September 2, 2014
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The trend of Impressionist photography has shown us the natural world as it’s never been seen before. But can it work in an urban setting?
Photography has witnessed an explosion of creative ideas over the last few years, primarily due to the advent of digital capture and processing via the “dry” darkroom. The digital photography age, due to the low cost of memory as opposed to capture on film, has above all allowed the individual to experiment far beyond what was previously possible. It has also allowed people to develop new methods of approach to their photography, here, leading landscape photographers Morag Paterson and Ted Leeming talk about how to transfer your Impressionist photography techniques from the natural world to the urban environment. Read more….
July 10, 2014
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You’ve heard there is big money in wedding photography and you want a piece of the action. After all, it sounds like a good gig, right? Five hours of work one evening on a weekend and a $1000+ payday! What could be simpler?
Before the dreams of grandeur and big pay checks start clouding your vision, here are 20 tips I hope will help steer your growth so you are an asset to the happy couple entrusting you with their fond memories.
20 Invaluable Tips for the Aspiring Wedding Photographer.
May 25, 2013
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Over at Lighstalking they often come up with great posts that are really informative and useful, this one is providing information on resources available to people who are thinking about turning pro.
While photography can be a tough way for some to make a living, there are a lot of free resources for established professional photographers or those hoping to get into the game that are both great and free. The trick is to constantly work at improving your knowledge and your business and professional photography blogs are a great way to keep up to date with that. Here are a few of our personal favourites.
The photographers of Vientiane in Laos. They take your picture then huddle close to their computers and produce your print in minutes, well it is one way to make a living as a photographer ©Keith Barnes
Click Here: 5 Worthwhile Blogs on The Business of Professional Photography
In this month’s podcast, Matt Brandon speaks with Vancouver-based photographer Dave Delnea about his newest Craft & Vision eBook, Timelapse: An Introduction to Still Photographs in Motion. Matt & Dave discuss the details of timelapse photography, and the nuances of stitching those still images together to create a movie. Hear the podcast here
March 16, 2013
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On Lightstalking this useful article by Rachael Towne, a professional photographer and editor of Photoluminary.
The microstock model is a relative newcomer in the world of commercial photography. Previously, only an elite few were able to make a decent living with stock photography since it required a lot of specialized training, expensive equipment and the elusive knowing the right people at the right time. The advent of digital photography turned this traditional stock world upside down and has made it all but obsolete. Anybody with a decent digital camera and a basic knowledge of photography has the potential to earn money with their photos now. However, in order to really make it big and earn a living with microstock, there are some things that are very important to know and do.
Click Here: 7 Basic Tips That Will Make Your Stock Photographs Sell Like Hotcakes
January 11, 2013
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The old masters painted the drama of life and death. Today photography captures the human condition – better than any other artistic medium of our age
Jonathan Jones writes in the Guardian It has taken me a long time to see this, and you can laugh at me if you like. But here goes.
Photography is the serious art of our time. It also happens to be the most accessible and democratic way of making art that has ever been invented. But first, let’s define photography.
A photograph is an image captured on film, paper or – most commonly now – in digital memory. Photography also includes moving images captured on film or video. Moving or still, we all know a photograph is not a pure record of the visual world: it can be edited and transformed in infinite ways
OK you might agree or want to shout at the page but here is the rest of the article, I think it is worth reading
Photography is the successor to the great art of the past … an English lesson in Pakistan Photograph: Muhammed Muheisen/AP
July 5, 2012
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Don’t assume that only professional photographers stand a chance of getting published in magazines. Editors are constantly looking for new, inventive and fresh photography, and it may just be that your particular vision coincides perfectly with theirs.
However, don’t go to the other extreme and assume that as soon as they see your work editors will be fighting to get to you first. There are any number of great photographers out there and you’re just one of them – no matter what you might think about the quality of your images (for more tips like these, check out our 50 photography tips from jobbing pros to famous photographers).
Brilliance and style are important, but patience, persistence and willingness to study the needs of the magazines you’re approaching are what really count. Don’t send editors a huge collection of images in the hope that there might be one or two that strike a chord……………
In the following pages we’ll take you through the best way to get your photos published in magazines. We’ll tell you how to make the right approach, offer tips to improve your chances, identify some common mistakes and, finally, answer the all-important question of ‘what will I be paid’?
PAGE 1: Practice Patience
PAGE 2: Making the right approach to editors
PAGE 3: Improve your chances of getting photos published
PAGE 4: Common mistakes when trying to get photos published
PAGE 5: What will you be paid?
April 30, 2012
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This is an interesting article by a professional photographer who has made every effort to become successful as a photographer by emersing themselves in many the aspects of what it takes to be a professional photographer with all the experience necessary.
“There are numerous photographic niches and styles. Here at Learn My Shot we always aim at sharing tips on how to photograph anything. But one day when your wings get strong you will pick one area of expertize and fly away to develop your own style. Having a distinctive style or a strong focus on a particular niche of photography has proven to be a successful path for commercial and fine art photographers. Being really good at one thing one is considered as a master. While being good at everything is often compared to not being good at anything. But is it really true?
Early in my photographic career I focused on learning how to shoot anything. I spent about 5 years assisting photographers from diverse industries, portrait, lifestyle, fashion, wedding, event, paparazzi, product, architecture, real estate and still life (That’s how I met Robert Grant – assisting him on a product shoot some years back). When I learned to fly on my own, I chose Food and Beverage as my specialty and took another 5 years to master that particular skill. Often, especially at times when cash was really tight, I asked myself did it ever make sense to spend years experiencing other niches in depth, prior to focusing on one specialty? The answer came in clear recently when I landed a Grey Goose account.
The job required photographing mixed drinks and bartenders in action making those drinks. There are a lot of beverage photographers out there and there are 100 times as many portrait photographers. But being able to shoot both environmental portrait and beverage equally well was something unique to my style and it got me the job.However, the skill required to shoot this job went far beyond the standard norms. The job had to be performed during the filming of Beyond the Bar series on Sundance Chanel. While the job of the film crew involved filming interviews with top national bartenders, my job required to create photographic images of drinks and bartenders in action in between filming sessions. The images where intended to be used for Sundance Chanel website, advertising and point of sale.”…MORE
April 5, 2012
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This useful article By Jason Row comes from the well thumbed pages of Lightstalking
“Before the advent of digital photography, there was no micro and macro in stock photography, royalty free was a little used term and image catalogues were large glossy books with just a selection of the best images. To purchase an image you either asked one of the library’s researchers to look for it or you went in person and trawled through thousands of transparencies on light boxes. Apart from a few big stock agencies there were hundreds of smaller ones each dealing in their own niche’s such as music or historical images.
The face of traditional stock photography was changed beyond recognition by two major developments, the advent of the digital camera and the rise of the Royalty Free license, both of which lead to the development of the microstock agency . So if you wish to offer your images for sale at a stock library, which should you choose, micro or macro?”..….MORE
An image that has sold well at a macrostock agency
Here are some links to stock libraries
January 17, 2012
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Diane Smyth writes in the BJP ”
“Do you know your legal obligations on a commercial shoot? Do you know what the CAP codes are? And do you know what a Recce Fee is? If not, maybe you should take a look at Lisa Pritchard’s new book, Setting Up A Successful Photography Business.
Aimed at emerging or amateur photographers making the transition to professional life, it’s broken down into 11 concise chapters on subjects such as Business basics, Marketing and promotion and Pricing photography. Pritchard focuses on commercial photography so it’s geared towards that world but, with clear advice on legal issues and breakdowns of the finances of photography, it should be useful to photographers working in other areas too. Some of the UK’s most successful photographers have contributed their thoughts and photographs to the publication, including Harry Borden, Tom Stoddart, Steve Bloom, Nadav Kander, Laura Pannack and Perou.”
Setting Up A Successful Photography Business by Lisa Pritchard is published by A&C Black, ISBN 978–1-4081-2577-9, priced £12.99. For more information, visit www.acblack.com.