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Tag Archives: Photography

Photos: 60 Years of Climbing Mount Everest

From The Denver Post

Nepal celebrated the 60th anniversary of the conquest of Mount Everest on Wednesday by honoring climbers who followed in the footsteps of Edmund Hillary and Tenzing Norgay. Nepalese officials offered flower garlands and scarfs to the climbers who took part in the ceremony. They were taken around Katmandu on horse-drawn carriages followed by hundreds of people who marched holding banners to mark the anniversary. Hillary and Norgay reached the summit of Everest on May 29, 1953. Since then thousands of people have reached the 8,850-meter (29,035-foot) peak. Tenzing Norgay died in Darjeeling, India, in 1986 at age 71. Hillary, who died of heart failure in 2008 at the age of 88, attended the golden jubilee celebration of the conquest in 2003.

MOUNT EVEREST

Sherpa Tenzing Norgay stands on the summit of Mount Everest May 29, 1953 after he and climbing partner Edmund Hillary became the first people to reach the highest point on Earth. (AP Photo/Edmund Hillary, Royal Geographical Society)

GEORGE MALLORY; ANDREW IRWINE

British mountaineers George Mallory and Andrew Irvine, both members of the Mount Everest expeditions in 1922 and 1924, are seen at base camp in Nepal. The pair was preparing to climb the peak of Mount Everest in June of 1924. It is the last image of the men before they disappeared on the mountain. (AP Photo/Str)

Sardar Tenzing Norgay, Sir Edmund Hillary

Explorers Sardar Tenzing Norgay of Nepal, left, and Sir Edmund Hillary of New Zealand drink tea outside a tent at camp. The pair conquered Mount Everest in 1953. Hillary and Norgay were part of the ninth British Expedition to Everest. (AP Photo/NZPA,Penguin Books, HO)

Photo taken on September 30, 2010 shows

A photo taken on September 30, 2010 shows Mount Everest (C) from the window of a Druk Air aircraft during a flight from Bangkok to Paro. Everest is the world’s highest mountain above sea level at 8,848 meters (29,029 feet) high. (Ed Jones/AFP/Getty Images)

See more than 40 pictures from this gallery featuring the history of climbing Everest here

Photography Exhibitions Summer 2013

Daniel Blau announces winners of 5 Under 30 competition

The five winning photographers will exhibit work at the Daniel Blau gallery in Hoxton in July, Daniel Blau has announced the names of the winning photographers in 5 Under 30, its inaugural photography competition for young photographers.The photographers include 27-year-old Marianne Bjørnmyr, 29-year-old Madoka Furuhashi, 26-year-old Andi Schmied, 22-year-old Tereza Cervenova, and 25-year-old Lara Morrell.

For more visit www.danielblau.com

The Photographers Gallery

Deutsche Börse Photography Prize 2013 winners are Broomberg & Chanarin for War Primer 2  19 Apr – 30 Jun 2013

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Plate 26, George Bush serves a Thanksgiving turkey to US troops stationed in Baghdad in 2003, 2011

CHRIS KILLIP British born Killip has been taking photographs for nearly five decades.What Happened – Great Britain comprises black and white images of working people in the north of England, taken by Killip in the 1970s and 1980s. After spending months immersed in several communities, Killip documented the disintegration of the industrial past with a poetic and highly personal point of view.

18 Apr – 30 Jun 2013

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©Chris Killip

Cristina De Middel (b.1975, Spain) is nominated for her publicationThe Afronauts (self-published, 2011). Until June 30th

In her first book, The Afronauts, De Middel engages with myths and truths, reality and fiction. In 1964, after gaining independence, Zambia started a space programme in order to send the first African astronaut to the moon.

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©Cristina de Middel

Sebastião Salgado Genesis

Natural History Museum

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11 April – 8 September 2013
Waterhouse Gallery

Sebastião Salgado’s Genesis is the culmination of 8 years work exploring 32 countries. It is Salgado’s 3rd long-term photographic exploration of global issues, following his previously acclaimed collections, Workers and Migrations.

About 216 of Sebastião Salgado’s black-and-white documentary photographs are on show in Genesis. They capture some of the furthest and wildest corners of our world, portraying indigenous communities that continue to live in accordance with their ancestral traditions, and showing rare insights into their lands.

During the 8 years in which Salgado travelled around the world to produce this collection of images, he often stayed with the people he photographed.

Salgado reflects: ‘Many of us live in cities, cut off completely from the planet. My wish was to experience living with people with real links to nature… For me to go back to nature was a huge pleasure. I wished to present the planet in my language, photography. And so came Genesis.’

The exhibition’s design follows the 5 themes in Genesis: Sanctuaries, Planet South, Africa, Northern Spaces, and Amazonia and Pantanal.

Sebastião and Lelia SalgadoSebastião and Lelia Salgado © Richard Beliel

Many of the places represented in Salgado’s images are important research areas particularly for studying the variety of species biodiversity.

Wildlife Photographer of the Year

This is now on tour and can be found at various locations

Basingstoke
18 May 2013 to 27 July 2013
Willis Museum
Market Place, Basingstoke, RG21 7QD
0845 603 5635

Bedford
22 June 2013 to 15 September 2013
The Higgens Art Gallery and Museum
Castle Lane, Bedford, MK40 3XD
01234 718618

Photographer of the Year 2013

 

EXPOSURES

Julia Martinez: Nude Photography

13th – 29th  June 2013

The photographer, The artist, formerly a photographic model, moves behind the lens

Art Jericho, 6 King Street, Oxford OX2 6DF, Opening hours vary, but are often Wed-Sat 11am – 5pm (or by appointment) and Sun 1-5pm.

J Martinez Nude 01

ROCK PORTRAITS 90/94 Dean Ryan

4th July – 3rd August 2013

Live music photography at the Jericho Tavern

A first viewing of photographs of The Verve, Pulp and many more at the celebrated Oxford venue.

Art Jericho, 6 King Street, Oxford OX2 6DF, Opening hours vary, but are often Wed-Sat 11am – 5pm (or by appointment) and Sun 1-5pm.

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Creative Industries Qualification

We received information about a course that the Royal Photographic Society (RPS) runs that might be of interest to those wishing to study photography with an aim of achieving a qualification.

The Royal Photographic Society’s Imaging for the Creative Industries qualification provides a structure leading to professional qualifications with particular relevance for those in the media including picture editors, art directors, curators, and designers as well as those within elements of education…..This could provide a qualification for educators, offering a focused opportunity for the academic community. Within this umbrella, the relevant academic disciplines from the fine arts to design as well as their applications can be interpreted widely. Specifically it will include areas of photography and imaging that embraces both those who make and those who use the medium(s).

 I have no idea what that means so   READ here for further details  here is a picture from Wildlife Photographer of the Year to cheer you up

Photographer of the Year 2013

 

S is for Simplicity: How Simplicity Will Improve Your Photography

The truly excellent  tom dinning writes on Lightstalking about the need to improve your photography by simplifying your images

In a complex world of action and vision it’s often difficult to separate the trees from the forest. In the early days of photography there was a tendency for photographers to emulate the painters or to use the photograph to assist the artist with his composition. The photograph was a means of recording the complexity of the world with all its detail. It was ‘real’. As photographers experimented with their new tool, they discovered that the photograph was also a way of simplifying the sometimes chaotic view before them. They could choose what would be ‘in the frame’ or not, eliminating the unnecessary and focusing on the important detail. 

The photographers were finding another language; the language of photography.

But often there were no words to describe what they had achieved, so they drew on existing words to define their pictorial vocabulary.

‘Simplicity’ is one such term. It was used to give a sense of ‘oneness’ in which the image could stand on its own and tell the story, that the contents contained nothing more in detail than was required by the photographer to achieve his purpose. READ ALL OF THIS ARTICLE HERE

 

©Jane Buekett©Jane Buekett

My great friend and superb photographer Jane Buekett understands simplicity, have a look at all her pictures here but as a taste a few..

©Jane Buekett

©Jane Buekett

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all images ©Jane Buekett
Click Here: S is for Simplicity: How Simplicity Will Improve Your Photography

Self-portraits and social media: The rise of the ‘selfie’

I joke in class, when teaching camera use, the purpose of the self timer and that most photographers seem to want to be behind rather than in front of the camera. This article on the BBC website suggests that the non-photographer picture taking public are very keen on self portraiture. I am not sure this is hugely relevant but it makes interesting reading.

There’s a mania for sharing self-taken photographs online. But why, asks Charissa Coulthard.

The first smartphone with a forward-facing camera was the watershed moment.

You only need this second, forward-facing camera if you want to take pictures of yourself. Could there be any more conclusive indication of the ubiquity of the self-portrait or “selfie”?

The cameras, which focus automatically from arm’s length, invite us to photograph on the spur of the moment, regardless of location or company.

Images can be shared with thousands of other people. Its immediacy – Look where I am! Look what I’m doing! Look at what I look like! – is exciting. To some…..READ ON HERE

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Evolution of a selfie: Charissa Coulthard before and after tips, and experimenting with a new look

For true evolutionary self portraiture the discerning look no further than Cindy Sherman

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Art Becomes Her: In Honor of Cindy Sherman’s MoMA Retrospective, Five Tastemakers Reflect on Her Influence

Cindy Sherman has proven herself the ultimate master of disguise. For decades she has been her own model—donning wigs, makeup, prosthetics, and endless numbers of costumes in an astonishing series of uncanny photographs. READ MORE HERE

Relates Links (serious stuff first)

http://www.moma.org/visit/calendar/exhibitions/1170

http://en.wikipedia.org/wiki/Cindy_Sherman

http://www.guardian.co.uk/artanddesign/2011/jan/15/cindy-sherman-interview

http://www.tate.org.uk/art/artists/cindy-sherman-1938

and the rest “selfie”

Related articles

American beauty: Vanessa Winship’s photos of still, small-town US life

Winship used her Henri-Cartier Bresson prize money well: to fund a book, She Dances on Jackson, in which she has captured the silence at the heart of a clamorous nation

Sean O’Hagen writes in The Guardian When I first wrote about Vanessa Winship in 2011, she had just become the first woman to win the Henri Cartier-Bresson award since its inception in 1988. Her new book, She Dances on Jackson, is the end result of a number of road trips she made across the States, funded by the €30,000 grant from the Cartier-Bresson foundation. It is a thing of still beauty that gives a glimpse of another America, both quotidian and luminous.

Vanessa Winship She Dances on Jackson

The first image sets the tone: an almost stationary river with concentric ripples at its centre, where a fish could just have broken the surface to catch a fly. Beyond the river lies a reeded bank, a row of dark trees and a sky as grey as the water. The stillness is palpable, yet you can almost hear the echo of a soft splash. Another image shows a flock of birds in flight around a leafless tree, as if they have been startled by the shutter click of her camera. Again, the silence of the image is somehow amplified by the suggestion of sound.

Vanessa Winship She Dances on Jackson

With the title She Dances on Jackson, Winship suggests both reverie and a fixed sense of place, as well as the fact that the US is a continent so vast that locality equals identity. To this end, her portraits also evince a small-town America where people tend to stay put. They are mainly straightforward, head-on shots of people who stare back at her lens without giving much away.

Vanessa Winship She Dances on JacksonOn the road … all pieces untitled, from Vanessa Winship’s She Dances on Jackson (2013). Photographs: Vanessa Winship, 2013 courtesy MACK

 

 

An exhibition of Winship’s work is currently on display at Henri Cartier-Bresson Foundation in Paris until 28 July.

 

14 Essential Landscape Photography Tutorials

From those cheeky chaps down under we get this from Rob at Lightstalking

The theme of landscape photography repeatedly shows up in the most popular posts on Light Stalking and if the proliferation of websites and magazines specifically about landscape is anything to go by, then it is very popular among the wider photography community too. Getting started in landscape need not be a huge exercise – there are literally hundreds of fantastic tutorials available for free online. We have taken the liberty of collecting some of our favorites.

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©Keith Barnes, Tasmania

General Tutorials

Landscape Photography for the Serious Amateur – This remains one of the all time most popular posts on Light Stalking and is a fantastic introduction to the art from landscape photographer, Chris Gin.

11 Surefire Landscape Photography Tips – A general article from a great website.

Three Elements of a Great Landscape – the Photo Naturalist (who took the image above) is a great resource for any outdoor photographers, and this is a typically solid guide from that site. Check out their other landscape articles too.

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©Keith Barnes, Tasmania

Situational Tutorials

Not all landscape is the same. You are going to have a hugely differing set of conditions between shooting a coastal landscape and shooting in the desert. These tutorials are a good start if you already know where you’re planning to shoot.

Digital in the Desert - shooting in the desert has a lot of unique challenges. This is a thorough review of some of the issues you will come up against.

13 Steps for Creative Coastline Photography – a tutorial by Simon Bray for the fantastic Tutsplus network – this one is worth checking out for the examples alone.

5 Quick Tips for Coastal Photography – another cool list of tips from Digital Photography School with some fine examples too.

A Guide to Capturing Autumn Mist – a seasonal guide for landscape photographers who are looking to get good captures of mist in their work.

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©Keith Barnes, Tasmania

See the rest of these tutorials here

Click Here: 14 Essential Landscape Photography Tutorials

the Art of Split Tone Photography

Rob over at Lighstalking has put together these useful resources for anyone interested in split toning

Split tone photography is a technique that has allowed photographers to produce some of the most amazing shots you will ever see. Done well, it can transform a scene into an eerie or stark movie-like scape. Done poorly, it doesn’t look too great at all. We decided to trawl the internet for the best resources on the art of split tone photography so that you can hone your own skills……..

What is Split Tone Photography?

Split toning uses more than one colour to tone an image.

Backgrounder: In traditional print photography, toning was a way to change the basic colour of black and white photographs (traditional toning still creates a monochromatic image). Perhaps the most popular type of toning done traditionally was Sepia which produced a brown to orange cast and warms the overall photograph.

Experimentation with traditional forms of toning such as sepia eventually lead to several ways to “split tone” a photograph. For example, with sepia photographs, if the final bleaching was incomplete, the result was that the highlights would be sepia with the mid-tones and shadows remaining grey. This was one of the original ways to “split tone” a photograph.…..MORE

 

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©Keith Barnes Port Arthur, Tasmania

Click Here: Some Really Useful Resources for Making You a Master at the Art of Split Tone Photography

History of Canon Cameras

Canon have a virtual Camera Museum that has all the cameras and technology that Canon have brought to our loving hands over the years, there are a number of sections and one is called the Canon Camera Story, here is a brief synopsis

In the early thirties, the two most popular brands of miniature cameras were Leica and Contax, both made in Germany, the camera kingdom of the world. These two brands attracted the camera fans, receiving enthusiastic support throughout the world as super grade cameras…. in February 1936, the Precision Optical Instruments Laboratory released the “Hansa Canon (Standard Model with the Nikkor 50mm f/3.5 lens),” which was the first commercial camera made by Canon…..”Canon” became the new trademark of Precision Optical Instruments Laboratory. “Canon” has such meanings as “standard for judgement or biblical scriptures,” which was most appropriate for the company striving for precision as its motto. 

Hansa Canon (Standard Model) J 35mm Focal-Plane Shutter Rangefinder Camera.    In the middle of 1937, strong voices were raised calling for production of the company’s own lenses. Yoshizo Furukawa, the company’s first optical engineer, developed some lenses on a trial basis such as the 50mm f/4.5 lens,

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The Precision Optical Industry Co., Ltd., changed its name to Canon Camera Co., Ltd., on September 15, 1947. In 1951, the company introduced the “Serenar 50mm f/1.8″ lens, which was accepted as a masterpiece lens. The first half of the 1950s was the years in which many new cameras were released one after another. These include the “III” camera equipped with a fast shutter speed of 1/1000 second, the first in Japan, and the “IV” camera that had a flash rail that enabled using a flash unit directly connected to the camera without a cable.

“IV Sb2”1954_4sb_kThe first half of the 1950s was the years in which many new cameras were released one after another. These include the “III” camera equipped with a fast shutter speed of 1/1000 second, the first in Japan, and the “IV” camera that had a flash rail that enabled using a flash unit directly connected to the camera without a cable.

The first Canon SLR camera was the “Canonflex,” introduced in May 1959. With subsequent advances in SLR camera technology, SLR lenses also evolved, from R-series lenses to FL-series lenses, which incorporated a fully automatic aperture control mechanism. And with this progress, debuting along with FL-lens technology, was the “FX” camera, introduced in April 1964, which featured a built-in CdS exposure meter, ushering in the era of TTL (Through the Lens) metering with the launch of such successive cameras as the PELLIX and FTQL.

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Since the fall of 1964, there had been growing calls from both inside and outside of the company that Canon should embark on production of a most advanced SLR camera to meet the requirements of professional photographers. After five years of development efforts, the “F-1″ camera was unveiled in March, 1971. The “F-1″ has left the most glorious footprints in the history of cameras.1971_f1

Developed exclusively for professional photographers, the “F-1″ satisfied them with multiple functions and the systematic configuration. More than 180 accessories including lenses and filters were made available for this camera. It proved to be durable, highly reliable and performed well even under the harsh conditions professional photographers are often forced to confront. Thus, the camera gained wide popularity among professional photographers. The “F-1″ wasthe official 35mm camera for the 1976 Summer Olympics in Montreal, Canada, and the 1980 Winter Olympics in Lake Placid, U.S.A.

Based on technology developed for the “F-1″ camera, in 1972 the company succeeded in producing the “High Speed Motor Drive Camera” having the shooting speed of 9 frames per second.

Sixteen new FD-series lens were introduced together with the “F-1.” To compliment the professional “F-1″ camera, its lens had been improved to ensure central resolution exceeding 100 lines per millimeter and to achieve high contrast. Good color balance throughout the series was achieved by careful selection of optimal glass materials and improved lens surface coating methods.

Unveiled in April 1976, the “AE-1″ camera was the world’s first 35 mm Auto-Exposure (AE) SLR camera equipped with a Central Processing Unit (CPU). The camera integrated the latest electronics and optics technologies. Together with the “A-1″ camera having five AE modes, which was introduced in April 1978

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When the AE-1 came out, TTL manual-metering models (including the Canon FTb and FTb-N) were still the mainstream in the 35mm SLR market. Autoexposure models were still at the very top end of the SLR market. They were expensive and produced in small numbers.

The AE-1, however, was designed from the ground up with five major units and twenty-five minor units. They were centrally controlled by a microcomputer. By incorporating electronics, the parts count could be reduced by 300. The manufacturing of the camera was also highly automated. This made it possible to produce a low-cost camera having high-end features.

In March 1983, the company released the T-Series cameras, which realized high-cost-performance through employing various automated functions and competitive pricing. The T-Series cameras include “T50,” “T70″ and “T80,” culminating into the “T90,” which was marketed in February 1986 as a professional model.

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The T90 is a multi-mode SLR with built-in motor drive. The form of the pentaprism hump is a distinct characteristic. Instead of being sharp-edged like on previous cameras, it is rounded with smooth curves. The camera was designed to lessen the picture-taking burden on the user via automation. It aimed for seamless operation to respond to the user’s will. A lot of top-notch technology and thought went into the camera.

The camera has three metering systems to suit diverse shooting conditions. Eight autoexposure modes and two manual exposure modes also make the camera highly versatile.

Under the development project called “EOS (Electro Optical System), ” Canon confirmed that “a highly-refined AF SLR model deserving Canon’s name should be developed with the target market release date of March 1, 1987, the year of Canon’s 50th anniversary. ” The EOS development efforts bore fruit with the introduction of the “EOS 650″ on March 1987 as scheduled

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The EOS 650 boasted incomparable autofocusing. Each EF lens has its own optimum built-in motor for autofocusing

With the advent of the new millennium came groundbreaking new EOS-series digital camera products. Launched in 2000 was the EOS D30, a full-fledged AF digital SLR featuring a high-resolution CMOS sensor. In 2001, EOS-1D hit the market as a professional digital SLR targeted at sports and news photographers, while the EOS-1Ds featured an 11.1 megapixel sensor and was designed to be the perfect high-end photographic tool. Canon’s efforts to enhance functionality without compromising on cost performance were crystallized in the EOS D60 in 2002 and EOS 10D in 2003.

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Premier AF Performance: The 45-point area AF gives predictive AI servo AF at about 9 fps (with the PB-E2 attached) for outstanding subject tracking and blazingly fast focusing, all automatically.

In 2005, Canon introduced the EOS 5D, a full-size 35mm digital SLR camera with a remarkably low price within reach of many consumers.

So the history of Canon from 1936 to today has been a road of innovation. Here we have only looked at the pivotal moments in that history and only at the more serious cameras so there are a wealth of compact cameras and video cameras as well in the Canon archive. If you want a more detailed history go here

A Brief History of Nikon

Today, we are spoilt for choice – there are an incredible number cameras for us to choose from. What has remained fairly constant however is the manufacturers of those cameras. Although there are a few newer players, mainly from the consumer electronics  industry, there is still a hard core of the well known tr1aditional camera makers in any top ten list of photographic companies. Over the next few months we are going to take brief look at the history of some of the most iconic camera makers around today, starting with Nikon…..writes Jason Row is a British born travel photographer now living in Ukraine. You can follow him on The Odessa Files. on Lightstalking

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Click Here: A Brief History of Nikon

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