September 1, 2011
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Rare editions now sell for tens of thousands, but collectors on a limited budget can invest in emerging photographers byAdam Dewar at The Guardian
This is a very interesting article about owning and collecting photobooks. I do think books should be looked at rather than kept in plastic sleeves and never handled simply because they will increase to greater values if un-blemished but it is nice to know that treasured books will have some value in the future even if I never realise the profit.
“At first glance they may look like overpriced coffee-table books, but photobooks are highly collectible works of art. In recent years, a boom in the market has seen prices skyrocket. At a dedicated auction at Christie’s in London last year, signed early editions of influential photobooks such as Robert Frank‘s The Americans and Henri Cartier-Bresson‘s The Decisive Moment sold for £43,250 and £13,750 respectively.”.………..more
December 7, 2010
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I have just received 2 books I had ordered by Michael Freeman, one of the better writers in the vast world of photography books. The first
Deals mainly with composition and design and is a cut above the average. This review on Amazon reflects my thoughts although it has many images to explain the ideas it is a word driven and intelligent, almost academic book so if you are not into reading it might not be for you. “This is the best single volume on visual design and composition in years. Painters need a book this good. Freeman’s earlier book from the 1980s, “Image,” had long held the status, IMHO, of being the best single volume. His new book surpasses the older one by a significant margin.” It is only about £10 on Amazon and obviously a bit more elsewhere so a great present to ask for that is not embarrassingly expensive like a 70 – 200 f2.8 zoom from Nikon or Canon.
The second book is more, well academic, it is about the thought processes involved with image making, aimed at people whose first instinct when confronted by a sunset is not to reach for a camera, although in the opening chapter Freeman deals with why we are so drawn to photographing red skies. Interesting, revealing and intelligent.
The Photographer’s Mind: Creative Thinking for Better Digital Photos
These are books for people who realise that owning a camera does not make you a photographer and that how you think about and create images is what makes you a photographer. Even if your intentions with your pictures is attractive, harmonious images rather than some deep concept as to why, how and the meaning of life you might benefit from spending time after lunch on the 25th enjoying a quiet couple of hours indulging your love of photography.