Shooting in RAW and having to spend time processing your images might seem a bore when your camera produces perfectly nice jpegs as you press the shutter release however most serious photographers only shoot in RAW. This is because of the extensive image adjustments you can make to colour and density without producing ugly damaged looking images. Shooting RAW and using Adobe camera RAW found in the various versions of Photoshop and as the backbone of Lightroom has distinct advantages in the range of adjustments but also the plug ins and controls on offer.
On the pages of Lightstalking Jason Row gives a basic breakdown of the important options available
“Although many of us now use image management programs to process our Raw files, Adobe’s Camera Raw is still one of the most comprehensive convertors around and benefits from being tightly integrated into Photoshop and Photoshop Elements. One bonus of this, is that its user interface will be very familiar to Photoshop users. In this brief guide, we will give a rundown of ACR’s interface and most important features.
ACR’s Main Screen
When you open a Raw file in Photoshop, the program will automatically open the ACR plugin and preview the image in a large window. Surrounding this window are the important tools you need for your Raw conversion. Running along the top of the preview window are a set of image manipulation tools, in essence, very similar to Photoshop’s own tool palette.”
Lightroom, Photoshop ACR, Adobe Photoshop, Adobe Photoshop Lightroom, By Jason Row, Lightstalking, oxfordschoolofphotography.co.uk, Photography, Photoshop, Photoshop Elements, Post-production, RAW, Raw image format