Oxford School of Photography

insights into photography

Daily Archives: June 27, 2012

BJP’s 2012 International Photography Award is open

You could win a framed, printed exhibition at London’s Foto8 Gallery by entering BJP’s 2012 International Photography Award writes  Diane Smyth in the BJP

Chloe Dewe Mathews won the 2011 International Photography Award (series category) for a project called Caspian, which included this shot of two sisters running down to the underground mosque in Beket-Ata, Kazakhstan. Image © Chloe Dewe Mathews/Panos Pictures.

…What do Chloe Dewe Mathews, Edmund Clark and Peter di Campo have in common? They’ve all won London exhibitions in BJP’s International Photography Award. Enter now and you could win a framed, printed show at Foto8 this November. …….

Photographers may enter projects on any topic, and there are two categories to choose from: one awarding the best series of images, and the other the best single image. Both winners will be exhibited at Foto8 for two weeks and will be able to keep their print or prints after the show. 

The IPA has been running since 2005, and previous winners include Edmund Clark, whose series Guantanamo: If the lights go out went on to be published by Dewi Lewis; and Peter di Campo, who won the series prize in 2010 with a project on Life Without Lights in Ghana. Facundo Arrizabalaga won the single image prize last year with a shot from the student protests of November 2010, and Walter Astrada picked up the single image award in 2008 with an image depicting a victim of matricide in Guatemala.

The IPA is judged by a rolling panel of photography experts, which last year included Alexia Singh, editor-in-charge of the Wider Image Desk at Thomson Reuters, and Monica Allende, picture editor of the Sunday Times Magazine. The prize is generously supported by Spectrum Photographic, one of the leading photography labs in Europe, and by Foto8 Gallery in East London. 

The closing date this year is 15 September 2012. For more information, and to enter online, visit www.bjp-online.com/ipa

Exploring Colonel Muammar Gaddafi’s photography archives

In the BJP this week there is an very interesting article by Olivier Laurent about photographic archives found in Libya after the fall of the tyrant Gaddafi. The images shown are effectively copies made by the photographers working for Human Rights watch who found them, this leads to a debate about the ownership of the images and the considerations of copyright, some comments arguing that the copying of images and crediting them to the copier feels a bit wrong because the original photographer has rights too. Anyway if you read the article you will be able to read the debate and  the comments and add to the discussion if you wish, this is how the article starts

Colonel Gaddafi in air force uniform at an Arab Summit in Tripoli, Libya December 02, 1977. Image © Courtesy of Michael Christopher Brown/Human Rights Watch.

For the past year, Human Rights Watch has been compiling documents and images found after the fall of Libya’s authoritarian regime in a bid to secure an important passage of the country’s history. Now a selection of these artefacts – named The Gaddafi Archives – is set to go on show at the London Festival of Photography. Olivier Laurent reports……

In the first months of last year, as Colonel Muammar Gaddafi’s stronghold on Libya slowly crumbled, staff from Human Rights Watch came upon hundreds of discarded documents, including images from the regime’s secret police’s archives, as well as the dictator’s own family albums. “When we arrived in Benghazi in February 2011, we found that many of these documents were being burned,” the NGO’s emergencies director Peter Bouckaert told BJP last year. “Almost all of them had been burned already,” he says, so it was a race against time.

“One day we were approached by a Libyan man who had rescued some images from the State Security Services buildings,” photographs that literally smelled of smoke, Bouckaert recalls. “They had been taken out of the building as it was being burned down by the rebels.” Mindful that his organisation could not remove the images from the country, Bouckaert set about documenting them with the help of photographers such as Thomas Dworzak, Michael Christopher Brown and the late Tim Hetherington. Now, eight months after the fall of Tripoli and Gaddafi’s death, a selection of these photographs, documents, artefacts and videos will go on show in the UK at the London Festival of Photography. Curated by Susan Glen, the exhibition aims “to look behind the ‘grip-and-grin’ smiles of the political photo-op propaganda to reveal what was really going on” in Libya, she says…….MORE

Colonel Gaddafi and Leonid Brezhnev, General Secretary of the Soviet Union, holding hands in Moscow, April 27th, 1981. Image © Courtesy of Michael Christopher Brown/Human Rights Watch.

For more information, visit www.hrw.org and www.lfph.org.

Magnum’s Professional Practice event comes to Bradford

Magnum Professional Practice: Bradford

Workshop
Jul 28 – Jul 29 2012
by Mark Power
Originated as a response to the changing nature of the photography market, Magnum’s Professional Practice events deliver impartial guidance from a wide range of visual imaging industries. With access to key individuals working in editorial, commercial, cultural and publishing industries, Magnum is well placed to advise the next generation of photographers.

In a series of weekend lectures, leading figures of the photographic industry will deliver presentations and advice on the best means for engaging with and working in these sectors. Eight speakers from a variety of industries, including the advertising & corporate, editorial, gallery, NGO, museum, publishing and rights sectors will each give presentations on their subject of expertise, with plenty of time for questions and networking opportunities.

This event is aimed a wide range of photographers at different stages of their career: professional photographers working in a particular discourse but wanting to explore other avenues; emerging photographers who require practical, vocational training; or semi-professional photographers wishing to make the commitment to full-time practice. Each of Magnum’s Professional Practice lectures is tailored to deliver the best impartial advice and provide the opportunity to meet with key industry specialists. Places on Magnum’s Professional Practice course are limited and successful candidates will be chosen on the perceived benefit to the applicant’s career.

The next seminar will take place at the National Media Museum, Bradford, West Yorkshire, BD1 1NQ on 28-29 July.

Magnum’s Professional Practice events are produced in collaboration with their educational partners, IdeasTap. Through the generous support of IdeasTap, 10 photographers under the age of 25 are given the opportunity to participate in this event for the heavily subsidised rate of £50 plus VAT. If you are eligable for a bursary, apply here.