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insights into photography
Monthly Archives: September 2015
September 30, 2015Posted by on
Mirrorless or CSC (compact system cameras) are the new thing, have to say I am not convinced, many of them don’t have a viewfinder or make do with a electronic viewfinder (ev). Proper cameras need a viewfinder. Just a little bias on my part, you make up your own mind but go and try one, handle it, take pictures before you splash the cash. The only remaining camera shop in Oxfordshire is T4 cameras in Witney
Tech Radar says In the old days, if you were serious about photography you bought a digital SLR. But now CSCs (compact system cameras) offer the advantages of a DSLR, including a big sensor, interchangeable lenses and advanced controls, but in a smaller, lighter body without the mirror mechanism – hency why they’re also called mirrorless cameras.
But mirrorless cameras (compact system cameras) come in all kinds of shapes and sizes. Some look like DSLRs, some look like supersized compact cameras. Some have viewfinders and some don’t. The fact is that we’re all looking for slightly different things, so we’ve ranked the 10 best compact system cameras you can buy right now based not just on specs, handling and performance, but size, simplicity and value for money too.
1. Olympus OM-D E-M10 II
The brilliant E-M10 II ticks boxes you probably didn’t even know about
Sensor size: Micro Four Thirds | Resolution: 16.1Mp | Viewfinder: EVF |Monitor: 3-inch tilting display, 1,037,000 dots | Maximum continuous shooting rate: 8.5fps | Maximum video resolution: 1080p
Compact size, lenses too
Smaller sensor than some
Pricier than original E-M10
We loved the original E-M10 for its size, versatility and value for money, but the E-M10 II adds features that take it to another level. The old camera’s 3-axis image stabilization system has been uprated to the 5-axis system in Olympus’s more advanced OM-D cameras, the viewfinder resolution has been practically doubled and the continuous shooting speed, already impressive at 8fps, creeps up to 8.5fps. Some will criticise the smaller Micro Four Thirds sensor format (roughly half the area of APS-C) but the effect on image quality is minor and it means that the lenses are as compact and lightweight as the camera itself. It’s small, but it’s no toy – the E-M10 II is a properly powerful camera.
Panasonic’s flagship CSC has a brand new sensor, but it’s pricey
Sensor size: Micro Four Thirds | Resolution: 20.3MP | Viewfinder: Tilting EVF |Monitor: 3-inch tilting screen, 1,040,000 dots | Maximum continuous shooting rate: 8fps | Maximum video resolution: 4K
New 20Mp sensor
Mag-alloy build, dust and splash-proof
Larger than the old GX7
Expensive at launch
Panasonic’s compact system camera range is pretty confusing. You might expect its DSLR-style G-series cameras to get the best and latest tech, but actually it’s the the box-shaped GX8 that’s the first to benefit from Panasonic’s new 20Mp Micro Four Thirds sensor – this has performed really well in our lab tests, putting it on the same level as a good DSLR. The GX8 also comes with 4K video and the ability to grab 8Mp stills from it (it’s like continuous shooting at 30fsp). The rear screen is tilting and so, unusually, is the electronic viewfinder eyepiece. It’s a very good camera, but the price is a sticking point, and the Sony A6000 (above) gives you more for your money.
4. Fuji X-T1
Classic handling, beautiful images – the X-T1 doesn’t put a foot wrong
Sensor size: APS-C | Resolution: 16.3MP | Viewfinder: EVF | Monitor: 3-inch tilting display, 1,040,000 dots | Maximum continuous shooting rate: 8fps |Maximum video resolution: 1080p
Advanced filters JPEG only
Expensive compared to X-T10
Not so long back the X-T1 was our favourite compact system camera, but things change quickly in the world of cameras, and it’s been pushed out of the top spot. Price has proved the X-T1’s main enemy – it’s a great camera, but the newer Fuji X-T10 is almost as great and much cheaper. The Olympus E-M10 II has come along with its brilliant blend of size, features and value, and competitive pricing means the Sony A7 II is now very good value for those who value performance above all else. The X-T1’s external manual controls for shutter speed, lens aperture and ISO setting are still a joy to use and we love the results from its X-Trans sensor, but its rivals are just getting stronger.
September 29, 2015Posted by on
Full frame is where you go when you want the best quality out of a dslr camera, it isn’t a cheap option but as well as quality you get the best shallow depth of field and always a professional build quality. Can I just say I love my Canon 6D
Tech Radar does the honours again
Most professional photographers swear by full-frame DSLRs. They’re larger and heavier than APS-C-format models, but are built to survive daily abuse.
What’s more, with the same megapixel count, a full-frame sensor will have much larger photosites (pixels) than an APS-C chip because it has roughly twice the sensor area. Result? Better image quality at higher ISO sensitivities.
Full-frame DSLRs aren’t just for pros though, as lower-cost versions are out there if you want great image quality on a tighter budget. But it’s worth remembering that you’ll still need full-frame-compatible lenses, and these rarely come cheap.
Canon EOS 5DS
Proof that more can mean better: the 5DS sets a new standard for DSLR photography
Sensor: 36 x 24mm CMOS | Megapixels: 50.6 | Autofocus: 61-point AF, 41 cross-type | Screen type: 3.2-inch, 1,040,000 dots | Maximum continuous shooting speed: 5fps | Maximum video resolution: 1080p | User level: Expert
Stunningly detailed images
Great AF, metering and white balance
Huge file sizes
With 50.6 million effective pixels, the 5DS is by far the highest resolution full-frame DSLR on the market. The same goes for the 5DS R, which is identical to the 5DS, but features an anti-aliasing cancelation filter over the sensor to help resolve a little more detail. Pixel-packed sensors can be compromised, but not here. Image quality is superb, with fantastic detail, well controlled noise and good dynamic range. The 5DS is now the benchmark for full-frame image quality, but it’s not quite perfect. There’s no Wi-Fi or Ultra HD video recording, and huge image file sizes necessitate decent memory cards and a fast computer.
It may have recently been ousted from the top spot, but this is still a terrific choice
Sensor: 35.9 x 24.0mm CMOS | Megapixels: 36.3 | Autofocus: 51-point AF, 15 cross-type | Screen type: 3.2-inch, 1,228,800 dots | Maximum continuous shooting speed: 5fps | Maximum video resolution: 1080p | User level: Expert
AA-filterless, high-res sensor
5fps continuous shooting
No built-in Wi-Fi
Large file sizes
Ok, so the 5DS has stolen some of the D810’s thunder, but not much. Images from Nikon’s megapixel monster are bursting with detail, whilst its 1200-shot battery life puts the 5DS in the shade. We’re also fans of the D810’s clarity micro-contrast adjustment with its video-friendly Flat mode for maximum dynamic range. The 51-point AF system copes well with tricky focussing situations, mainly because both the AF and metering systems are taken from the range-topping Nikon D4S. Relatively compact dimensions and the unusual (at this level) inclusion of a pop-up flash further ensure that the D810 doesn’t disappoint.
8. Canon EOS 6D
Canon’s most affordable full-frame DSLR punches above its weight
Sensor: 36 x 24mm CMOS | Megapixels: 20.2 | Autofocus: 11-point AF, 1 cross-type | Screen type: 3-inch, 1,040,000 dots | Maximum continuous shooting speed: 4.5fps | Maximum video resolution: 1080p | User level:Enthusiast/expert
£1142.00 VIEW AT JOHN LEWIS
High image quality
97% viewfinder coverage
The 6D is Canon’s answer to the D610 and is the least expensive model in the company’s full-frame DSLR range. Its 20.2-megapixel sensor may sound outclassed, but there are hidden depths. Image quality is superb and photos impress with a three-dimensional feel that’s the result of the larger sensor’s ability to create shallow depth of field effects. However, the 6D’s real trump card is price. It’s one of the cheapest routes to a new full-frame DSLR, and though its autofocus system and continuous shooting speed are nothing special, you do get integrated Wi-Fi and GPS. If you can do without a built-in flash, the 6D is decent value.
Nikon’s professional workhorse keeps shooting where lesser cameras struggle
Sensor: 35.9 x 24.0mm CMOS | Megapixels: 16.2 | Autofocus: 51-point AF, 15 cross-type | Screen type: 3.2-inch, 921,000 dots | Maximum continuous shooting speed: 11fps | Maximum video resolution: 1080p | User level: Expert
11fps continuous shooting
Massive ISO range
Big and heavy
No built-in Wi-Fi or GPS
Where the Canon 5DS and Nikon D810 push detail boundaries, the D4S is built for speed. 16.2 megapixels doesn’t sound great, but it enables rapid 11fps continuous shooting and exceptional low light performance. This is one of the few aspects where the D4S improves on the preceding D4, as its ISO range now stretches to 409,600 in expanded sensitivity, making this a real ‘see in the dark’ camera. Also helping to justify the intimidating price tag is the outstanding 51-point autofocus system that excels when shooting fast moving and dimly lit subjects, whilst top-notch engineering and weatherproofing help compensate for the sheer bulk.
6. Canon EOS 1D X
Uncompromising build, ergonomics and shooting speed make this top pro pick
Sensor: 36 x 24mm CMOS | Megapixels: 18.1 | Autofocus: 61-point AF, 41 cross-type | Screen type: 3.2-inch, 1,040,000 dots | Maximum continuous shooting speed: 12fps | Maximum video resolution: 1080p | User level: Expert
Excellent noise control
No in-camera HDR
Choosing between the 1D X and Nikon D4S will most likely depend on which manufacturer you’re already tied to with your lens system, but the two cameras are otherwise closely matched. The 1D X is an amalgamation of the older 1D and 1Ds models, blending their two specialities of speed and resolution. But speed is the real selling point here, thanks to a 12fps burst mode which can be expanded to 14fps in the Super High Speed Shooting Mode. The 18.1MP full-frame sensor sounds a step backwards from the 21.1MP chip inside the old 1Ds Mark III, but Canon has opted to sacrifice resolution to improve high ISO image quality.
September 28, 2015Posted by on
From The Telegraph photography pages by
In Paris, in his early 20s, Harry Gruyaert would go to the cinema five or six times a week. Having been desperate to leave his hometown of Antwerp, where – in his words – “there was nothing to learn”, he had relocated to the French capital in the hope of becoming a photographer. “It could have been London or New York, but Paris was nearer and Paris had some photographers I had heard of,” he says. “But Paris also had better movies, and I learnt everything at the movies.”
The year was 1962, and in between screenings of Truffaut’s Jules et Jimand Antonioni’s L’Avventura – he watched the latter more than 10 times – Gruyaert would sit in his tatty little apartment and telephone the hippest fashion photographers of the day, hoping for an “in”.
CREDIT: HARRY GRUYAERT / MAGNUM PHOTOS
“I started with William Klein and Jeanloup Sieff and I asked if I could show them my work,” he tells me, when we meet in London. “Klein said: ‘Maybe, but can you charge a camera battery?’ I was so excited, but all I could think when I met him was ‘Jeez, this guy looks and behaves exactly like his photographs.’ It was the most important lesson I learnt, because it showed me right away that photography is all about personality.”…………………”Gruyaert was particularly taken with colour, and began using it in the way other photographers use light, to add a structure and depth. He was way ahead of the curve. At that time, colour photography was relegated to advertising work. “Very few people got involved in colour in a personal way,” he says. “But then I went to New York for the first time and I experienced Pop Art. These paintings by Warhol and Lichtenstein helped me to look at colour in a different way, to stop being a snob and to use its vulgarity.”
We’re here to discuss Gruyaert’s book, a retrospective of his career featuring pictures taken from the Seventies through to the present day and all over the world. Now 73 and a member of the illustrious Magnum photo agency, Gruyaert has finally settled in Paris…READ the full article here
September 28, 2015Posted by on
OK here is Tech Radars best 8 mid range DSLR cameras, of course you will disagree with their list but that is the point of lists in blogs
Mid-range DSLRs offer more power, robustness and control than typical entry-level models. They’re great for shooting tricky subjects like sports or wildlife, thanks to having faster continuous shooting rates and superior autofocus systems. Many also add weatherproofing for extra robustness and peace of mind.
Although mid-range DSLRs don’t tend to offer more megapixels, you’ll often get an increased ISO sensitivity range to help with low light shooting. But just because these cameras are intended for enthusiasts that doesn’t make them intimidating.
Additional controls can actually improve their ease of use as you learn more about photography, yet they still include an automatic mode that’ll take care of everything for you.
1. Canon EOS 7D Mark II
Canon’s top APS-C-format DSLR may be pricey, but it doesn’t disappoint
Sensor: APS-C CMOS | Megapixels: 20.2 | Lens mount: Canon EF-S | Screen: 3-inch, 1,040,000 dots | Continuous shooting speed: 10fps | Max video resolution: 1080p | User level: Enthusiast/expert
Fast continuous shooting
No touchscreen or Wi-Fi
Canon fans had to wait a long time for the 7D Mark II, and though the original 7D was ahead of its time, its replacement is a big step forward in every way. Its 65-point autofocus system (all cross type) is state-of-the-art and copes well with moving subjects, plus you get quality weatherproofing that’s almost a match for the pro-level EOS-1DX. A new 150,000-pixel RGB and infrared exposure metering sensor helps produce accurately-exposed images with well-controlled noise levels, attractive colours and impressive detail. Unfortunately, all this tech doesn’t come cheap, but the 7D Mark II is well worth the money.
2. Nikon D7200
More of an upgrade than a new camera, but a very good one
Sensor: APS-C CMOS | Megapixels: 24.2 | Lens mount: Nikon DX | Screen: 3.2-inch, 1,229,000 dots | Continuous shooting speed: 6fps | Max video resolution:1080p | User level: Enthusiast/expert
Fixed screen, not touch-sensitive
Highest sensitivity setting JPEG-only
For every Canon DSLR, Nikon usually has a rival camera, and the D7200 is its response to the EOS 7D Mark II. It may not be a complete overhaul of the D7100 it replaces, but there are enough tweaks to give it a distinct edge. Images from the 24.2-megapixel AA-filterless sensor are detailed and vibrant, and though the pixel count remains almost identical, you can now shoot more images continuously thanks to Nikon’s more powerful Expeed 4 processor. Unlike the 7D Mark II, the D7200 also boasts Wi-Fi with NFC pairing, and its superb 1100-shot battery life thrashes the Canon’s 670-shot rating.
September 24, 2015Posted by on
Autumn is a good time to do a recap of the best cameras in each range. Tech Radar is a very well respected site and here is their take on affordable dslr cameras
DSLRs deliver a big step up in image quality from a compact camera, far more manual control and the ability to change lenses to tackle a huge variety of projects. It’s easy to blow big bucks on a DSLR, but entry-level models can often be had for little more than a premium compact camera. Obviously, the more features you want, the more you’ll pay, but do you actually need them? Our top camera is one of the cheapest on the market, but still offers impressive performance and image quality, plus enough features to handle most shoots, especially if you’re still learning.
This article covers the cheapest Canon 1200D up to something most people would consider mid range Canon 750D or Nikon £550 Read the reviews of ten of the best here
7. Canon EOS 1200D (Rebel T5)
Canon’s cheapest DSLR faces stiff competition
Sensor: APS-C CMOS | Megapixels: 18 | Lens mount: Canon EF-S | Screen: 3-inch fixed, 460,000 dots | Continuous shooting speed: 3fps | Max video resolution: 1080p | User level: Beginner
Good image quality
Slow live view focussing
No touchscreen or Wi-Fi
The 700D is currently a bargain, but the EOS 1200D is cheaper still. Nikon currently boasts some terrific budget DSLRs, and the 1200D is Canon’s response. It’s the cheapest way to buy into a new Canon DSLR system, but the 1200D is slightly more cheap than cheerful. Its 18MP sensor is getting on a bit and while still good, it can’t match the 24.2MP device in the Nikon D3300. The 1200D’s 3fps continuous shooting speed is also leisurely compared to the Nikon’s 5fps rate, and where that camera includes built-in help guides, you’ll have to resort to downloading Canon’s versions through a separate smartphone app. But for Canon fans, the 1200D is a still an effective camera at a reasonable price.
4. Nikon D5500
Choosing between Canon and Nikon is tougher than ever
Sensor: APS-C CMOS | Megapixels: 24.2 | Lens mount: Nikon DX | Screen: 3.2-inch articulating touch-screen, 1,040,000 dots | Continuous shooting speed:5fps | Max video resolution: 1080p | User level: Beginner/enthusiast
High-res, non-anti-aliased sensor
Touch-sensitive articulating screen
Slow live-view focussing
The D5500 competes directly with Canon’s 750D at the upper end of the entry-level DSLR market. Where Nikon’s D3000-series cameras are designed as cost-conscious introductory DSLRs, the D5000-series is preferable if you want to get more creative. This latest addition to the series is bang up-to-date and is the first Nikon DSLR to get touch-screen control, plus there’s also built-in Wi-Fi – but it’s a pity GPS hasn?’t been carried over from the D5300, and live view autofocusing speed is no faster. There isn’t much wrong with the D5500’s 24.2-megapixel, non-anti-aliased sensor, though. It may be pinched from the older D5300, but it still delivers excellent image quality.
September 21, 2015Posted by on
ZSL ANIMAL PHOTOGRAPHY PRIZE – WILDLIFE PHOTOGRAPHY EXHIBITION AT ZSL LONDON ZOO
Friday, September 18 to 28 February 2016
The tigers, snakes and penguins won’t be the only thing entrancing visitors this autumn at ZSL London Zoo, as the winning images from the 2015 ZSL Animal Photography Prize have been unveiled to the public.
Until 28 February 2016 visitors to ZSL London Zoo will be able to admire the stunning shots entered into the Zoological Society of London’s fourth annual photography competition, displayed in a striking exhibition.
Combining mesmerising imagery with the enthralling sights, and sounds of the creatures at the Zoo, the exhibition is on show within squawking distance of the flamboyant flamingos and picturesque pelicans.
The exhibition’s top wildlife photographs were chosen by a panel of judges including ZSL Honorary Conservation Fellow and television presenter Kate Humble, and renowned ornithologist Bill Oddie.
The ZSL Animal Photography Prize Exhibition is free with every standard admission ticket to ZSL London Zoo. With more than 17,000 incredible animals to see and a packed schedule of brilliant talks and demonstrations, ZSL London Zoo makes the perfect autumn day out.
The Strongest Bond by Tom Way The Perfect Moment category Adult runner up
Timeless by Andy Skillen Judges’ Choice Size Matters category Adult winner
Sleeping Beauty by Tianha Williams Last Chance to See category Runner up
Bright Eyes by Carolyn Collins Weird and Wonderful category Adult winner
September 18, 2015Posted by on
Found on the BBC website a plethora of images of the heavens, heavenly images I guess. This time of year as it gets harder to see the stars in the UK the winners of the Astronomy Photographer of the Year are announced and what a surprising set of images they are.
Huge Prominence Lift-off – by Paolo Porcellana (Our Sun, Winner)
Paul Kerley writes
Shimmering phenomena in the night sky – and starry sights billions of light years away – take a look at some of the finalists in the 2015 Insight Astronomy Photographer of the Year competition. “Utterly enthralling with moments of brilliance” is how the comedian, impersonator and amateur astronomer Jon Culshaw describes the shortlisted entries in the competition to become the Astronomy Photographer of the Year. With his personal interest in the cosmos, Culshaw was one of the judges this year. He says he was aged about seven or eight when he got the space bug. He looked for UFOs, was fascinated by lunar eclipses and always watched the Sky at Night.
Interaction – Hemnesberget, Nordland, Norway – by Tommy Eliassen (People and Space, Highly Commended)
Silk Skies – Abisko National Park, Lapland, Sweden – by Jamen Percy (Aurorae, Winner)
Eclipse Totality over Sassendalen – by Luc Jamet (Skyscapes, Winner and Overall Winner)
Sumo Waggle Adventure – Lomaas River, Skanland, Norway – by Arild Heitmann (Aurorae, Highly Commended)
Sunset Peak Star Trail – Lantau Island, Hong Kong – by Chap Him Wong (People and Space, Winner)
Royal Observatory Greenwich in London until 26 June 2016.
September 16, 2015Posted by on
For a little while now I have written about the refugee crisis and the impact photography has had on the publics’ awareness, so serious and important stuff. However never wishing to be too intense I now have the chance to bring you news of the Taylor Wessing Photographic Portrait Prize 2015. This is a very serious (sorry) portrait award and usually is won by a picture involving an animal, see last years winner and the winner from 2011 As I say it is a serious prize to win, the trouble is usually the majority of people, photographers and ordinary people alike just don’t get it. As with many areas of contemporary art the choices confuse those outside the world of contemporary art, like so many things you need to be in the club. Anyway now there is this years prize. The Guardian article lists all the shortlist contenders, here is what they say about the images and the photographers
Ivor Prickett’s photograph, Amira and her Children, taken at the Baharka refugee camp. Photograph: Ivor Prickett/PA
A photograph of a displaced Iraqi family who fled their village after the area fell under Isis control is on the shortlist for the 2015 Taylor Wessing prize, theNational Portrait Gallery has announced.
Ivor Prickett, a London-based documentary photographer, took the image, Amira and her Children, in northern Iraq in September 2014 while working on an assignment for the UN refugee agency.
Prickett met Amira and her family in their tent at the Baharka camp near Erbil. They had fled their village near Mosul after Isis took control of the area.
“I spent some time speaking with Amira about what her family had gone through,” said Prickett. “As they became more comfortable with me being there, they really started to express their closeness and became very tactile. It was a beautiful moment to witness in the midst of such a difficult situation.”
Nyaueth 2015 © Peter Zelewski
Peter Zelewski is a London-based portrait and documentary photographer. Born in Detroit, USA, he moved to London in the late 80s and studied Graphic Design at North London Polytechnic. Through his fascination and love of the city, he was drawn to the streets of London to take photographs of its citizens. Zelewski now divides his time between graphic design, commercial photography and his personal street portraiture projects. Zelewski’s portrait Nyaueth was taken near Oxford Street as part of his series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous and powerful street portraits of everyday citizens who show character, uniqueness and a special inner quality, which I try to interpret in my photographs.’
David Stewart’s portrait of his daughter and her friends. Photograph: David Stewart/PA
The fourth shortlisted work is Five Girls 2014, by David Stewart, a photographer born in Lancaster and based in London. The five girls of the title are his daughter and her friends, a group he first photographed seven years ago when they were about to start their GCSEs.
“I have always had a fascination with the way people interact, or in this case fail to interact, which inspired the photograph of this group of girls,” he said. “While the girls are physically very close and their style and clothing highlight their membership of the same peer group, there is an element of distance between them.”
Anoush Abrar photo of a young boy, inspired by Caravaggio’s painting Sleeping Cupid. Photograph: Anoush Abrar/PA
Anoush Abrar, a photographer born in Iran who now lives and teaches in Lausanne, Switzerland, is shortlisted for Hector, a photograph of a young boy inspired by his fascination with Caravaggio, and particularly the artist’s 1608 painting Sleeping Cupid.
“Somehow I needed to make my own Sleeping Cupid,” he said. “I found my portrait of Hector so powerful and iconic that it inspired me to continue this project as a series called Cherubs.”
This is what TW say about themselves…The Taylor Wessing Photographic Portrait Prize 2015 is the leading international competition which celebrates and promotes the very best in contemporary portrait photography from around the world. The selected images, many of which will be on display for the first time, explore both traditional and contemporary approaches to the photographic portrait whilst capturing a range of characters, moods and locations.
With over 2,200 entries, this year’s Prize continues to uphold its reputation for a diversity of photographic styles submitted by a range of photographers, from gifted amateurs to photography professionals, all competing to win one of the four prestigious prizes including the £12,000 first prize.
All four photographs will be included in an exhibition of the best of this year’s entries. The winning photographer, to be announced on 10 November, will receive £4,000 and a commission. The four photographs were chosen from 4,929 submissions entered by 2,201 photographers from 70 countries.
Nicholas Cullinan, the director of the National Portrait Gallery, who chaired the judging panel, said: “The strength of the four shortlisted works reflects the outstanding level that photographers across the world are working at today.
“The exhibition will be especially exciting this year as we will be displaying a number of photographs that were submitted as a series of portraits, as well as new and unseen work by acclaimed photographer Pieter Hugo.”
The exhibition of the prize winners and other entrants is at The National Portrait Gallery, London from November 12 to February 21
There are also events going on in support of the award, here is one but you can find the full list here
28 November – 29 November 2015, 11:00-17:00
Please check signage on the day for details
Tickets: £150 (£125 concessions and Gallery Supporters) Book online, or visit the Gallery in person.
Taking inspiration from the Taylor Wessing Photographic Portrait Prize 2015, hone your skills in this two day practical workshop.
We also have a Portrait Photography Course where you will learn how to take portraits of your family, friends but generally not small animals, nor will we inspire you with images from……
September 15, 2015Posted by on
Compas is part of The University of Oxford and does studies into the migration of peoples. This is clearly an important subject at the moment and I would like to alert you to a photography competition they have organised. The brief does seem a bit wide (vague) however I suppose that gives you the opportunity to express this in a way you find interesting.
The theme is Re-creating Migration :
COMPAS visual arts competition is looking for photos and illustrations exploring new approaches to migration.
Enter by Friday 13 November 2015. Prizes: £250 and £100 for winning entries and £50 for 10 runners-up. Winning entries will appear in the COMPAS Annual Calendar and entrants will also be sent a copy.
– The competition is open to residents of the UK and Ireland aged 16 and over, including employees of COMPAS and the University of Oxford. Organising and judging staff, and their relations, cannot enter.
– To enter, email your photo to the email address provided [firstname.lastname@example.org] once you have read and accepted the terms and conditions.
– Five entries allowed per person.
– All entries must be the entrant’s own original work and must not have been previously published elsewhere. Entrants warrant and undertake that photos submitted will not infringe intellectual property, privacy or any other rights of any third party.
– Entrants must ensure that any person or persons whose image is used in an entry has given valid consent for the use of their image or has waived any rights they may have in the image submitted. Where such person is under 16, the consent of that person’s parent or guardian must be obtained. Failure to adequately demonstrate such consent may result in the entrant’s disqualification and forfeiture of any prize.
Here are a couple of images chosen as winners from last year’s competition
Marek Olszewski – Getting Clear
Lana Al-Shami – The Long Way Home
See more here
September 13, 2015Posted by on
The BBC website has an article on photographer Kim Leuenberger.
Kim Leuenberger is covering the Goodwood Revival, which starts on Friday, where she will be photographing some of the most expensive cars ever produced, as well as capturing the nostalgia of motoring. Yet she is more used to shooting far smaller models – toy cars set in the landscape.
The series, called Travelling Cars, began more than four years ago when, having received a camera for her birthday, Leuenberger took some pictures of toys, including the blue van as seen above, for a project to raise awareness about autism that was running on image-sharing platform Instagram.
“When I posted on Instagram the feedback was so positive that I continued taking that blue van everywhere I travelled. Then with time, I bought more cars,” says Leuenberger .