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Lost camera reunited with owner after six years drifting in the ocean

A photographer has been reunited with her Canon PowerShot camera, six years after losing it in the ocean off Hawaii. The camera, which was in a waterproof housing, drifted for thousands of miles to the coast of Taiwan, where it was picked up by an employee of China Airlines. The airline identified its owner, Lindsay Scallion of Georgia, USA from photos on the memory card.

This is what a consumer-grade waterproof housing looks like after six years at sea. Lindsay Scallan’s Canon PowerShot camera drifted thousands of miles from Hawaii to Taiwan. READ THE FULL ARTICLE HERE

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Sony Alpha NEX-6 Review

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When it entered the mirrorless market with the NEX-3 and NEX-5 back in 2010, Sony, along with Panasonic and Olympus, saw vast potential to attract the millions of compact camera users who wanted better image quality but without the bulk of a DSLR. Today, however, as the smartphone market continues to erode compact camera sales we see camera makers increasingly turning their attention to a smaller – but potentially more eager – group. Namely, enthusiasts who want a lighter, more compact DSLR alternative, but still demand the level of customization and camera control to which they’ve grown accustomed.

Accordingly, the past couple of years have seen a rash of high-end interchangeable lens cameras like theSony NEX-7Olympus OM-D E-M5Panasonic DMC-GX1 and Fujifilm X-E1, which in both price and feature set are aimed well beyond point and shoot upgraders (ironically, the constituency that was originally supposed to be most profitable for ILC manufacturers).

With the announcement of the NEX-6, Sony appears to be refining the high-end concept by merging much of the technology from the NEX-7 with the connectivity options of the NEX-5R. In essence, the NEX-6 combines the hallmarks of an enthusiast-oriented camera – control dials and a high-quality viewfinder – with Wi-Fi functionality and apps. Oddly though, considering it has created a camera that is obviously designed to appeal to smartphone owners, Sony has removed the touchscreen operation found in the NEX-5N and 5R.

FROM THE EVER EXCELLENT DP REVIEW, SEE THE WHOLE ARTICLE HERE

Sony NEX-6 specification highlights

  • 16.1MP APS-C format CMOS sensor
  • 2.3 million dot resolution OLED EVF
  • ISO 100-25600
  • Control dial
  • Customizable Fn button
  • ‘Quick Navi’ interactive settings display
  • Multi interface hotshoe (supports standard contacts and proprietary connector)
  • Built-in Wi-Fi for connection to smartphones or computers, for photo sharing
  • Proprietary in-camera apps
  • Built-in flash (GN 6, ISO 100)
  • Electronic First Curtain shutter
  • 1080/60p HD movies in AVCHD (50p on PAL region models)

Fujifilm X100S First Look

The Fuji X100S is a much coveted camera, it definitely has style, if what you look for in technology is something that harks back to before you were born. It also has a pedigree of fine technical excellence so do you want one?

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When Fujifilm announced its FinePix X100 retro-styled compact at Photokina 2010, it instantly captured the imagination of serious photographers. With its fixed 23mm F2 lens and SLR-sized APS-C sensor, it offered outstanding image quality, while its ‘traditional’ dial-based handling and innovative optical/electronic ‘Hybrid’ viewfinder gave a shooting experience reminiscent of rangefinder cameras. On launch its firmware was riddled with frustrating bugs and quirks, but a series of updates transformed it into a serious photographic tool. Certain flaws remained, apparently too deeply embedded into the hardware to be fixable, but despite this, it counts as something of a cult classic.

Fujifilm X100S key features

  • Fujifilm-designed 16.3MP APS-C X-Trans CMOS II sensor
  • On-sensor phase detection autofocus
  • Novel colour filter array to suppress colour moiré, no optical low-pass filter
  • EXR Processor II image processor
  • Hybrid optical / electronic viewfinder with 2.35M dot LCD EVF
  • Analogue dials for shutter speed, aperture and exposure compensation
  • Fixed 23mm F2 lens (same as X100)
  • Improved manual focus system (more responsive focus ring, focus peaking and split-image displays)
  • 2.8″ 460k dot LCD
  • On-screen ‘Q’ control panel and tabbed menu system
  • Full HD 1080/60fps movie recording, 36Mbps bitrate
  • Socket for electronic remote release/stereo microphone

SEE ALL OF THE ARTICLE ON DP REVIEW HERE

By the way it costs about £1000

Pentax offers K-30 in a variety of colors and finishes

k30_colors_logoOh yuk!

Pentax has announced a wide range of new colors options for its K-30 weather-sealed mid-level DSLR. Available in either a shiny ‘Crystal’ or matte ‘Silky’ finish, the 16MP DSLR now comes in dramatic tones like orange, yellow and blue. The cameras are available for pre-order at a retail price of $799.95, including the 18-55 kit lens. See below for a complete list of available color options. If you are tempted there is more information here

 

US Judge rules for Eggleston in dispute with collector

This is an interesting little spat that ended up in court and featured one of our favourite photographers William Eggleston

Celebrated American photographer William Eggleston won a legal victory last month when a judge in the US District Court in the Southern District of New York dismissed a claim of fraudulent and negligent misrepresentation brought by collector Jonathan Sobel. Sobel is an avid Eggleston collector who owns 190 of the artist’s prints and even helped finance a 2008 Eggleston retrospective at the Whitney Museum, where he is a trustee.

The legal dispute arose because Sobel owns an 11.75″ x 17.38″ dye transfer print of Eggleston’s famous Memphis (Tricycle) image, shown below, for which he reportedly paid $250,000. That print is one of an edition of 20 that was created in the 1980s. Last year a large format 44″ x 60″ inkjet print, authorized by Eggleston and made from a digital scan of the same film, was sold at a Christie’s auction for $578,500. Sobel argued that by creating a new set of large format inkjet prints beyond the 30-year old limited edition of dye transfer prints of the same image, Eggleston was diluting the value of the earlier Sobel-owned print. As Sobel told ARTINFO in an interview after filing his claim, ‘The commercial value of art is scarcity, and if you make more of something, it becomes less valuable.’ From DP Review, read the full article here

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Canon EOS 100D

One comes along and then immediately another. This little camera is a departure from the trend in DSLR cameras in that is attempting to offer a full DSLR experience but in  a smaller lighter camera. It is on sale at Amazon for about £700 with lens

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Last year Canon made its long-anticipated entry into the mirrorless camera market with the EOS M, taking aim at compact-camera upgraders who desire better image quality but don’t want the bulk or intimidating controls of a DSLR. Yet the company has long hinted that another path to competing with mirrorless entries from Nikon, Sony, Olympus and Panasonic lay in the miniaturization of its familiar SLR design. With the announcement of the EOS 100D / Rebel SL1, Canon has laid its cards on the table. Billed as ‘the world’s smallest, lightest APS-C DSLR’, the EOS 100D unabashedly merges the Rebel-series’ DSLR operational hallmarks with an impressively small body.

Thanks to a downsizing of internal components that has resulted in a smaller shutter mechanism, thinner sensor module and smaller-footprint circuit board, the EOS 100D is significantly smaller and lighter than the co-announced EOS 700D, while offering the same 18MP pixel count, DIGIC 5 processor and, presumably image quality. The EOS 100D is, in fact, comfortably the smallest DSLR we’ve yet seen, and not so far off ‘SLR-style’ mirrorless models such as the Panasonic Lumix DMC-G5.

As attention-grabbing as the EOS 100D’s small footprint undoubtedly is, what’s equally impressive is that Canon has been able to retain most of the controls and features typically found on a Rebel-series camera. A front dial and dedicated ISO, exposure compensation and AF/AE lock buttons are among the controls that will be familiar to any Canon DSLR user. Its touchscreen is identical in resolution to that on the EOS 650Dand 700D, but is fixed, rather than articulated.

The EOS 100D introduces version two of Canon’s Hybrid CMOS AF system, originally seen in the EOS 650D. While Canon is making no claims about focus speed improvements of its hybrid phase/contrast detect system, the new version covers a significantly greater portion of the live view area (80% of the area). This should make it a significantly more useful option than the version found on the EOS M and 650D. FROM DP REVIEW SEE MORE HERE

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This front view shows that the EOS 100D / Rebel SL1 is substantially smaller than the co-announced EOS 700D / Rebel T5i – itself not exactly a giant.

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However, the 100D retains the majority of the external controls found on the larger camera. Although both cameras feature the same rear touchscreen, the 100D’s screen is fixed, not articulated.

The EOS 100D achieves its notable size reduction without sacrificing much in the way of external control compared to the EOS 650D. On the 100D the button at the center of the 4-way controller does double-duty as both the Q menu and Set button, and the surrounding buttons have lost their dedicated functions. The 100D has a lower capacity flash, with a guide number of 9m (versus 13mm on the 650D) and houses a mono versus stereo microphone, though it does retain a stereo mic input. And while the handgrip is not as deep as the one on its larger sibling, the 100D still provides a distinctly DSLR handling experience.

Canon EOS 700D

Canon have released details of the new camera added to their stable, this is effectively a replacement for the 650D, improvements keep coming and new cameras offer better facilities and quality and this one is no different.

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With the EOS 700D/Rebel T5i, Canon’s made an early move to replace last year’s 650D/Rebel T4i, though one with only very minor refinements. Indeed the changes over the 650D are so subtle that it’s the olderT3i/600D that stays on alongside the 700D – while the too-similar 650D fades into the sunset. The only real changes are that the 700D offers real-time preview of Creative Filters in Live View mode, includes a redesigned new mode dial that turns 360 degrees, and has a new ‘upmarket’ body finish.

Apart from those additions, the 700D is essentially identical to the 650D, making this the least distinct upgrade we’ve seen in this range of cameras. Elements carried over include the 18MP CMOS sensor, a 9-point cross-type AF sensor, 3-inch, a 1.04m-dot vari-angle LCD screen, and Full HD video mode. Its Hybrid AF system was also brought over from the 650D, and while the simultaneously announced 100D/Rebel SL1′s Hybrid AF II covers a wider area than the one here, neither is said to be any faster than the rather slow implementation on the 650D.

Canon EOS 700D / Rebel T5i key features

  • 18MP APS-C ‘Hybrid CMOS’ sensor
  • Phase-detection AF from imaging sensor for Live View and Video
  • Continuous autofocus in movie mode with subject tracking
  • New 18-55mm STM kit lens with stepper motor for improved live view/video autofocus
  • 14-bit DIGIC 5 processor
  • ISO 100-12800 standard, 25600 expanded
  • 5 fps continuous shooting
  • 9 point AF system, all sensors cross type, central sensor F2.8 (from 60D)
  • 63 zone iFCL metering
  • 1080p30 video recording, stereo sound with internal or external mics
  • 1.04m dot 3:2 touch-sensitive vari-angle ClearView II LCD (capacitative type, multi-touch support
  • more information can be found of the excellent DP Review site here
  • Amazon are currently offering this camera at £930

 

New Nikon D7100 digital SLR

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The arrival of the 24MP D7100 comes two-and-a-half years after the announcement of its predecessor theD7000, and it’s a pretty serious upgrade. Significantly, Nikon Europe’s presentation of the camera describes the D7100 as the company’s ‘flagship DX model’, and omitted mention of the D300S in the company’s DSLR lineup. Certainly, the gap between the D7100 and D600 now leaves little obvious room for a ‘D400.’

It was only a matter of time before 24MP resolution became standard across Nikon’s entire range of DX-format APS-C DSLRs, and lo and behold – the 24MP D7100 is the latest in the series, but this isn’t just the sensor from a D5200 packaged a newer body. In fact, this would be a fundamental misunderstanding of the new camera.

The critical thing here is that despite the fact that the D7100 is Nikon’s third DX-format 24MP DSLR, its sensor is new, and unique in Nikon’s stable. In a first for Nikon, the D7100′s sensor lacks an optical low-pass filter (OLPF). The D800E, Nikon’s highest-resolution DSLR has the effect of its OLPF ‘cancelled out’, but the D7100, like the Pentax K-5 IIs, omits it altogether. The result should be higher resolution than is possible from the conventional 24MP sensors in the D5200 and D3200, and Nikon clearly feels comfortable with the associated higher risk of moiré in fine patterns – one of the few black marks against the 36MP D800E when we tested it last year. Read more here

Canon 6D First Review

Hot on the heels of the new Nikon D600 comes the Canon 6D, bit like buses…. Calumet Photo are quoting about £1800 for the body only

The 6D is apparently not a replacement for the 5D but a stable mate designed with features for landscape, travel and outdoor photographers. It is lighter than the 5D so easier to carry around and has geo-location GPS facilities so you can tag images with their exact location and built in wifi for transmitting and sharing images. Here are some details

A 20.2-megapixel DSLR featuring a full-frame sensor and compact design. Ideal for portrait, landscape and travel photography, offering tight control over depth of field and a large choice of wide-angle EF lenses.

  • Enjoy the full-frame advantage with a 20.2 megapixel CMOS sensor, for a wider choice of wide-angle lenses, great image quality, and more depth-of-field control
  • Tough magnesium-alloy body and compact design
  • Great in low-light. Shoot at max ISO 25,600 (expandable to ISO 102,400) and with precise AF, even in conditions as dark as -3EV
  • Follow the action with 11-point AF and 4.5 fps shooting
  • Built-in GPS geotags images with location
  • Wirelessly control and download from your camera with built-in Wi-Fi • 14-bit DIGIC 5+ processor for accurate colour reproduction
  • Shoot Full-HD video
  • Live View composition on a 1,040,000-dot 7.7cm (3.0″) ClearView LCD screen
  • The ever reliable people at DP Review have a full preview available here

The EOS 6D is best seen as a full frame version of the EOS 60D – indeed it’s very similar in both control layout and dimensions. Its front profile is very similar to the Nikon D600, but it’s rather slimmer front-to-back, and lighter too. However it differs from the Nikon in a number of key respects; for example it has Wi-Fi and GPS built-in, while the D600 offers a distinctly higher spec’ed autofocus system, dual card slots and a built-in flash.

The EOS 6D is built around a new Canon CMOS sensor, which offers a pixel count of 20.2MP (compared to the D600 and A99′s 24MP, or the 5D Mark III’s 22MP). In concert with the DIGIC 5+ processor it offers a standard ISO range of 100-25600, expandable down to 50 and up to 102,400. The AF system has 11 points, but only the central one is cross-type (i.e. sensitive to both vertical and horizontal detail). However according to Canon to will operate at extremely low light levels; right down to -3 EV – a stop dimmer than the 5D Mark III.

The EOS 6D’s most eye-catching additions are integrated GPS and Wi-Fi – their first appearance on a Canon SLR. The GPS unit includes exactly the same functionality as on the company’s compacts – it can embed location data into every image, and has a logging function that can keep track of where you’ve been through the day. This, we suspect, will be most-popular with landscape and travel photographers.

The integrated Wi-Fi unit has the basic functionality you might expect, allowing transfer of images to a smartphone or tablet, and direct upload to social media sites such as Facebook and YouTube. You can also send images directly to a Wi-Fi-enabled printer. But we think more photographers are likely be interested by the fact that it can also be used to turn your smartphone into a wireless remote control via Canon’s EOS Remote app for iOS or Android, complete with live view and full control of exposure settings.

The EOS 6D gains Canon’s silent shutter mode that we saw on the 5D Mark III, which offers quieter, more discreet shooting. It gets in-camera HDR and Multiple Exposure modes, but disappointingly these are JPEG only, unlike on the 5D Mark III that also records RAW files. There’s also a single-axis electronic level to check for wonky horizons. READ THE FULL PREVIEW

You may find this comparison site useful as well as the DP Review pages, this lists the differences between the Nikon D600 and the Canon 6D

Canon EOS 5D MkIII Hands-on Review

From Photo.net by Bob Atkins, comes this in depth review of the Canon 5DM3.

On March 2nd 2012 Canon announced the Canon EOS 5D MkIII, (compare prices) as an upgrade of – but not a replacement for – the EOS 5D MkII. Among the major new features of the EOS 5D MkIII are:

  • A new 22.3MP CMOS sensor with a gapless microlens, 8 channel readout and low noise
  • A new 61 point AF system with 41 cross sensors (same as EOS 1D X) with AF to -2EV
  • A 63 Zone iFCL metering (same as EOS 7D)
  • Native ISO settings of 100-25600 with expansion to 50-102400
  • A new Digic 5+ processor (30% faster than Digic 5, 17x faster than Digic 4)
  • 6fps continuous shooting
  • In-camera HDR. 3 images taken at +/- 3 stop intervals with in-camera image alignment

Currently (July 2012), the EOS 5D MkIII sells for around $3450 and the EOS 5D MkII sells for around $2100

There were a host of other features that were upgraded or added, but the new sensor, new AF system and new processor are the major advances which enable many of the other upgrades such as faster shooting (6 fps vs 3.9 fps) and more extensive in-camera processing. With a processor 17x faster than that in the EOS 5D MkII, real time chromatic aberration correction is now available for JPEGs, and in video modes the extra processing power enables better moire fringing correction.

Bob Atkins - HR_5D_MARKIII_BODY_BACK_CL

Bob Atkins

Outwardly the EOS 5D MkIII resembles the EOS 5D MkII quite closely, but the user interface is closer to that found on the Canon EOS 7D, with a similar menu structure and control layout….MORE of this extensive review here

and for comparison here is the review on the DP Review site

 

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