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insights into photography
Tag Archives: The Guardian
April 10, 2019Posted by on
There is no doubt that the faded, dissembled life of a town returned to nature is attractive. There are so many sites that explore ‘urbex’ photography and it is no wonder that Pripyat offers such poignancy.
Every student of photography would benefit from understanding the way to introduce atmosphere into their pictures and looking at David’s pictures would be a good place to start
The Chernobyl disaster in 1986 forced the evacuation of nearby Pripyat, home to 45,000 people. David McMillan has journeyed there 21 times since to record abandoned homes and buildings as they are reclaimed by nature
February 6, 2019Posted by on
There is a retrospective of Don McCullin’s work at the Tate starting tomorrow. It will be one of the great exhibitions this year and I would recommend you find the time to go. It will be tough, his war photography is uncompromising but he is a man of genuine compassion. As he said in a recent Guardian article while in conversation with Giles Duley…DMcC It’s about the emotional – we’re not just photographers, we gather emotionally. A camera doesn’t mean a toss to me. I just put it in front of me and transfer the image through that piece of glass and that film. But I’m using my emotion more than I’m using that piece of equipment. And at the same time there’s a thousand thoughts going through my brain saying: “Is it right do this?” I’ve seen men executed and I haven’t photographed it and I thought my God, if my editor knew that I hadn’t pressed this button he’d give me the boot. But it’s my moral duty not to take that picture because the man who’s about to be killed hasn’t given me his permission…….When a man is standing in front of you about to die, you can’t help him. He’s crying and he’s looking at you. He’s looking up to where he thinks God is and he’s scrambling around like mad to this last chance to keep alive and you’re standing there, you can’t help him. You are ashamed of humanity.
It is a dangerous mistress, and it’s one of those love affairs that never ends, you know. It just never ends. You’re totally captive to photography once it gets a grip of you.
March 6, 2018Posted by on
I saw this in the Guardian and had to share it with you. A few weeks ago I was taken to see Casablanca, the movie, by some friends. I am not sure I had ever seen it in it’s entirety before but it was enjoyable in a noirish sort of way. These pictures have nothing in common with the movie and all the better for it
There’s no sign of Humphrey Bogart or the stereotyped images found in travel guides in Yoriyas Yassine Alaoui Ismaili’s photographs of Casablanca. His images are full of energy and surprise, and show what the city is really like. Casablanca Not the Movie is at Riad Yima, Marrakech until 30 June 2018
or better visit his website here
June 21, 2017Posted by on
I find I can rely upon the culture section of The Guardian for many interesting articles about photography. If you have been on my courses you will have found that I talk about Gregory Crewdson, his images are cinematic in many aspects, both the nature of their creation and the sense they provoke. He has a new exhibition called Cathedral of The Pines and it is reviewed in the The Guardian
In 2013, in retreat from “a difficult divorce”, Gregory Crewdson moved from Manhattan to a converted church in rural Massachusetts. “I had to relocate myself, physically and psychologically,” says the photographer. So he spent his time mountain trekking, long-distance swimming and, when the winter set in, cross-country skiing.
“I was out in the snow one day when I came upon a sign for a section of the Appalachian Trail called Cathedral of the Pines,” he adds. “It stopped me in my tracks, just the resonance of the name. I knew I had to use it.”
The resulting series is more sombre, foreboding and inward-looking than the meticulously staged cinematic photographs that made his name. It opens this week at the Photographers’ Gallery in London, the first time the institution has devoted all its gallery space to a single artist.
Cathedral of the Pines took two and a half years to shoot and, typically for Crewdson, required the kind of preparation that usually attends a Hollywood film: months of casting, location hunting and storyboarding, with an extensive crew to oversee lighting, props, wardrobe, makeup and even some special effects involving artificial smoke and mist.
“By my standards, it was relatively restrained,” he says, laughing and citing his 2008 series Beneath the Roses, which cost as much as a mid-budget movie and entailed four city streets being closed down for shots that required rain and snow-making machines.
Cathedral of the Pines was challenging in a different way. “These pictures are smaller in scale and, to a degree, they were more difficult because they were less spectacular. You have to create meaning and atmosphere in a more intimate way, which makes lighting, for instance, a lot more challenging.”
June 18, 2017Posted by on
yet more startling images found in the Guardian.
Known for his portraits of Spanish miners, Pierre Gonnord has turned his technique to young people, creating portraits that look like oil paintings. Light of the Soul by Pierre Gonnord is at Festival Portrait(s), Vichy, France, 16 June to 10 September. All photographs: Pierre Gonnord; he is represented by the Galería Juana de Aizpuru, Madrid
Remarkable aren’t they? see more here
June 16, 2017Posted by on
Fascinating set of pictures found in The Guardian
Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways
March 22, 2017Posted by on
With his gorgeous and patiently realised black and white images, Kobayashi searches for a spiritual dimension in the calm beauty of nature. Using a large-format 8×10 camera, the platinum palladium printing technique and sumptuous paper, Kobayashi fills his nature photography with a deep sensuality. An exhibition of his work, Portraits of Nature: Myriads of Gods, is at Sway Gallery, London, to 28 March. All photos: Nobuyuki Kobayashi
February 21, 2017Posted by on
Born in Ethiopia in 1974, Aïda left the country at a young age and spent an itinerant childhood between Yemen and England. After several years in a boarding school in Cyprus, she finally settled in Canada in 1985. In 2000, she graduated with a degree from the Communication Department with a major in Film from Howard University in Washington, D.C.
After graduation she worked as a photojournalist at the Washington Post, however her work can be found in several publications.
Her work is beautiful and surprising in colour and presentation and also quite wonderful.
January 23, 2017Posted by on
These rather disturbing but fascinating images are by Weronika Gęsicka
Polish photographer Weronika Gęsicka takes corny American photography and manipulates it into something surreal and uncomfortable. Weronika Gesicka, born in 1984 in Włocławek (Poland). Graduated from the graphics department of the Academy of Fine Arts in Warsaw and the Academy of Photography in the same city. She received a scholarship from the polish Minister of Culture and National Heritage. Weronika is doing projects about memory and its mechanisms. She is interested in the scientific and pseudoscientific theories, mnemonics and various disorders concerning it. Her main field of activity is photography, but she also create objects and artifacts, often in collaboration with craftsmen and sometimes with other artists. An important part of her art is working with archive materials of various sources. These are both image banks or images found on the Internet and police archives or old press photography.
Polish photographer Weronika Gęsicka takes corny American photography and manipulates it into something surreal and uncomfortable
October 7, 2016Posted by on
The first major solo exhibition in the UK of the late Malian photographer. Sidibé is known for his black-and-white images chronicling the lives and culture of the Malian capital, Bamako, in the wake of the country’s independence. The exhibition will present 45 original prints from the 1960s and 1970s around three defined themes: ‘Au Fleuve Niger / Beside the Niger River’, ‘Tiep à Bamako / Nightlife in Bamako’, and ‘Le Studio / The Studio’.
Sidibé was the first photographer, and first African artist, to receive a Gold Lion at the Venice Biennale in 2007. Other significant awards include The Hasselblad Foundation International Award in Photography in 2003, as well as the Infinity Award from International Center of Photography in 2008 and winning the Arts and Entertainments category at the World Press Photo competition in 2010.
Accompanying the photographs, the gallery soundtrack will recreate the spirit and soul of the nightclubs where he shot and his own Studio Malick, where “often it was like a party”. Curated by DJ, presenter and African music expert Rita Ray, it will feature an eclectic mix of music and urban sounds to which Sidibé’s photographic subjects may have listened, from the familiar rock ‘n’ roll, pop songs and fusions of the continent in the 60s and 70s to timeless Malian roots music.
Launching at 1:54, the exhibition will continue throughout the winter season.
6 October 2016–15 January 2017
Monday, Tuesday, Saturday & Sundays 10.00-18.00 (last admission 17.00)
Wednesdays, Thursdays & Fridays 11.00-20.00 (last admission 19.00)
As a photographer working in Mali just after independence, Malick Sidibé captured the spirit of the post-colonial nation’s new identity, as seen through the changing scene of its capital.
He went on to become the first African artist and the first photographer to receive the prestigious Golden Lion award at the Venice Biennale, and his portrait photography has been shown across the world.
But less is known about the place it all started: Studio Malick, the poky room on Corner 19, 30th Street, in the Bagadadji neighbourhood in Bamako which by the early 1990s had become a local landmark, with queues of customers keen to sit for a portrait.
As the first solo exhibition of his work opens in London as part of the 1:54 African art fair, I went in search of the people who had met the man, to find out more about the setting in which these now famous images were taken……