Oxford School of Photography

insights into photography

The Salt of the Earth Wim Wenders’s thoughtful portrait of photographer Sebastião Salgado

I know a bit late to alert you to this but better today than tomorrow. The Wim Wenders documentary about Sebastião Salgado is showing for the last time at the UPP on Cowley Road, Oxford tonight, start time is 6.30pm, here is what the Guardian said about the film .

Wim Wenders co-directed this documentary about Sebastião Salgadowith the photographer’s son, Juliano Ribeiro Salgado, bringing “an outsider’s view” to a wealth of extant footage and photos. From stunning images of the gold mines of Serra Pelada (“I had travelled to the dawn of time”), to the horrors of famine in the Sahel and genocide in Rwanda (“We humans are a terrible animal… our history is a history of war”), and ultimately to the rebirth of the “Genesis” project, The Salt of the Earth finds Salgado revisiting and confronting his turbulent past.

Speaking to Wenders while gazing at – and sometimes through – his back catalogue, Salgado proves an adept and compassionate storyteller, his training as an economist providing sociopolitical insight into the suffering (manmade rather than natural) that threatens to engulf his work. “Everybody should see this image,” he says at one point, although the unspeakable sights captured by his camera prove so unbearable that one is all but forced to look away. Elsewhere, footage of Salgado with Papua’s Yali tribe or the Amazonian Zo’é of Brazil offer a more uplifting portrait of humanity, while the reforestation of the Instituto Terrasuggests that all may not yet be lost.

Salgado is a photographer we feature in some of our courses notably Composition In Photography – Seeing Pictures and Intermediate Photography

 

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3 responses to “The Salt of the Earth Wim Wenders’s thoughtful portrait of photographer Sebastião Salgado

  1. Angeline M August 19, 2015 at 3:22 pm

    Thank you for bringing this documentary to my attention.

  2. Jane Buekett August 20, 2015 at 6:01 pm

    This turned out to be a remarkably boring film, I thought. Not much Wim Wenders and rather too much Salgado family influence. It was like the official version. It didn’t ask any of the questions I wanted to know about. Why are the photos so so beautiful even when he is photographying famine and destruction? Why are they so biblical – what is all that about? And so on. I didn’t really learn anything about Salgado, except that he uses long lenses.

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