October 13, 2017
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When I went to see the Gregory Crewdson exhibition in London earlier in the summer, it was the opening day and I had a strange experience. I went with my friend David and we were looking at these fantastic images and I was trying to explain to David how I understood Gregory worked and the use of symbolism and atmosphere in the pictures. I was eulogising the work and the man, I think he is a genius. Then as I was explaining a man started to invade our space, he was in a suit but creatively scruffy, long hair and with a friend following. You know how it is at exhibitions, you sort of want the space to yourself and as I was in full flow was a touch put out by the intrusion.
Gregory Crewdson The Haircut, 2014 © Gregory Crewdson
We moved on the next picture and in a short while here was the man again, more lacking in exhibition etiquette I thought in my very British way. The man and his companion had moved to the 3rd picture on the wall so David and I hopped to the 4th. I was leaning in close to admire the exquisite detail in one of the images when they appeared again, the companion leaned in and pointed to exactly where I was looking and turned to the man and said, “That is so beautiful, you are so clever”
I had been irritated by the presence of a master, how stupid of me. I didn’t say hello, a bit embarrassed but I wish I had now.
Yesterday I found this film on YouTube where Gregory talks about his process and motivations and intentions, I so wish I had head it from him in person. The 30 minute film shows him orchestrating the actors, environment and atmosphere to capture the remarkable images he makes.
This is such a brilliant 30 minutes I would really recommend you watch
If I had seen this first I would have recognised him and maybe not have made a fool of myself by explaining to the master his works!
The great man at work
Gregory Crewdson working on The Cathedral of Pines
Sadly the exhibition of his recent work Cathedral of the Pines has now ended at the Photographers Gallery