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Tag Archives: Margaret Bourke-White

5 Great War Photographers

Here at OSP Towers we try to bring you a varied diet of equipment news, tutorials and great photography. As part of that we feature photographers we think you should be interested in. We have covered war photographers occasionally because they have always had such an impact on our understanding of the suffering handed out by those who wage war and what atrocities our governments undertake in our names for the sake generally of the need for hydrocarbons. Anyway this article by those good people at Lightstalking gives you a brief insight into 5 of the greatest war photographers. Don McCullin ( we featured him here), James Natchwey (we featured him here), George Silk, Robert Capa and Margaret Bourke-White (who we featured here)

Don McCullin – Nikon F by martsharm, on Flickr

This is what Lightstalking has to say:

In any profession, there are wild pioneers who do things that others won’t do and go places that others won’t go. In photography, we have quite a few of these individuals. But some stand out from the crowd. Some go where nobody sane would even consider. And they come back with the shots that we all say, “hey, I wish I could have taken that.” War photographers especially are a special lot. Their stories and their photographs make and shape history. But let’s face it – some of these heroes are simply fearlessly insane to go where they go and do what they do with the almost certain danger of great physical harm that they accept as part of the job. Thank god for these folks. Here are some of our favourites….….MORE

Margaret Bourke-White

Bourke-White was a first in many things and had a knack of being in the right place at the right time. Born in 1904 and working as the first woman photojournalist she photographed the depression era dust bowl along with Dorotea Lange and then became a war correspondent photographing in many of the main theatres of war. She continued working as a journalist as well as a commercial photographer making memorable images in Russia and also made the last photograph of Gandhi, this section from wikipedia gives an insight into her extensive work during the Second World War

“Bourke-White was the first female war correspondent[4] and the first woman to be allowed to work in combat zones during World War II. In 1941, she traveled to the Soviet Union just as Germany broke its pact of non-aggression. She was the only foreign photographer in Moscow when German forces invaded. Taking refuge in the U.S. Embassy, she then captured the ensuing firestorms on camera.

As the war progressed, she was attached to the U.S. Army Air Force in North Africa, then to the U.S. Army in Italy and later Germany. She repeatedly came under fire in Italy in areas of fierce fighting.

“The woman who had been torpedoed in the Mediterranean, strafed by the Luftwaffe, stranded on an Arctic island, bombarded in Moscow, and pulled out of the Chesapeake when her chopper crashed, was known to the Life staff as ‘Maggie the Indestructible.'”[5] This incident in the Mediterranean refers to the sinking of the England-Africa bound British troopship SS Strathallan which she recorded in an article “Women in Lifeboats”, in Life, February 22, 1943.

In the spring of 1945, she traveled through a collapsing Germany with General George S. Patton. She arrived at Buchenwald, the notorious concentration camp, and later said, “Using a camera was almost a relief. It interposed a slight barrier between myself and the horror in front of me.” After the war, she produced a book titled Dear Fatherland, Rest Quietly, a project that helped her come to grips with the brutality she had witnessed during and after the war.

“To many who got in the way of a Bourke-White photograph — and that included not just bureaucrats and functionaries but professional colleagues like assistants, reporters, and other photographers — she was regarded as imperious, calculating, and insensitive.”[5]

She had a knack for being at the right place at the right time: She interviewed and photographed Mohandas K. Gandhi just a few hours before his assassination. Alfred Eisenstaedt, her friend and colleague, said one of her strengths was that there was no assignment and no picture that was unimportant to her. She also started the first photo lab at Life.