Oxford School of Photography

insights into photography

Monthly Archives: October 2013

Naomi Wood

Photograph a pub – win £250

I know this sounds too good to be true, you have an excuse to indulge your two most favourite diversions, photography and pubs. Well definitely the former if you are reading this and maybe the latter too.

Inapub is running a photography competition in November, to give you the chance to win £250 and future freelance work with us. Entries should to be sent to jessb@inapub.co.uk and are subject to the competition rules, contact Jess if you want to see these before submitting, she will send you a document full of details. The closing date for entries is November 30 and the prize winner will be announced on Monday December 9

Inapub’s marketing director Mahdis Neghabian says:

“Pubs are full of fascinating people and stories and we are keen to see how photographers go about capturing this in our new competition.
“Whether it is a heritage pub, a contemporary design, a real ale haven or a foodie paradise, pubs are full of life and are a great place for photographers to hone their skills.
“We are really looking forward to seeing what they come up with and, as well as publishing the best efforts, we will also commission the winner of the competition – which can’t be bad for taking a trip to the pub.”

Laos

not a pub but the finest golden nectar from Laos, Yook! as they say in Luang Prabang

 

 

 

 

Nikon D610 First Impressions Review

front-reflectionDP Review gives us the heads up on the new D610. Yes if you bought the recent D600 you might be wondering what Nikon are up to.

Nearly a year after the arrival of Nikon’s full-frame D600, its replacement has arrived. The new D610 is a very minor upgrade to the D600, with just three new features. They include faster continuous shooting, a ‘quiet continuous’ mode, and an improved auto white balance system. The first two features are courtesy of a newly designed shutter mechanism.

The D610 can now shoot at 6 fps, up from 5.5 fps on the D600. A new ‘quiet continuous’ mode shoots at 3 fps and, as its name implies, makes a lot less noise while doing so. Finally, the auto white balance system has been updated to produce more accurate color in artificial lighting, and more realistic skin tones.

The D600 was an excellent digital SLR, with top-notch photo quality, a well-built body, and impressive movie recording capabilities. Unfortunately for Nikon, the D600 is probably best known for collecting oil on the sensor – an issue for which the Company issued a service advisory, without admitting the actual cause of the problem. The official line in the US remains ‘as with all of our products, if any users find they cannot get their sensor clean using the methods outlined in the user manual, they should return it to a Nikon service center’.

Internet theorists have already suggested that the D610 was created to leave the troubles of the D600 behind. And the appearance of a new model so soon after the D600’s launch, with almost no changes other than a new shutter mechanism, seems to give that theory some credence. However, given the company’s refusal to acknowledge a problem with the D600, it’s not possible to get confirmation that the oil issue has been resolved.

With that out of the way, let’s take a more in-depth look at the D610, and what’s changed.

Nikon D610 key features

24.3MP Full-frame CMOS sensor (10.5MP DX-format crop mode)
ISO 100-6400 (expandable to ISO 50-25,600 equivalent)
Maximum 6fps continuous shooting; new quiet continuous mode shoots at 3 fps
39-point AF system with 9 cross-type AF points
Refined auto white balance system
Wireless flash control
3.2in 921k-dot LCD screen
Dual memory card slots
1080p30 full HD video
Uncompressed video recording via HDMI

 

If you want the full SP then go here

 

Adobe hack: At least 38 million accounts breached

The BBC is reporting a problem with Adobe. “It had previously revealed that the source code for its Acrobat PDF document-editing software and ColdFusion web application creation products had also been illegally accessed.”

Adobe has confirmed that a recent cyber-attack compromised many more customer accounts than first reported.

The software-maker said that it now believed usernames and encrypted passwords had been stolen from about 38 million of its active users.

It added that the attackers had also accessed details from an unspecified number of accounts that had been unused for two or more years.

The firm had originally said 2.9 million accounts had been affected.

Adobe has also announced that the hackers stole parts of the source code to Photoshop, its popular picture-editing program.

Read the full article here

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Nigel Slater food photography competition in The Guardian

The Guardian newspaper has a food photography competition

Nigel Slater has been the Observer’s food writer for 20 years and to celebrate, Observer Food Monthly is offering the chance to win a signed copy of his new book – Eat the Little Book of Fast Food.

All you need to do is send us a photograph –just one photo per person please –

Well we all eat and prepare food so get your camera out and make a picture, send it off, how hard can that be? Go here for details

CooP_calendar1t©Keith Barnes

 

Lightroom 5 Unmasked new ebook

From those wonderful people at Craft & Vision there is a new Lightroom ebook aimed at LR5 The previous edition for LR4 was invaluable and although LR hasn’t undergone the major changes it did from 3 to 4 if you have 5 buy this now

LR5_spreads_Cover-NewRelease

 

LR5_spreads_2

 

A Complete Guidebook to Adobe Photoshop Lightroom

Lightroom 5 Unmasked is a resource like no other. This PDF is full of high-resolution screenshots, step-by-step instructions, and the tips, tricks and ideas that make digital darkroom work productive and more enjoyable.

At 356-pages Lightroom 5 Unmasked is 13 chapters deep, covering everything from an introduction to Lightroom and non-destructive editing to full discussions and detailed instructions of the Library and catalogs, to every tool in the Develop, Map, Book, Slideshow, Print, and Web Modules. Download the Table of Contents.

This massive eBook also includes an amazing collection of 69 Cases which provide context and insights on the smaller topics that often get overlooked (nine more cases than the previous edition). These additional insights put the tools and features into context, helping you learn and apply what you read along the way. Every module is covered in-depth, even third-party applications and plugins are tackled head-on. Lightroom-to-Photoshop integration is also included.

At about £12.50 for more than 350 pages it is a snip

Get your copy here

Child’s Play

Lady Barbara Judge

Grayson Perry: ‘There’s an awful lot of guff talked about art’

Artist Grayson Perry was commissioned to draw a series of pictures to illustrate his Reith Lectures on BBC Radio 4. Here he explains what they mean. If you missed his first Reith lecture you should take some time to listen, it is brilliant, interesting, funny and inciteful. As a prelude to his lecture series he produced this short video explaining that a lot of guff is talked about art

If you don’t know Grayson I would have to ask under which stone have you been living, he is now Britain’s most visible artist and an extraordinary person who doesn’t talk the usual art bs.

Earlier in the week I heard him on BBC Radio 4 Start the week, he said of art photography something like… art photography can be defined as needing to be at least 2m wide, priced in hundreds of thousands and in a limited edition of 5. I give you another look at Rhine2 the most expensive photograph ever sold, it is by Andreas Gursky

Screen shot 2012-11-08 at 17.31.11

Wildlife Photographer of the Year 2013

Every year we are amazed at the quality of wildlife images in this competition, it has to be the most prestigious in the world, and we get to see in our own back yard. The Natural History Museum in London hosts the competition exhibition and if there was ever a reason to go to London then this is it.

2013: Wildlife Photographer of the Year – Grand title winner Greg du Toit (South Africa)

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Essence of elephants

Ever since he first picked up a camera, Greg has photographed African elephants. ‘For many years,’ he says, ‘I’ve wanted to create an image that captures their special energy and the state of consciousness that I sense when I’m with them. This image comes closest to doing that.’ The shot was taken at a waterhole in Botswana’s Northern Tuli Game Reserve, from a hide (a sunken freight container) that provided a ground-level view. Greg chose to use a slow shutter speed to create the atmosphere he was after and try ‘to depict these gentle giants in an almost ghostly way.’ He used a wide-angle lens tilted up to emphasise the size of whatever elephant entered the foreground, and chose a narrow aperture to create a large depth of field so that any elephants in the background would also be in focus. Greg had hoped the elephants would turn up before dawn, but they arrived after the sun was up. To emphasise the ‘mysterious nature’ of these ‘enigmatic subjects’, he attached a polarising filter and set his white balance to a cool temperature. The element of luck that added the final touch to his preparation was the baby elephant, which raced past the hide, so close that Greg could have touched her. The slow shutter speed conveyed the motion, and a short burst of flash at the end of the exposure froze a fleeting bit of detail.

2013: Young Wildlife Photographer of the Year Udayan Rao Pawar (India)

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Mother’s little headful

One night, Udayan camped near a nesting colony of gharials on the banks of the Chambal River – two groups of them, each with more than 100 hatchlings. Before daybreak, he crept down and hid behind rocks beside the babies. ‘I could hear them making little grunting sounds,’ says Udayan. ‘Very soon a large female surfaced near the shore, checking on her charges. Some of the hatchlings swam to her and climbed onto her head. Perhaps it made them feel safe.’ It turned out that she was the chief female of the group, looking after all the hatchlings. Though he saw a few more females and a male, they never came close. Gharials were once found in rivers all over the Indian subcontinent. Today, just 200 or so breeding adults remain in just 2 per cent of the former range. ‘The Chambal River is the gharial’s last stronghold,’ says Udayan, ‘but is threatened by illegal sand-mining and fishing.’

There are many different categories, these shown here are just the most prestigious, you can see all the categories and gaze in wonder at the entries and winners here

2013: Eric Hosking Portfolio Award

Connor Stefanison (Canada)

The flight path

Connor’s photography draws on the wilderness skills he acquired over a childhood spent largely outdoors. This female barred owl had a territory near his home in Burnaby, British Columbia. He watched her for some time, familiarising himself with her flight paths until he knew her well enough to set up the shot. ‘I wanted to include the western red cedar and the sword ferns so typical of this Pacific coastal rainforest.’ Setting up his camera near one of the owl’s favourite perches, linked to a remote and three off-camera flashes, diffused and on low settings, he put a dead mouse on a platform above the camera and waited for the swoop that he knew would come. ‘She grabbed the mouse, flew back to her perch and began calling to her mate. It is one of the most exciting calls to hear in the wild.’

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The exhibition details are:

Exhibition and tickets

Wildlife Photographer of the Year 2013 exhibition
Natural History Museum
18 October 2013 – 23 March 2014
10.00-17.50 (last admission 17.15)
Open late the last Friday of every month

The world-renowned annual exhibition opens at the Museum on 18 October 2013. It shines a spotlight on the rarely seen wonders of the natural world.

100 images have been selected from tens of thousands of international entries and are displayed in the exhibition gallery to dramatic effect on sleek backlit installations.

 

Exhibition information for visitors

Visitor enquiries:   +44 (0)20 7942 5000
Admission:              Adult £12*, child and concessions £6*,                                    family £33* (up to 2 adults and 3 children).
Free for Members, Patrons and children                                    aged 4 and under.

 

The exhibition goes on tour around the country, you can follow this link to find if it will be in a town near you

The exhibition comes to Oxford next year