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Tag Archives: Canon EOS

How To Guide: Close-up

From the Canon tutorials we bring you this,….Macro is the perfect photographic activity for the autumn and winter months as it can be done indoors as well as out when the days are shorter and weather is less predictable. We agree with this and recommend it in our classes.

Getting going
If you are starting off you can use the standard zoom lens that typically comes with EOS cameras before possibly upgrading to a dedicated macro lens. Use the telephoto to zoom in to maximum magnification Good advice too

Read More here

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Harmony in the water, © Roberto Tacchetto, Canon EOS-1D Mark III

Canon EOS 70D: Canon’s Newest DSLR Game Changer

ShutterStoppers think this new Canon released in the summer has some important new features.

The 70D isn’t called the game changer without merit, and you’ll quickly discover why. Intelligently engineered as a more refined replacement to the successful Canon EOS 60D, the 70D has a few new tricks up its sleeves. It is made for enthusiastic photographers, and comes with a variety of improvements that will create a buzz. The legendary Canon EOS is all grown up…

Canon EOS 70D: Canon’s Newest DSLR Game ChangerThe 70D improves from the 60D in many ways, a major one being within the sensor. It comes with the newest Dual Pixel CMOS sensor which is capable of capturing 20.2 MP images. The technology behind the sensor allows for a faster focusing during both Live View and video mode. 70D also has 19 cross-type AF points which is similar to the one present in the more expensive 7D. READ MORE HERE

 

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for a more in depth consideration of this latest mid range Canon DSLR DP Review adds this

During the early days of digital SLRs, Canon was pretty much the undisputed leader in CMOS image sensor technology. Almost every new EOS model came with an increase in resolution and high ISO range, and when the EOS 7D appeared in late 2009, the company had progressed from 3MP to 18MP, and ISO 1600 to ISO 12800, in just over nine years. But since then Canon’s APS-C cameras have all sported variants on the same basic sensor design, to the extent that you could be forgiven for wondering what on earth their engineers were doing all day. Now we know.

The EOS 70D is a mid-range SLR for enthusiast photographers that from the outside looks like a sensible, indeed desirable upgrade to the EOS 60D. It borrows many of the best bits from Canon’s existing SLRs, including the autofocus sensor from the EOS 7D, the fully articulated touchscreen from the EOS 700D (Rebel T5i), and built-in Wi-Fi from the EOS 6D. But on the inside it sports an entirely new sensor that is, potentially, revolutionary. It offers 20.2MP resolution, but uses a ‘Dual Pixel CMOS AF’ design in which every single pixel is split into two separately-readable photodiodes, facing left and right. This means that in principle they are all capable of phase detection autofocus in live view and movie mode.

On-chip phase detection is nothing new – we first saw it in the Fujifilm F300EXR back in 2010. Since then it’s been adopted in one form or another by most manufacturers, with arguably its most successful implementation coming in Nikon’s 1 System mirrorless models. But because until now it’s used relatively few active pixels scattered sparsely across the sensor, it’s had practical limitations, often only covering a restricted area of the frame and struggling once the light drops below outdoor daylight levels. Canon says that its Dual Pixel AF system, in contrast, works across an area 80% of the frame width and height, in light levels as low as 0 EV, and at apertures down to F11. This means it could well be the most capable live view autofocus system we’ve yet seen on any type of camera.

We’ll look at the technology behind the EOS 70D’s live view AF in more detail later, but let’s not forget that it has to work as a conventional SLR too. To this end it uses the same 19-point AF sensor as the EOS 7D for viewfinder shooting, but with slightly simplified control options in firmware. It can rattle shots off at 7fps for up to 65 frames in JPEG or 16 in RAW, and its standard ISO range covers 100-12800, with ISO 25600 as an expanded option. Image processing is via the DIGIC 5+ processor first seen in the EOS 5D Mark III.

In terms of control layout the EOS 70D is a logical evolution of the EOS 60D, adopting many of Canon’s intervening updates and improvements. So it offers a full set of external controls to operate most key functions, and Canon’s well-designed Quick Control screen to cover pretty much everything else. It also adopts the superb touchscreen interface that debuted on the EOS 650D (Rebel T4i), which we’ve found to be more useful than you might at first think. The 70D also regains an array of features that disappeared between the EOS 50D and 60D, such as AF microadjustment.

Canon EOS 70D key features

20.2MP APS-C ‘Dual Pixel CMOS AF’ sensor
DIGIC 5+ image processor
ISO 100-12800 standard, 25600 expanded
7fps continuous shooting, burst depth 65 JPEG / 16 RAW
‘Silent’ shutter mode
1080p30 video recording, stereo sound via external mic
19-point AF system, all points cross-type, sensitive to -0.5 EV
63-zone iFCL metering system
98% viewfinder coverage, 0.95x magnification, switchable gridlines and electronic level display
Fully-articulated touchscreen, 1040k dot 3″ ClearView II LCD, 3:2 aspect ratio
Single SD/SDHC/SDXC card slot
Built-in Wi-Fi
Single-axis electronic level
Built-in flash works as off-camera remote flash controller
AF microadjustment (can be set individually for up to 40 lenses, remembered by lens serial number)
In-camera High Dynamic Range and Multiple Exposure modes (JPEG-only)
‘Creative Filter’ image processing styles, previewed in live view

 

Currently Amazon have this for a shade under £999

Canon EOS 70D

Another new camera from Canon. This is a replacement for the 60D. I still have a 20D in a cupboard somewhere, it was state of the art at the time, now I could barely give it away!

frontpage-480Here is a decent review fro the ever excellent DP Review

The EOS 70D is a mid-range SLR for enthusiast photographers that from the outside looks like a sensible, indeed desirable upgrade to the EOS 60D. It borrows many of the best bits from Canon’s existing SLRs, including the autofocus sensor from the EOS 7D, the fully articulated touchscreen from the EOS 700D (Rebel T5i), and built-in Wi-Fi from the EOS 6D. But on the inside it sports an entirely new sensor that is, potentially, revolutionary. It offers 20.2MP resolution, but uses a ‘Dual Pixel CMOS AF’ design in which every single pixel is split into two separately-readable photodiodes, facing left and right. This means that in principle they are all capable of phase detection autofocus in live view and movie mode.

During the early days of digital SLRs, Canon was pretty much the undisputed leader in CMOS image sensor technology. Almost every new EOS model came with an increase in resolution and high ISO range, and when the EOS 7D appeared in late 2009, the company had progressed from 3MP to 18MP, and ISO 1600 to ISO 12800, in just over nine years. But since then Canon’s APS-C cameras have all sported variants on the same basic sensor design, to the extent that you could be forgiven for wondering what on earth their engineers were doing all day. Now we know.

Canon EOS 70D key features

  • 20.2MP APS-C ‘Dual Pixel CMOS AF’ sensor
  • DIGIC 5+ image processor
  • ISO 100-12800 standard, 25600 expanded
  • 7fps continuous shooting, burst depth 65 JPEG / 16 RAW
  • ‘Silent’ shutter mode
  • 1080p30 video recording, stereo sound via external mic
  • 19-point AF system, all points cross-type, sensitive to -0.5 EV
  • 63-zone iFCL metering system
  • 98% viewfinder coverage, 0.95x magnification, switchable gridlines and electronic level display
  • Fully-articulated touchscreen, 1040k dot 3″ ClearView II LCD, 3:2 aspect ratio
  • Single SD/SDHC/SDXC card slot
  • Built-in Wi-Fi
  • Single-axis electronic level
  • Built-in flash works as off-camera remote flash controller
  • AF microadjustment (can be set individually for up to 40 lenses, remembered by lens serial number)
  • In-camera High Dynamic Range and Multiple Exposure modes (JPEG-only)
  • ‘Creative Filter’ image processing styles, previewed in live view
  • Key specs compared

    In the table below we see how some of the EOS 70D’s key specs measure up against its more expensive big brother, the EOS 7D, and its main rival, the Nikon D7100. What’s interesting here is just how close the 70D is to the 7D in terms of spec – in much the same way as Nikon’s D7000 made the D300S look almost redundant, it’s quite difficult to see why most Canon users would now choose the top-end APS-C model.

    Canon EOS 70D
    Canon EOS 7D
    Nikon D7100
     Effective Pixels  • 20.2 MP  • 18.0 MP  • 24.1 MP
     ISO Range  • 100-12800 standard
    • 25600 expanded
     • 100-6400 standard
    • 12800 expanded
     • 100-6400 standard
    • 50-25600 expanded
     No of AF points  • 19  • 19  • 51
     AF in live view  • Phase detection  • Contrast detection  • Contrast detection
     Screen  • 3.0″
    • 1,040,000 dots
    • Fully-articulated
    • Touch sensitive
     • 3.0″
    • 920,000 dots
    • Fixed
     • 3.2″
    • 1,228,800 dots
    • Fixed
     Viewfinder  • 98% coverage
    • 0.95x magnification
     • 100% coverage
    • 1.0x magnification
     • 100% coverage
    • 0.94x magnification
     Continuous drive  • 7 fps  • 8 fps  • 6 fps
     Storage  • SD/SDHC/SDXC  • Compact flash  • SD/SDHC/SDXC
    • 2 slots
     Weight
    (inc batteries)
     • 755g (1.7 lb)  • 860g (1.9 lb)  • 765g (1.7 lb)
     Dimensions  • 139 x 104 x 79 mm
    (5.5 x 4.1 x 3.1″)
     • 148 x 111 x 74 mm
    (5.8 x 4.4 x 2.9″)
     • 136 x 107 x 76 mm
    (5.4 x 4.2 x 3.0″)
     Wi-Fi  •  Built-in  •  Optional  •  Optional
  • Read the full review with all the specs and details here

Currently the 70D can be bought on Amazon for  under £800 with a kit lens

 

Canon EOS 700D/Rebel T5i In-Depth Review

Canon have just released the ‘new’ 700D  The quotation marks are because it seems it is almost identical to the 650D, here is what DP Review has to say

June 2013: The Canon EOS 700D / Rebel T5i replaces the very short-lived Canon EOS 650D / T4i but is almost indistinguishable from it in terms of design, operation and specification. Our tests have found the image quality and performance of both cameras to be identical and they use the same batteries and accessories as well. Accordingly, this review is a very slightly modified version of the EOS 650 review we posted in the summer of 2012. We’ve retained product images of the EOS 650D where there’s no meaningful change in design, and except where indicated, any comments in the body of this review which reference the Canon EOS 650D / T4i are equally relevant to the Canon EOS 700D / T5i and vis-versa.

The Canon EOS 700D / Rebel T5i is the company’s latest addition to its novice-oriented ‘Rebel’ series. With more than two decades of continuous success in its film and digital incarnations, these little SLRs have been improved and refined to the point that Canon’s biggest challenge seems to be finding new ways to distinguish its updated models. Place the new EOS 700D / Rebel T5i alongside its predecessor the EOS 650Dand the differences are so minimal to be of little real importance. Read more here

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Differences compared to EOS 650D

  • Real-time preview of Creative Filters in Live View mode
  • Redesigned new mode dial that turns 360 degrees
  • New ‘upmarket’ textured body finish.
  • Canon EOS 700D / Rebel T5i key features

    • 18MP APS-C ‘Hybrid CMOS’ sensor
    • Phase detection AF from imaging sensor for Live View and Video
    • Continuous autofocus in movie mode with subject tracking
    • 14-bit DIGIC 5 processor
    • ISO 100-12800 standard, 25600 expanded
    • 5 fps continuous shooting
    • 9 point AF system, all sensors cross type, central sensor F2.8 (from 60D)
    • 63 zone iFCL metering
    • 1080p30 video recording with built-in stereo mics
    • 1.04m dot 3:2 touch-sensitive vari-angle ClearView II LCD (capacitive type, multi-touch support)

So if you are looking to buy an entry level Canon, and I would, then the 700D it is and it costs £550 and £500 depending on where you buy including the current £50 cash back deal. If you shop around you can still buy the 650D for about £400 although stocks won’t last long.

Read the full review here

History of Canon Cameras

Canon have a virtual Camera Museum that has all the cameras and technology that Canon have brought to our loving hands over the years, there are a number of sections and one is called the Canon Camera Story, here is a brief synopsis

In the early thirties, the two most popular brands of miniature cameras were Leica and Contax, both made in Germany, the camera kingdom of the world. These two brands attracted the camera fans, receiving enthusiastic support throughout the world as super grade cameras…. in February 1936, the Precision Optical Instruments Laboratory released the “Hansa Canon (Standard Model with the Nikkor 50mm f/3.5 lens),” which was the first commercial camera made by Canon…..”Canon” became the new trademark of Precision Optical Instruments Laboratory. “Canon” has such meanings as “standard for judgement or biblical scriptures,” which was most appropriate for the company striving for precision as its motto. 

Hansa Canon (Standard Model) J 35mm Focal-Plane Shutter Rangefinder Camera.    In the middle of 1937, strong voices were raised calling for production of the company’s own lenses. Yoshizo Furukawa, the company’s first optical engineer, developed some lenses on a trial basis such as the 50mm f/4.5 lens,

1936_hyo-han

The Precision Optical Industry Co., Ltd., changed its name to Canon Camera Co., Ltd., on September 15, 1947. In 1951, the company introduced the “Serenar 50mm f/1.8” lens, which was accepted as a masterpiece lens. The first half of the 1950s was the years in which many new cameras were released one after another. These include the “III” camera equipped with a fast shutter speed of 1/1000 second, the first in Japan, and the “IV” camera that had a flash rail that enabled using a flash unit directly connected to the camera without a cable.

“IV Sb2”1954_4sb_kThe first half of the 1950s was the years in which many new cameras were released one after another. These include the “III” camera equipped with a fast shutter speed of 1/1000 second, the first in Japan, and the “IV” camera that had a flash rail that enabled using a flash unit directly connected to the camera without a cable.

The first Canon SLR camera was the “Canonflex,” introduced in May 1959. With subsequent advances in SLR camera technology, SLR lenses also evolved, from R-series lenses to FL-series lenses, which incorporated a fully automatic aperture control mechanism. And with this progress, debuting along with FL-lens technology, was the “FX” camera, introduced in April 1964, which featured a built-in CdS exposure meter, ushering in the era of TTL (Through the Lens) metering with the launch of such successive cameras as the PELLIX and FTQL.

1959_flex

Since the fall of 1964, there had been growing calls from both inside and outside of the company that Canon should embark on production of a most advanced SLR camera to meet the requirements of professional photographers. After five years of development efforts, the “F-1” camera was unveiled in March, 1971. The “F-1” has left the most glorious footprints in the history of cameras.1971_f1

Developed exclusively for professional photographers, the “F-1” satisfied them with multiple functions and the systematic configuration. More than 180 accessories including lenses and filters were made available for this camera. It proved to be durable, highly reliable and performed well even under the harsh conditions professional photographers are often forced to confront. Thus, the camera gained wide popularity among professional photographers. The “F-1” wasthe official 35mm camera for the 1976 Summer Olympics in Montreal, Canada, and the 1980 Winter Olympics in Lake Placid, U.S.A.

Based on technology developed for the “F-1” camera, in 1972 the company succeeded in producing the “High Speed Motor Drive Camera” having the shooting speed of 9 frames per second.

Sixteen new FD-series lens were introduced together with the “F-1.” To compliment the professional “F-1” camera, its lens had been improved to ensure central resolution exceeding 100 lines per millimeter and to achieve high contrast. Good color balance throughout the series was achieved by careful selection of optimal glass materials and improved lens surface coating methods.

Unveiled in April 1976, the “AE-1” camera was the world’s first 35 mm Auto-Exposure (AE) SLR camera equipped with a Central Processing Unit (CPU). The camera integrated the latest electronics and optics technologies. Together with the “A-1” camera having five AE modes, which was introduced in April 1978

1976_ae1

When the AE-1 came out, TTL manual-metering models (including the Canon FTb and FTb-N) were still the mainstream in the 35mm SLR market. Autoexposure models were still at the very top end of the SLR market. They were expensive and produced in small numbers.

The AE-1, however, was designed from the ground up with five major units and twenty-five minor units. They were centrally controlled by a microcomputer. By incorporating electronics, the parts count could be reduced by 300. The manufacturing of the camera was also highly automated. This made it possible to produce a low-cost camera having high-end features.

In March 1983, the company released the T-Series cameras, which realized high-cost-performance through employing various automated functions and competitive pricing. The T-Series cameras include “T50,” “T70” and “T80,” culminating into the “T90,” which was marketed in February 1986 as a professional model.

1986_t90

The T90 is a multi-mode SLR with built-in motor drive. The form of the pentaprism hump is a distinct characteristic. Instead of being sharp-edged like on previous cameras, it is rounded with smooth curves. The camera was designed to lessen the picture-taking burden on the user via automation. It aimed for seamless operation to respond to the user’s will. A lot of top-notch technology and thought went into the camera.

The camera has three metering systems to suit diverse shooting conditions. Eight autoexposure modes and two manual exposure modes also make the camera highly versatile.

Under the development project called “EOS (Electro Optical System), ” Canon confirmed that “a highly-refined AF SLR model deserving Canon’s name should be developed with the target market release date of March 1, 1987, the year of Canon’s 50th anniversary. ” The EOS development efforts bore fruit with the introduction of the “EOS 650” on March 1987 as scheduled

1987_eos650

The EOS 650 boasted incomparable autofocusing. Each EF lens has its own optimum built-in motor for autofocusing

With the advent of the new millennium came groundbreaking new EOS-series digital camera products. Launched in 2000 was the EOS D30, a full-fledged AF digital SLR featuring a high-resolution CMOS sensor. In 2001, EOS-1D hit the market as a professional digital SLR targeted at sports and news photographers, while the EOS-1Ds featured an 11.1 megapixel sensor and was designed to be the perfect high-end photographic tool. Canon’s efforts to enhance functionality without compromising on cost performance were crystallized in the EOS D60 in 2002 and EOS 10D in 2003.

2000_eos-1v

Premier AF Performance: The 45-point area AF gives predictive AI servo AF at about 9 fps (with the PB-E2 attached) for outstanding subject tracking and blazingly fast focusing, all automatically.

In 2005, Canon introduced the EOS 5D, a full-size 35mm digital SLR camera with a remarkably low price within reach of many consumers.

So the history of Canon from 1936 to today has been a road of innovation. Here we have only looked at the pivotal moments in that history and only at the more serious cameras so there are a wealth of compact cameras and video cameras as well in the Canon archive. If you want a more detailed history go here

Canon EOS 100D

One comes along and then immediately another. This little camera is a departure from the trend in DSLR cameras in that is attempting to offer a full DSLR experience but in  a smaller lighter camera. It is on sale at Amazon for about £700 with lens

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Last year Canon made its long-anticipated entry into the mirrorless camera market with the EOS M, taking aim at compact-camera upgraders who desire better image quality but don’t want the bulk or intimidating controls of a DSLR. Yet the company has long hinted that another path to competing with mirrorless entries from Nikon, Sony, Olympus and Panasonic lay in the miniaturization of its familiar SLR design. With the announcement of the EOS 100D / Rebel SL1, Canon has laid its cards on the table. Billed as ‘the world’s smallest, lightest APS-C DSLR’, the EOS 100D unabashedly merges the Rebel-series’ DSLR operational hallmarks with an impressively small body.

Thanks to a downsizing of internal components that has resulted in a smaller shutter mechanism, thinner sensor module and smaller-footprint circuit board, the EOS 100D is significantly smaller and lighter than the co-announced EOS 700D, while offering the same 18MP pixel count, DIGIC 5 processor and, presumably image quality. The EOS 100D is, in fact, comfortably the smallest DSLR we’ve yet seen, and not so far off ‘SLR-style’ mirrorless models such as the Panasonic Lumix DMC-G5.

As attention-grabbing as the EOS 100D’s small footprint undoubtedly is, what’s equally impressive is that Canon has been able to retain most of the controls and features typically found on a Rebel-series camera. A front dial and dedicated ISO, exposure compensation and AF/AE lock buttons are among the controls that will be familiar to any Canon DSLR user. Its touchscreen is identical in resolution to that on the EOS 650Dand 700D, but is fixed, rather than articulated.

The EOS 100D introduces version two of Canon’s Hybrid CMOS AF system, originally seen in the EOS 650D. While Canon is making no claims about focus speed improvements of its hybrid phase/contrast detect system, the new version covers a significantly greater portion of the live view area (80% of the area). This should make it a significantly more useful option than the version found on the EOS M and 650D. FROM DP REVIEW SEE MORE HERE

comparedto700d_front-001

This front view shows that the EOS 100D / Rebel SL1 is substantially smaller than the co-announced EOS 700D / Rebel T5i – itself not exactly a giant.

comparedto700d_rear-001

However, the 100D retains the majority of the external controls found on the larger camera. Although both cameras feature the same rear touchscreen, the 100D’s screen is fixed, not articulated.

The EOS 100D achieves its notable size reduction without sacrificing much in the way of external control compared to the EOS 650D. On the 100D the button at the center of the 4-way controller does double-duty as both the Q menu and Set button, and the surrounding buttons have lost their dedicated functions. The 100D has a lower capacity flash, with a guide number of 9m (versus 13mm on the 650D) and houses a mono versus stereo microphone, though it does retain a stereo mic input. And while the handgrip is not as deep as the one on its larger sibling, the 100D still provides a distinctly DSLR handling experience.

Canon EOS 700D

Canon have released details of the new camera added to their stable, this is effectively a replacement for the 650D, improvements keep coming and new cameras offer better facilities and quality and this one is no different.

eos-700d-fsl-w-ef-s-18-55mm-is-stm

With the EOS 700D/Rebel T5i, Canon’s made an early move to replace last year’s 650D/Rebel T4i, though one with only very minor refinements. Indeed the changes over the 650D are so subtle that it’s the olderT3i/600D that stays on alongside the 700D – while the too-similar 650D fades into the sunset. The only real changes are that the 700D offers real-time preview of Creative Filters in Live View mode, includes a redesigned new mode dial that turns 360 degrees, and has a new ‘upmarket’ body finish.

Apart from those additions, the 700D is essentially identical to the 650D, making this the least distinct upgrade we’ve seen in this range of cameras. Elements carried over include the 18MP CMOS sensor, a 9-point cross-type AF sensor, 3-inch, a 1.04m-dot vari-angle LCD screen, and Full HD video mode. Its Hybrid AF system was also brought over from the 650D, and while the simultaneously announced 100D/Rebel SL1’s Hybrid AF II covers a wider area than the one here, neither is said to be any faster than the rather slow implementation on the 650D.

Canon EOS 700D / Rebel T5i key features

  • 18MP APS-C ‘Hybrid CMOS’ sensor
  • Phase-detection AF from imaging sensor for Live View and Video
  • Continuous autofocus in movie mode with subject tracking
  • New 18-55mm STM kit lens with stepper motor for improved live view/video autofocus
  • 14-bit DIGIC 5 processor
  • ISO 100-12800 standard, 25600 expanded
  • 5 fps continuous shooting
  • 9 point AF system, all sensors cross type, central sensor F2.8 (from 60D)
  • 63 zone iFCL metering
  • 1080p30 video recording, stereo sound with internal or external mics
  • 1.04m dot 3:2 touch-sensitive vari-angle ClearView II LCD (capacitative type, multi-touch support
  • more information can be found of the excellent DP Review site here
  • Amazon are currently offering this camera at £930

 

How to Select Lenses for DSLR Filmmaking

Lightstalking has a tutorial By on using a DSLR for making video and the way you may choose the most appropriate lenses.

DSLRs with video capabilities has really democratized filmmaking, putting cinematic quality video within financial reach of amateur and independent filmmakers. The best feature that most have found is the ability to utilize interchangeable lenses for different shooting environments and techniques.

While there are many lenses out there, a lot of them are still designed for still photography, especially lower end kit lenses. There are a couple of things that you should take into account when selecting lenses for DSLR videography that can really help enhance your filmmaking, and things you should avoid as to not hinder your work.….MORE

 

Canon enters mirrorless market, EOS M system

 

Canon has introduced its EOS M compact interchangeable lens camera, which features an 18-megapixel APS-C-sized hybrid sensor writes Olivier Laurent in the BJP

Canon will release in October its first ever compact system camera, the EOS M, which uses its own models of lenses while being compatible, via an adapter, with a range of 70 EF lenses

The EOS M marks Canon’s entry in the highly competitive mirrorless market, and comes more than four years after Olympus and Panasonic introduced their Micro Four Thirds system. However, similarly to what Sony offers, Canon has chosen a large APS-C-sized sensor to be at the heart of its compact system.The EOS M, which will be presented at this year’s Photokina trade show in Cologne, uses an 18-megapixel APS-C hybrid CMOS sensor, and is also fitted with Canon’s Digic 5 processor. The camera offers a sensitivity range of ISO100 to ISO12,800, expandable to ISO25,600.

 

 

It will retail at £770 (€910) with the EF-M 18-55 f/3.5-5.6 IS STM lens, at £880  with the EF-M 22mm f/2 STM and Lens Adapter. The lens adapter alone will retail at £130.

There is a preview on the DPReview site which always has excellent detailed information

 

The EOS M features a clean, simple design that’s clearly designed to look as much like a compact camera, and as little like an SLR, as possible. The rounded edges and angled area around the shutter button go some way to softening the somewhat boxy profile, and the main body panels are made from magnesium alloy. There’s no handgrip as such, just a minimalist fingergrip on the front and a slightly-contoured rubberised thumbpad on the back. READ MORE HERE

The overall layout is notable for its simplicity – the front of the camera features just the lens release button and vertical window for the autofocus illuminator and IR remote receiver. The back of the camera features a red movie record button, combined four-way controller and dial, and Menu, Info and Playback buttons. The SET button in the centre of the 4-way controller also brings up a Quick Menu for on-screen access to an array of functions – this is fully controllable via the touchscreen.

This link will take you to the Canon site with all the specs and info and guff you might need

Canon EOS 650D

Canon have added a new model to its range and all the evidence before full user reviews are available is that it has the new Digic 5 processor plus other new technologies like a dual focusing system and articulated screen with touch screen capabilities.

Introducing the latest model in the Canon EOS system, the 650D featuring a 270 degree vari-angle clear view touch screen – a first on any Canon DSLR. View your images, pinch to zoom and even fire your shutter on the 1,040,000 dot LCD screen.

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The Canon EOS-650D also features

;

  • 18 MP CMOS sensor
  • Full HD movies with continuous AF and editable video snapshot modes
  • Digic 5 processing
  • 63 zone light metering for optimum exposure in all light conditions
  • 4 ways to focus
  • Integrated Canon Speedlite transmitter

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As always my first place for decent info rather than just rumours is the excellent DP Review

Here is a brief summary of what they have to say

“The EOS 650D offers outstanding image quality and performance. Its newly-developed 18MP APS-C Hybrid CMOS sensor provides super-fine resolution, capturing poster-sized images that are rich in colour and detail. Ideal for shooting in low light without flash, the camera features a native 100-12,800 ISO range, allowing the capture of naturallooking shots with minimal noise, while an expanded ISO 25,600 range also offers the ability to shoot in more extreme low-light conditions.

The EOS 650D is the first entry-level EOS to be powered by Canon DIGIC 5 processing, offering greater speed, responsiveness and advanced colour rendition. DIGIC 5’s 14-bit image processing provides beautiful and subtle transitions between colour tones, such as those of an evening sky, and its vastly-increased power also makes the camera ideal for capturing fast-moving action such as football or other sports.

The new dual AF system makes it easy to capture sharply-focused shots of all subjects, whether capturing stills or movies. A superior 9-point all cross-type AF system provides exceptional performance during stills shooting, offering precision accuracy when capturing sports, action and wildlife. Additionally, a new Hybrid AF System offers continuous autofocusing during movie recording, and when shooting in Live View1 mode…….

Touch control and Vari-angle flexibility

Getting the perfect shot has never been easier thanks to the new 7.7cm (3.0″) Vari-angle Clear View LCD II Touch screen. Featuring capacitive technology, the screen is highly responsive and supports a variety of multi-touch gestures, such as pinching and swiping – making it easy to access shooting modes, alter settings and even capture a shot using the screen alone.

Touch control adds a different dimension to Live View shooting. You can select AF points, track faces and objects, and fine-tune image settings via the camera’s Quick Control screen. Navigation is instant and intuitive, while pinch-zooming in playback provides a great way to check the finer details of a shot. The Vari-angle hinge allows the screen to be angled and tilted to suit virtually any situation, while a super-sharp 1,040k-dot resolution ensures every detail is clearly displayed.”.…MORE

The expected price upon release is from £699 so it is not excessive expensive for a state of the art digital slr camera, release dates seem to vary but will be generally available over the summer.

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Here is a bit more info in easy to digest points Canon EOS 650D: 10 things you need to know