July 10, 2013
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An exhibition showcasing the winning work from The Photo Democracy Award for Fine Art Photography 2013 – a selection of the best up and coming photographers showing a diverse range of exciting new photography.
Chris Beetles Fine Photographs
3-5 Swallow St
Nearest tube: Picadilly Circus/Green Park
Click Here for directions
12 – 17 August 2013
May 13, 2013
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Photo.net member, Pete Myers, is a fine art photographer based in Santa Fe, New Mexico. This is the first of four installments called State of the ART. You can visit this artist and explore his captivating portfolios here.
The debate or beliefs about what makes art can be absorbing and/or tedious depending on the person holding forth. I have had many conversations in class and with other photographers about fine art photography and the changes that came about due to digital photography. Some hold that fine art photography is a product of film and darkrooms, where the more organic approach to print making is apparent, others claim this is just evidence of an interest in the craft based aspects of an earlier photography model and is not relevant to a discussion about whether an image is fine art or not.
This article by Pete Myers on Photo.net address this question, we accept that any view on this is personal and therefore open to challenge, Pete makes many extremely valid points and this article is worth reading and thinking about
Image caption: American Grasslands Homestead—Image 4 © 2013, Peter H. Myers
For me, the purpose of fine art photography is to ennoble the beauty of what is in front of the lens. It is the photographer’s job to fortify the photograph with a clarity of view unique to his or her passion for the subject. But the image is not about the photographer; it is not about the photographer’s camera system; it is not about the photographer’s technique. The photographer is the conduit for the formation of the image, and what tools and techniques are used should invisibly support the beauty within the photograph in celebrating what is before the lens………
That full-stride moment comes when the fine art photographer simply FEELS. The rest is irrelevant. And it comes at a personal cost of gaining maturity of self that is beyond ordinary “things.” It is beyond the point of worrying about what the photographer is getting out of the process in art or reward. It is beyond the point in what others might think of the work. The photographic tool simply has become the means for the photographer to connect with the meaning of lifeâs truth, through beauty. What is seen through the lens is a metaphor for truth as shown through beauty. And to get there, the artist must give up all the rest. The perfect light is that which is imperfect.
So how does this all have relevance to your own personal work? For most, photography is an advanced hobby or part-time vocation as part of a very hectic life. Driving one’s passion to the limit might not be fully achievable with the time available. But nevertheless, there is a lot that can be ventured that will have immediate benefit upon the direction of your own work……….
READ MORE HERE
March 14, 2013
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By alainbriot on Lightstalking
What are the most important aspects of composing a Fine Art Photograph? The answer to this question certainly varies from photographer to photographer because each of us places more importance on some aspects than on others. What follows is what I personally consider to be the most important aspects of Composition….
Much of what Alan says I think is fundamentally true and good starting points to think about photography as a medium for art. I do think that art is a much wider subject than can be addressed by consideration of composition, the definition between fine art and photography as a medium for art is a strongly debated. Just search ‘define fine art photography’ to see how difficult it is to nail a definition. Wiki says
Fine art photography is photography created in accordance with the vision of the artist as photographer. Fine art photography stands in contrast to photojournalism, which provides a visual account for news events, and commercial photography, the primary focus of which is to advertise products or services.
We don’t have to believe or agree with everything in the Wiki world though.
So basically is anything that is not photographed for the purposes of making money art? But that can’t be correct, just look at a site like Flickr to recognise that most people using cameras are not artists they are at best recordists.
These are questions we pose of our students in our Intermediate Photography course, our aim is to stretch their understanding of photography and to encourage them to incorporate these ideas within their own work. To help them to stop just recording what is front of them and to start using their cameras as a means of expressing their ideas.
Here are of Alan’s suggestions about making images with the intention of creating fine art. As I say I don’t disagree with any of these but I don’t think adhering to a set of rules can create art, fine or otherwise. I think that art is in the intention of the creator, therefore if you intend to make an image that is more than mere representation then you are attempting to create something with art at it’s foundation. Using Alan’s suggestions may certainly help.
Rhine 2 by Andreas Gursky; this is the most expensive photograph ever sold and is considered by some criteria as a pinnacle of photographic art. What do you think?
Click Here: 15 Thoughts on Fine Art Photography Composition by Alain Briot (With Photos)
January 9, 2013
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Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.
What are the most important aspects of composing a Fine Art Photograph? The answer to this question certainly varies from photographer to photographer because each of us places more importance on some aspects than on others. What follows is what I personally consider to be the most important aspects of Composition. Writes alainbriot on Lightstalking
This list is excerpted from a longer list that I use for teaching during my workshops and seminars. The decision to create a shorter list, with only 15 items instead of 37, stemmed from the desire to focus on the essential aspects of composing a fine art photograph regardless of the subject we are studying or the specific project we are working on. The resulting list is free from a particular teaching emphasis and represents what I look for in a Fine Art Photograph.
1 – Composition is the strongest way of seeing
This is Edward Weston’s definition of composition. It is still my favorite definition of composition
February 21, 2012
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Tom Dining is one of our favourite photography bloggers, His sage words are always welcome. This comes from the Lightstalking site, another favourite and worth bookmarking for regular visits.
This is a guest post by Tom Dinning. Check out Tom’s free book offer on his site.
“I’m partial to a bit of colour as much as the next photographer. Blue skies, turquoise ocean, verdant pastures all make for picture post card stuff………But when it comes to emphasising textures, tones and forms of the landscape there seems nothing like a black and white image to draw out the best in these elements of composition.”………MORE from Tom
We have a Black and White Digital Photography course starting March 6th
February 8, 2012
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At this time of the year many forthcoming competitions and awards are announced, this one comes from Vienna.
“The capital city of Austria, Vienna one of the most important cultural cities in Europe enjoys a good reputation in its music, literature, theater and fine arts for many years. However, in the field of contemporary photography Vienna has a rising demand to follow up with the rest of the world. Inspired by many international competitions in photography we therefore decided to set up and organize the annual Vienna International Photographic Awards « VIPA » for documentary photography.
In Vienna interest for photography has been there for a long time, the European Society for the History of Photography has its seat there, and the major Viennese museums feature important exhibitions of photography. It is therefore only logical that the Vienna International Photographic Awards « VIPA » have been founded in order to renew the photographic heritage of the city nowadays.
KUNSTNETZWERK (modern contemporary art gallery and network) and founder Raed Bawayah (photographer), in collaboration with « Eyes-On » the European Month of Photography Vienna will organize the first Vienna International Photographic Awards « VIPA » in 2012 for documentary photography. Our mission is to salute the achievements of the world’s finest photographers, to discover new and emerging talents, and to promote and enhance contemporary photography in Austria and all over the world. The « VIPA » conduct an annual competition for professional, non-professional and student photographers.
Besides the total value of 7.000 EUR in money prizes the short-listed winners will be able to take part in a group exhibition in November 2012 in Vienna (during the European Month of Photography) as well as in the publication of VIPA’s official catalogue. The awards will be divided into three sections: 1st prize (4.000 EUR), 2nd prize (2.000 EUR) and 3rd prize (1.000 EUR). The awards of the prices, the presentation of the official catalogue as well the opening of the group exhibition will be held on the 15th November 2012 in Vienna. Participants will choose the theme of their photo series submission.
The competition will be judged by a board of highly esteemed photo editors, curators, art directors and other luminaries from the international photography community.”
© Gregor Sailer
July 7, 2011
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The About Photography site by Ed Verosky is always interesting and this podcast promises to be great if art photography is your thing
“Elinor Carucci is a fine art and editorial photographer based in New York City. Her work is included in collections at the Museum of Modern Art New York, the Brooklyn Museum of Art, and the Houston Museum of Fine Art, among others. She’s a recipient of the ICP Infinity Award and a Guggenheim Fellowship. She’s published two monographs to date, including Closer (Chronicle Books) and Diary of a Dancer (SteidlMACK).” here is a link to the podcast
Cat Power, Paper Magazine