This market is also swamped, I am not sure how anyone makes a decision, this is particularly the case as it is impossible to get your hands on a selection of cameras to find how they feel to you. The biggest problem I have with this size of camera is that my sausage fingers just cannot work the tiny controls but if you are less digitally challenged you may find these articles useful
Specs: 16MP CMOS sensor, 12x optical zoom , Full HD video
The Nikon Coolpix S6400 appears to have just about everything you want from a digital compact camera of its class. With a 12x optical zoom, 3-inch 460,000-dot touchscreen, 16 megapixel backlit CMOS sensor, Full HD video recording, a host of direct controls, 20 scene modes, small, lightweight body and a modest price tag, what more could you ask for?
The Nikon S6400 does a number of things pretty well and offers a lot of flexibility, from its wide range of creative filters to its responsive touchscreen, accurate AF system on down to the all-important thing: great image quality.
Sporting a 20x zoom lens offering an angle of view equivalent to a 25-500mm lens on a 35mm camera, the Canon PowerShot SX260 HS should be very well equipped for those who wish to travel light. A 12MP rear-illuminated CMOS sensor, coupled with the latest DIGIC 5 image processor, enables this camera to take great quality images, even in low light. The image stabiliser system will also help with taming camera shake when shooting at low shutter speeds.
Full HD video can be recorded and output via the built-in HDMI interface and global positioning information can be recorded for sharing on image and video sharing websites. Advanced photographers will also appreciate the inclusion of manual exposure options, whereas a wide range of automatic shooting options are also included for those who are less technically inclined.
The Canon Powershot SX260 HS sweeps our Best mid-range compact camera trophy.
Specs: 18MP CMOS Sensor, 20x optical zoom, 1080p video at 50fps, GPS
An 18MP Exmor R sensor promises excellent quality low light images, despite the relatively high resolution. A 20x optical zoom lens providing an angle of view equivalent to a 35-500mm lens on a 35mm camera should cover most photographic situations when travelling.
High quality Full HD 50p videos can be recorded, and a GPS function is included for tagging images with your position. Plenty of artistic picture effects and easy creative options are also included to get your creativity flowing.
Specs: 16MP CMOS sensor, 12.5x zoom, take still images while recording HD video, dual Image Stabilisation
Although a 12.5x zoom range may seem quite modest when compared to other travel compacts on offer, the 24mm wide angle will certainly be handy for shots in cramped conditions, or large buildings you may encounter on your travels.
Just like many other travel-orientated compact cameras, GPS tracking is included and a rear-illuminated 16MP CMOS sensor should provide decent quality in low light conditions.
Unique to this camera is the ability to take still images at the same time as recording video clips, enabling you to capture high quality stills to complement your high definition video.
Specs: 14.1MP CMOS sensor, 20x optical zoom, 1080p HD video, touchscreen interface, 3D still images
The Panasonic Lumix TZ30 (or Panasonic Lumix ZS20 in the US) replaces the TZ20 (ZS10) as Panasonic’s flagship TZ camera and pushes the zoom range from 16x to 20x, with a focal length equivalence of 24-480mm.
In other respects the TZ30 is very like the TZ20 having the same touchscreen LCD display, GPS technology and a raft of automated shooting modes as well as more advanced options for experienced photographers.
However, HD video can be shot in 1080p at 50 frames per second rather than the TZ20’s 1080 interlaced. And, although the sensor is still a 14MP 1/2.33-inch device, it has been redesigned to produce cleaner images across the sensitivity range. There’s a lot packed into this relatively small camera.
Specs: 16MP EXR CMOS sensor, 20x optical zoom, ISO 12,800, 1080p video, 8fps high speed continuous shooting
If you’ve ever struggled to capture the perfect shot of Minky The Whale jumping through a hoop at Sea World, then the Fuji F770 EXR has the solution. It is capable of taking full resolution shots at a blistering pace of eight frames per second, and if you wish to share where the image was taken via popular image sharing services, GPS information can be recorded too.
The rear-illuminated 16MP EXR CMOS sensor has a few tracks up its sleeve too. It can be optimised to take high resolution 16MP images, or images with improved dynamic range at reduced resolution.
By combining neighbouring pixels, sensitivities of up to ISO12,800 are also possible, making this camera ideal for shooting with in adverse conditions.
Olympus PEN E-PL3
Olympus PEN E-PL3 front viewStreet price: £249 w/14-42mm lens
The Olympus PEN E-PL3 is just a little bigger than most compacts, but this CSC packs in a Micro Four Thirds 12.3MP Live MOS sensor with an ISO range that tops out at 12,800.
Another Olympus staple is the sensor-based image stabilisation system that also means handshake can be countered whatever lens is attached to the camera.
The metal finish delivers a quality feel, the AF is pretty fast (in Single AF mode at least) and unless you’re going to be shooting at high ISOs a lot, the 12.3MP chip delivers pleasing results. Even though it’s been superseded by the E-PL5, the E-PL3 still has a lot going for it.
Best for: High-end performance in a compact body
Sony Cyber-shot WX300
Sony Cyber-shot WX300 front viewStreet price: £229
Fractionally larger than a pack of cards, the Sony WX300 manages to cram a 20x optical zoom lens within an ultra-petite body. The zoom range is equivalent to a 25-500mm focal length in 35mm terms – making it ideal for anyone who fancies a small, but powerful camera that’s capable of zooming right in to the heart of the action.
Thankfully there is Optical SteadyShot image stabilisation built in to reduce hand shake and another neat feature is the 10fps frame rate.
Overall, the Sony WX300 packs in a lot within an extremely small body and is a very attractive option for those wanting a long zoom from a camera that’ll slide into a pocket or bag with ease.
Best for: The ultimate in pocketability
Canon PowerShot S110
Canon PowerShot S110 front viewStreet price: £299
The Canon PowerShot S110 is one of our favourite pocket-sized compacts that’s perfectly suited for those looking for a quality compact with creative control.
The Canon Powershot S110 sports a 12.1MP sensor and DIGIC 5 image processing engine. The 5x optical zoom covers a decent range of 24-120mm, with a four-stop lens-based IS system.
The Canon Powershot S110 delivers just the right balance for colour, and exposures are pretty consistent.
There’s no doubt the Canon Powershot S110 is one of the most polished true pocket-sized compacts available.
Best for: Compact size with advanced functionality Read more
A photographer has been reunited with her Canon PowerShot camera, six years after losing it in the ocean off Hawaii. The camera, which was in a waterproof housing, drifted for thousands of miles to the coast of Taiwan, where it was picked up by an employee of China Airlines. The airline identified its owner, Lindsay Scallion of Georgia, USA from photos on the memory card.
This is what a consumer-grade waterproof housing looks like after six years at sea. Lindsay Scallan’s Canon PowerShot camera drifted thousands of miles from Hawaii to Taiwan. READ THE FULL ARTICLE HERE
There’s no doubt that light modifiers are extremely useful for controlling the look and behavior of flash. Manufacturers are constantly coming up with new ways to snoot, spot, diffuse, bounce, color, and ring-light a basic flash unit. It’s gotten to the point where you rarely see anyone use a speedlite (or speedlight) these days without some extra attachment. But it doesn’t mean your flash is useless without a mini-softbox or piece of plastic on the end of it. Many people choose to use their flash units with no modifier, aimed straight at the subject.
I like to use the direct approach with my flash units for a certain look people have often referred to as “dirty.” I think of it as kind of a raw or dangerous look. Not that direct flash has to look that way, it’s just the look I like to get from it.
Last week, I did a quick set with actress Julia O’Neill. The plan was to explore darker characters, so I dispensed with my usual shoot-thru umbrellas and got these shots.
The idea for the first shot was simply to have Julia get on the floor and play the part of someone who’s had too much going on that night (use your imagination). I used a Canon 580EX II positioned on a light stand to my right, at a lower power setting, and aimed in her general direction. I used a step-ladder to get some vertical distance.
As you can see, there are hot spots and uneven lighting which adds to the amateur or “low-budget” effect of the shot. I added some vignetting in post to add to the darkened back-room feel. A spotlight or vignette look might also have been accomplished with a grid or snoot attachment, flags, or a combination of the two, but it’s just so easy to change and control this look in post I prefer to do it that way.
I’ve included a couple of images showing how I normally setup my flash on a stand. The image on the right illustrates the shoot-thru umbrella configuration, however I didn’t use the umbrella for the shots in this article.
Shot above: 17-40mm @ 33mm, ISO 100, f/4.0, 1/250 sec.
In the next shot I used two lights; one positioned hard right and one just above Julia’s head. Both were unmodified Speedlites. Again, the idea was to portray a darker character in an emotionally-charged situation. In the photo below, she moved half her face into the shadow area for an intense, partially hidden look.
Just remember that all photography doesn’t have to be made with soft, pretty, even lighting. Lighting is a tool you can use to tell a story, not just something you need to “get right” according to what you’ve seen other people do. Check out the work of Terry Richardson and Ellen von Unwerth for great examples of harder lighting (NSFW). Experiment with your DSLR or even a point and shoot to see how you can tell a story with direct flash on, or off, the camera.