In class, any of the classes I teach, eventually the question comes up, why do my prints not look like what I see on screen. Well there are a number of reasons but the first is that professionals use monitors designed for graphic purposes. We don’t use the default that came with the computer we bought, and often the monitor costs as much as the computer. We need to be able to calibrate our monitors so that they look like other professional outfits who use professional monitors, these should be your local high street printer, the digital book publisher you use and the bespoke lab you prefer. We usually recommend looking at Colour Confidence as a start point
What is the best monitor for photo editing? Colour-accurate monitors offer true-to-life reproduction of photographic images, but price and performance varies. Digital Camera World tested four of the top models available to see which monitor is best for photographers.
Best monitor for photo editing: 01 Eizo ColorEdge CG243W
Buy it: http://www.eizo.co.uk
This thoughtfully laid-out monitor has a versatile swivelling screen, which makes fitting it into your workspace a doddle, even with the (included) hood in place.
The menus are sensibly laid out, with icons popping up above the buttons so you always know what to press, even in a darkened studio.
The included calibration software enables you to build an ICC profile quickly, and the 1920×1200-pixel display offers high-end reproduction, but this doesn’t come cheap and, at 24 inches, this is the smallest monitor on test.
Pros: A high-end, flexible monitor with rich, consistent colours
Cons: Only 24 inches; functional rather than stylish design; pricey
See the other recommended at Digital Camera World here