

Jeune homme avec pattes d’éléphant, sacoche et montre, 1977. Photograph: © Malick Sidibé Courtesy Galerie MAGNIN-A, Paris.

Jeune homme avec pattes d’éléphant, sacoche et montre, 1977.
Photograph: © Malick Sidibé Courtesy Galerie MAGNIN-A, Paris.

The first major solo exhibition in the UK of the late Malian photographer. Sidibé is known for his black-and-white images chronicling the lives and culture of the Malian capital, Bamako, in the wake of the country’s independence. The exhibition will present 45 original prints from the 1960s and 1970s around three defined themes: ‘Au Fleuve Niger / Beside the Niger River’, ‘Tiep à Bamako / Nightlife in Bamako’, and ‘Le Studio / The Studio’.

Sidibé was the first photographer, and first African artist, to receive a Gold Lion at the Venice Biennale in 2007. Other significant awards include The Hasselblad Foundation International Award in Photography in 2003, as well as the Infinity Award from International Center of Photography in 2008 and winning the Arts and Entertainments category at the World Press Photo competition in 2010.

Accompanying the photographs, the gallery soundtrack will recreate the spirit and soul of the nightclubs where he shot and his own Studio Malick, where “often it was like a party”. Curated by DJ, presenter and African music expert Rita Ray, it will feature an eclectic mix of music and urban sounds to which Sidibé’s photographic subjects may have listened, from the familiar rock ‘n’ roll, pop songs and fusions of the continent in the 60s and 70s to timeless Malian roots music.

Launching at 1:54, the exhibition will continue throughout the winter season.

6 October 2016–15 January 2017
Monday, Tuesday, Saturday & Sundays 10.00-18.00 (last admission 17.00)
Wednesdays, Thursdays & Fridays 11.00-20.00 (last admission 19.00)

Terrace Rooms
Free admission

From The Guardian

As a photographer working in Mali just after independence, Malick Sidibé captured the spirit of the post-colonial nation’s new identity, as seen through the changing scene of its capital.

He went on to become the first African artist and the first photographer to receive the prestigious Golden Lion award at the Venice Biennale, and his portrait photography has been shown across the world.

But less is known about the place it all started: Studio Malick, the poky room on Corner 19, 30th Street, in the Bagadadji neighbourhood in Bamako which by the early 1990s had become a local landmark, with queues of customers keen to sit for a portrait.

As the first solo exhibition of his work opens in London as part of the 1:54 African art fair, I went in search of the people who had met the man, to find out more about the setting in which these now famous images were taken……

 

See more pictures here

Abandoned places: the worlds we’ve left behind – in pictures

There is a great interest in what is known as Urbex Photography. This is the discovery  and photography of abandoned buildings, usually in an urban setting, we have featured these images often as they are so popular. New photographers are entering this arena and coming with their own take on the meme.

Kieron Connolly’s new book of photographs of more than 100 once-busy and often elegant buildings gives an eerie idea of how the world might look if humankind disappeared. Here are 10 evocative, stylised images of nature reclaiming the manmade world as seen in The Guardian

Rubjerg Knude lighthouse, northern Jutland, Denmark This lighthouse was built on the top of a cliff in 1900 and ceased operating in 1968. With coastal erosion and continually shifting sands a major problem in the area, it is anticipated that by 2023 the cliff will have been eroded so far that the lighthouse will fall into the sea. Photograph: Elisabeth Coelfen/Dreamstime

Rubjerg Knude lighthouse, northern Jutland, Denmark
This lighthouse was built on the top of a cliff in 1900 and ceased operating in 1968. With coastal erosion and continually shifting sands a major problem in the area, it is anticipated that by 2023 the cliff will have been eroded so far that the lighthouse will fall into the sea.
Photograph: Elisabeth Coelfen/Dreamstime

Rotunda, Wola Gasworks, Warsaw Opened in 1888, destroyed during the second world war, then rebuilt, the Wola gasworks finally closed in the early 1970s when the city switched to using natural gas. Today, part of the gasworks is a museum, but other areas, such as the rotunda, remain dilapidated. Photograph: Fotorince/Dreamstime.com

Rotunda, Wola Gasworks, Warsaw
Opened in 1888, destroyed during the second world war, then rebuilt, the Wola gasworks finally closed in the early 1970s when the city switched to using natural gas. Today, part of the gasworks is a museum, but other areas, such as the rotunda, remain dilapidated.
Photograph: Fotorince/Dreamstime.com

City Hall station, New York City Designed as a showpiece for New York’s new subway system, City Hall station (towards the southern tip of Manhattan) opened in 1904. It’s an elegant structure in Romanesque revival style with skylights, coloured glass and brass chandeliers, but because of its tightly curved platform longer subway carriages were unable to stop there. It was always a quiet station, and passenger services were discontinued in 1945. Photograph: Michael Freeman/Alamy

City Hall station, New York City
Designed as a showpiece for New York’s new subway system, City Hall station (towards the southern tip of Manhattan) opened in 1904. It’s an elegant structure in Romanesque revival style with skylights, coloured glass and brass chandeliers, but because of its tightly curved platform longer subway carriages were unable to stop there. It was always a quiet station, and passenger services were discontinued in 1945.
Photograph: Michael Freeman/Alamy

Uyuni Train Cemetery, Bolivia In the late 19th century, the Andean town of Uyuni served as a distribution hub for trains carrying minerals to Pacific ports. After the mining industry collapsed in the 1940s, the railways fell into ruin, leaving the trains to the harsh winds blowing off the Uyuni flats, the world’s largest salt plain. Today, though, the rusting, graffiti-covered hulks have become one of Uyuni’s attractions. Photograph: Javarman/Dreamstime

Uyuni Train Cemetery, Bolivia
In the late 19th century, the Andean town of Uyuni served as a distribution hub for trains carrying minerals to Pacific ports. After the mining industry collapsed in the 1940s, the railways fell into ruin, leaving the trains to the harsh winds blowing off the Uyuni flats, the world’s largest salt plain. Today, though, the rusting, graffiti-covered hulks have become one of Uyuni’s attractions.
Photograph: Javarman/Dreamstime

see more here

More Urbex here

 

Celebrating ​James Barnor – the first photographer to shoot Ghana in colour ​

As seen in The Guardian

James Barnor helped put black women on the covers of British magazines and documented fashion in a country marching towards independence. Now, aged 87, he has taken to Instagram and a London gallery is exhibiting his work

His early works recorded Ghana as it headed towards independence and came to terms with modernity through new inventions, music and fashion. In the 1960s, Barnor moved to the UK to continue his work with South African magazine Drum, for which he shot numerous cover images throughout the decade, as well as developing his own brand of street reportage and documentary photography

His early works recorded Ghana as it headed towards independence and came to terms with modernity through new inventions, music and fashion. In the 1960s, Barnor moved to the UK to continue his work with South African magazine Drum, for which he shot numerous cover images throughout the decade, as well as developing his own brand of street reportage and documentary photography

Barnor returned to Ghana in the early 1970s to open the first colour processing studio in the country. During this period, he was the first person to shoot outdoors and process images in full colour

Barnor returned to Ghana in the early 1970s to open the first colour processing studio in the country. During this period, he was the first person to shoot outdoors and process images in full colour

Embracing contemporary photography, Barnor recently set up an Instagram account aged 87. A collaborative exhibition between Barnor and the award-winning Italian photographer Daniele Tamagni is on show at the October Gallery in central London until 30 September

Embracing contemporary photography, Barnor recently set up an Instagram account aged 87. A collaborative exhibition between Barnor and the award-winning Italian photographer Daniele Tamagni is on show at the October Gallery in central London until 30 September

see more here

 

Shortlist announced for Taylor Wessing portrait prize

The Taylor Wessing portrait prize is one of this country’s premier photography awards. It is always controversial with those outside the art firmament. If your idea of a portrait is something that flatters the subject then the annual winners of this award will disappoint you. Long ago I gave up trying to understand or justify the shortlist and winners and so now like just to alert you to what is coming in Taylor Wessing world.

Three photographers have been shortlisted for the Taylor Wessing Photographic Portrait Prize. The prize winners and the winner of the John Kobal New Work Award will be announced at an award ceremony at the National Portrait Gallery on Tuesday 15 November 2016.

The Guardian is one of the outlets that regularly features TW and so this article and images come from there

Sternbach’s #1 Thea+Maxwell was created using early photographic processes. Photograph: Joni Sternbach/PA

Sternbach’s #1 Thea+Maxwell was created using early photographic processes.
Photograph: Joni Sternbach/PA

Tilly and Itty, Beitar Illit, one of two images shortlisted from Kovi Konowiecki’s series Bei Mir Bistu Shein. Photograph: Kovi Konowiecki/PA

Tilly and Itty, Beitar Illit, one of two images shortlisted from Kovi Konowiecki’s series Bei Mir Bistu Shein.
Photograph: Kovi Konowiecki/PA

Matsenen 2016 by Claudio Rasano, from a series focused on uniforms. Photograph: Claudio Rasano/PA

Matsenen 2016 by Claudio Rasano, from a series focused on uniforms.
Photograph: Claudio Rasano/PA

The shortlisted photographs were chosen from 4,303 submissions entered by 1,842 photographers from 61 countries.

The annual prize, which began in 1993, is considered one of the most prestigious photography awards in the world and is judged anonymously. It is open to professional and amateur photographers.

After the winner of the £15,000 prize is announced on 15 November, the shortlisted works will form part of a wider prize show at the National Portrait Gallery between 17 November and 26 February.

Nicholas Cullinan, the director of the gallery, said: “In an exhibition remarkable for its range of subjects and styles, the quality of this year’s shortlisted works reflects the outstanding level at which photographers across the world are working today.”

You can read the Guardian article herehere is a link to the NPG and exhibition details

here are some links to previous Taylor Wessing Awards

https://oxfordschoolofphotography.wordpress.com/2015/11/11/taylor-wessing-photographic-portrait-prize-2015-david-stewart-wins/

https://oxfordschoolofphotography.wordpress.com/2014/11/13/taylor-wessing-photographic-portrait-prize-2014/

https://oxfordschoolofphotography.wordpress.com/2013/09/12/taylor-wessing-photographic-portrait-prize-2013-shortlist-announced/