insights into photography
You may remember the rather beautiful pictures by Lillian Bassman that we featured previously here well she has popped up again and this time talking to that man Rankin
Lillian Bassman entered the world of publishing at Harper’s Bazaar as a protégée of Alexey Brodovitch, the acclaimed art director of the magazine from 1938 to 1958. Initially a student on his Design Laboratory course, Bassman was given an internship at the magazine in 1941, and a permanent title four years later, when Junior Bazaar was launched. She stayed with Harper’s Bazaar until the 60s, and during this time she became a photographer. She was known to spend hours in the darkroom experimenting with unusual techniques, including using tissues to bring certain areas of a photograph into focus, applying bleach to change tone and washing prints in the bath to achieve dreamy effects. Her signature high-contrast, black-and-white, graphic-style images won her a new-found appreciation in the 90s, when a cache of discarded negatives resurfaced. Before her death in 2012, at the age of 94, Rankin had a conversation with Lillian Bassman about her career and the art of photography.
RANKIN: I’M A BIG FAN OF YOUR WORK. HOW DID IT ALL START FOR YOU?....want to know what she said? Go here
Oxford School of Photography 