Oxford School of Photography

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Tag Archives: Intermediate Photography Course

15 Thoughts on Fine Art Photography Composition

By  on Lightstalking

What are the most important aspects of composing a Fine Art Photograph?  The answer to this question certainly varies from photographer to photographer because each of us places more importance on some aspects than on others.  What follows is what I personally consider to be the most important aspects of Composition….

Much of what Alan says I think is fundamentally true and good starting points to think about photography as a medium for art. I do think that art is a much wider subject than can be addressed by consideration of composition, the definition between fine art and photography as a medium for art is a strongly debated. Just search ‘define fine art photography’ to see how difficult it is to nail a definition. Wiki says

Fine art photography is photography created in accordance with the vision of the artist as photographer. Fine art photography stands in contrast to photojournalism, which provides a visual account for news events, and commercial photography, the primary focus of which is to advertise products or services.

We don’t have to believe or agree with everything in the Wiki world though.

So basically is anything that is not photographed for the purposes of making money art? But that can’t be correct, just look at a site like Flickr to recognise that most people using cameras are not artists they are at best recordists.

These are questions we pose of our students in our Intermediate Photography course, our aim is to stretch their understanding of photography and to encourage them to incorporate these ideas within their own work. To help them to stop just recording what is front of them and to start using their cameras as a means of expressing their ideas.

Here are  of Alan’s suggestions about making images with the intention of creating fine art. As I say I don’t disagree with any of these but I don’t think adhering to a set of rules can create art, fine or otherwise. I think that art is in the intention of the creator, therefore if you intend to make an image that is more than mere representation then you are attempting to create something with art at it’s foundation. Using Alan’s suggestions may certainly help.

Rhine 2 by Andreas Gursky; this is the most expensive photograph ever sold and is considered by some criteria as a pinnacle  of photographic art. What do you think?

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Click Here: 15 Thoughts on Fine Art Photography Composition by Alain Briot (With Photos)

Craft & Vision ebooks

You know I always say in class that if you don’t like your pictures don’t blame your camera. I meet so many people who would love to make better pictures and their route to doing so is to buy ever more expensive equipment. Don’t misunderstand me, I recognise that good equipment is important but one of my favourite photographers, Jane Buekett,  still only uses her Pentax K1000, that is not the digital Pentax, that is the the film one that is at least 30 years old. Actually that is not exactly true, the bit about Jane ‘only’ using her ancient film camera, I recently converted her to a bit of digital and now she carries a Canon G10 too. This is all beside the point, which is that on our courses we stress that the route to better photography is not through spending more money on cameras or lenses but by learning how to use them properly and how to improve your ‘eye’, your vision, your craft.

I have purchased many of the Craft & Vision ebooks because for me other peoples’ version of the things I do is valuable, another viewpoint, a different way of expressing is uplifting and re-affirming. It is for this reason I recommend you read Tom Dinnings Blog. One of the great things about the internet is the ability to engage with others who you may never meet but who share your version of being creative, your vision. That doesn’t mean they take the same pictures as you or that it is a mutual back slapping club but that you share attitudes and thought processes about how you make pictures. In class last night on our Intermediate Photography course a student, Sarah, explained that in German the term is distinctly to ‘make a photograph’ rather than the ‘take’ that we consider here in England. I definitely prefer the idea of making a photograph. What do you say wherever you are in the world, I would be very interested to hear, and does it infer a difference of approach?

Another photographer whose attitudes I concur with is the man behind Craft & Vision, David du Chemin, his work is completely different to mine, how I would enjoy his life for a short while, traveling almost continuously making images with the intention of making a difference. Go and have a look at his site, sign up to his blog.

So the Craft and Vision ebooks. As I said I have purchased a number, they cost almost nothing, are beautifully produced and interesting and informative.

Here is a link to their pages, go and have a look, save money on equipment, make better pictures

New Photography Courses Dates released for 2012

We have just managed to arrange the dates for the new term, our next series starts in January and runs through until the end of March, here is the list of courses and dates running next term. Full details are on our website, here is the link

Understanding Your Digital SLR:start dates:11.1.12; 30.1.12; 3.3.12; 7.3.12; (Saturday morning)
Understanding Your Digital Compact Camera     – starts: 27.2.12
Introduction to Photoshop and Photoshop Elements – starts 22.2.12  6 sessions,
Composition In Photography – Seeing Pictures – starts  2.2.12
Portrait Photography: – starts: 1.3.12
Intermediate Photography – starts: 24.1.12
Black and White Digital Photography – starts 6.3.12
Travel Photography  starts spring term
One Day Understanding Your DSLR – 22.1.12; 19.2.12; 25.3.12; 29.4.12
Most courses are 4 sessions one per week, (Photoshop and Intermediate Photography are 6 sessions) all run on consecutive weeks from start dates. 1 Day DSLR is a  one day course, there are 4 dates this term
To book a place please send us an email with the course title and start date you wish to attend.

©Stephanie Arnold – Intermediate Photography Course November 2011

© Bruce Wilson – Travel Photography Course November 2011

© Richard Rogers – Composition Course November 2011