Oxford School of Photography

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Category Archives: Photography

Wrapping Up Another Week on Light Stalking – Popular Stories, Photo Contests and Great Shots

Here is a bit more from the other side of the world where it is still warm. and Lightstalking do their stuff, good on ‘em

Light Stalking has grown into a thriving community with close to a million people following us or seeing us online in one form or other, every month. In all of the hullabaloo, it’s easy to miss the core of what’s happening in photography on Light Stalking. So that’s why we decided to sum it up for you. Here’s what you missed recently on Light Stalking.

Photo of the Week

tree perspective

Congratulations to Andy Dorr for this very fantastical photo of the week!  David can also be found on Facebook.  You can comment on his photo here.

The Most Popular Stories from the Last 7 Days

7 Lessons You Can Learn from Shooting with a Camera Phone – Most of us would rather do just about anything but give up our expensive, heavy DSLR.  However, most of us are familiar with the idea that a good photographer is going to take good photos no matter what camera they are using.  The most low-tech alternative to a DSLR would be a pinhole camera, which is not something that most of us are going to choose if we have a camera phone at our disposal.  There are a few obvious pluses to shooting with a camera phone as well as some serious drawbacks, both of which are illustrated in this article.  In the end, it might be worth it to put aside your DSLR for a few days and see what you learn.

10 Photography Grants and Scholarships for Amateurs and Professionals – Sometimes we just don’t have the resources that we need to progress in our skills and careers as photographers.  Luckily, there are a number of grants available to both amateur and working photographers that are awarded each year.  It never hurts to try!

Car shoot with Jeff Ludes and Liu Bolin

I have found a new photo blog (new to me) that is full of interesting stuff, the second thing I found I thought was worth sharing. Anthony Luke’s not-just-another-photoblog has an article about the Chinese artist Liu Bolin, the guy that paints himself so that he disappears into the background (we blogged about him before here) working with a car photographer on a shoot for Ford

Watch automotive photographer Jeff Ludes in action, as he shoot magnificent print ads for the new Ford Fusion downtown Los Angeles. Working under the Ford brand concept, “go further”, Jeff Ludes and his team worked towards creating art, not just an ad.

Watch how he uses the skills of Chinese street artist Liu Bolin and the image quality of the IQ160 and IQ180. “So, this is a little different than what we usually do. What we do is, we get our camera angle, we put everything in place, plot out the hero car, we will shoot a blank frame, put the cars back in and then superimpose those on each other.

jeff_ludes_fusion_invisible_06 jeff_ludes_fusion_invisible_02

Read the whole piece here

Annie Leibovitz Shoots Celebs as Disney Characters

Cameras vs the human eye

I was teaching the first session of our Understanding Your DSLR Camera last night and in encouraging the students to explore their subjects and not to just take a picture from their standing position set me thinking about the difference between the human eye and a camera. Why can’t we just point a camera and capture what we see, how hard can it be? I am often told by those new to photography that what their cameras reproduce is not what they see so why is that. Doing a bit of research I found my way back to the ever excellent Cambridge in Colour website. This has to be the most technically correct site on photography, the detail and explanations are precise as a very precise thing, say an atomic clock….Here is a short bit of what is explained, go here for the full detail with pictures and diagrams, it is interesting

Dennis_Stock+_camera_eyesPortrait of Dennis Stock by Andreas Feininger

Our eyes are able to look around a scene and dynamically adjust based on subject matter, whereas cameras capture a single still image. This trait accounts for many of our commonly understood advantages over cameras. For example, our eyes can compensate as we focus on regions of varying brightness, can look around to encompass a broader angle of view, or can alternately focus on objects at a variety of distances…….

Our central angle of view — around 40-60° — is what most impacts our perception. Subjectively, this would correspond with the angle over which you could recall objects without moving your eyes. Incidentally, this is close to a 50 mm “normal” focal length lens on a full frame camera (43 mm to be precise), or a 27 mm focal length on a camera with a 1.6X crop factor. Although this doesn’t reproduce the full angle of view at which we see, it does correspond well with what we perceive as having the best trade-off between different types of distortion:…….

Most current digital cameras have 5-20 megapixels, which is often cited as falling far short of our own visual system. This is based on the fact that at 20/20 vision, the human eye is able to resolve the equivalent of a 52 megapixel camera (assuming a 60° angle of view)……

Taking the above into account, a single glance by our eyes is therefore only capable of perceiving detail comparable to a 5-15 megapixel camera….

Overall, most of the advantages of our visual system stem from the fact that our mind is able to intelligently interpret the information from our eyes, whereas with a camera, all we have is the raw image. Even so, current digital cameras fare surprisingly well, and surpass our own eyes for several visual capabilities. The real winner is the photographer who is able to intelligently assemble multiple camera images — thereby surpassing even our own mental image.  Go here for the full article on Cambridge in Colour

Photojournalist launches watermark app for iPhone photos

As told to Olivier Laurent at the BJP. Photojournalist John D McHugh has released a watermarking app on the iPhone in a bid to root out copyright theft on social networks such as Facebook, Twitter and Instagram……..

“I developed the Marksta app because I was tired of people stealing my work on the web,” says Marksta’s founder, John D McHugh, a photojournalist best known for his work in Afghanistan. “I often work in incredibly dangerous situations to show the world the stark realities of war and revolution. I can’t describe how frustrating it is to find my images online without any credit or byline.”

 Rather than fight what can’t be fought, he says, “I’ve tried to adapt my thinking to the cold hard reality that as soon as I post a photograph online it will be copied, shared and posted around the world. If I want people to know it’s mine, whether for payment or just kudos, I see no way other than to write my name on it.”

To do so, McHugh enlisted the help of a developer to create an iPhone app that would streamline the process of adding a watermark to images.….MORE

marksta-01

British Journal of Photography Ones to Watch: Pari Dukovic

Pari Dukovic has been selected as one of BJP’s 20 photographers to watch in 2013

pari-dukovic-01-1Image © Pari Dukovic.

Born in Istanbul in 1984, Pari Dukovic got into shooting stills through his father, who wasn’t a photographer but had worked in a portrait studio as a teenager, “pulling the glass plates and taking them to the printer to be enlarged for silver gelatin prints”. The excitement of that experience was passed on to his son.

 “He has always been my biggest inspiration and the strongest supporter of my journey to become a photographer, and was a big influence on me picking up a camera and starting to shoot,” says the 27-year-old, who now lives in New York. “I got my first camera as a birthday present when I was eight – an all-mechanical Zenit 122. It was a huge camera for me as a little boy, but my dad wanted to get me a real camera that would last a long time. At that age, I was just taking family pictures for fun, but things started to click when I was about 14, when I started looking at books by famous photographers such as Henri Cartier-Bresson. I loved his work. Growing up in Istanbul, a city with such old-world charm, made me connect with his work, especially the photographs of the streets of Paris.”.….MORE

From a series Fields of Glory, see more on the website here

paridukovic2 1232fr5

www.paridukovic.com.

Photos: The Dust Bowl 1930′s USA

The Dust Bowl was a period of severe dust storms causing major ecological and agricultural damage to prairie lands in the 1930s. The phenomenon was caused by severe drought combined with farming methods that did not include crop rotation or other techniques such as soil terracing and wind-breaking trees to prevent wind erosion.

During the drought of the 1930s, without natural anchors to keep the soil in place, it dried, turned to dust, and blew away with the prevailing winds. At times, the clouds blackened the sky, reaching all the way to East Coast cities such as New York and Washington, D.C….more

Dust StormIn this March 25, 1935 file photo, children cover their faces during a swirling dust storm while pumping water in Springfield, Colo. The Dust Bowl was manmade, born of bad farming techniques across millions of acres in parts of Texas, Oklahoma, New Mexico, Colorado and Kansas. Now, even as bad as the drought is in some of those same states, soil conservation practices developed in the aftermath of the Dust Bowl have kept the nightmarish storms from recurring. (AP Photo, File)

dustbowl04.sJPG_950_2000_0_75_0_50_50Farmer and sons walking in the face of a dust storm in Cimarron County, Oklahoma. Arthur Rothstein

dustbowl05.sjpg_950_2000_0_75_0_50_50Son of farmer in dust bowl area in Cimarron County, Oklahoma. Photo by Arthur Rothstein

dustbowl11.sJPG_950_2000_0_75_0_50_50Title: Four families, three of them related with fifteen children, from the Dust Bowl in Texas in an overnight roadside camp near Calipatria, California
Creator(s): Lange, Dorothea, photographer

See the rest of these astonishing pictures here on The Denver Post website

Photography industry shows mass opposition to government copyright changes

More than 70 organisations representing photographers, agencies and picture libraries – from Associated Press, Getty Images, Magnum Photos to the Press Association, Reuters and Tate – have joined forces, urging Parliament to vote against proposed changes to UK copyright law, BJP can exclusively reveal………..”The reason why all these organisations came together is because these proposals to change the UK’s copyright law will have a serious adverse impact on everybody in the visual creative industry,” Serena Tierney, head of Intellectual Property at law firm Bircham Dyson Bell, tells BJP

This is not scare mongering, this law will have an impact on everyone who has ever uploaded an image and not placed meta-data and copyright information on the image. READ MORE HERE
defendcopyright1

Wildfires: an astonishing photograph of survivors in an age of catastrophe

Tim HolmesTim Holmes (not pictured) and his wife Tammy (second from left) huddled under a jetty for three hours with their grandchildren while their hometown in Tasmania was destroyed by wildfires. Photograph: Tim Holmes/AP

Jonathan Jones writes in The Guardian

The old newspaper saying that a good picture is worth a thousand words has rarely been proved more dramatically than it was when grandfather Tim Holmes took his family to shelter in the sea while fire consumed their Tasmania community – and remembered to bring along a camera

2013 has barely begun but this photograph of Holmes’s wife and their grandchildren sheltering from the wildfires in sea water under a jetty will surely be remembered 12 months from now as one of the year’s defining news images

READ MORE HERE

Photography is the art of our time

The old masters painted the drama of life and death. Today photography captures the human condition – better than any other artistic medium of our age

Jonathan Jones writes in the Guardian It has taken me a long time to see this, and you can laugh at me if you like. But here goes.

Photography is the serious art of our time. It also happens to be the most accessible and democratic way of making art that has ever been invented. But first, let’s define photography.

A photograph is an image captured on film, paper or – most commonly now – in digital memory. Photography also includes moving images captured on film or video. Moving or still, we all know a photograph is not a pure record of the visual world: it can be edited and transformed in infinite ways

OK you might agree or want to shout at the page but here is the rest of the article, I think it is worth reading

English lesson at a school in PakistanPhotography is the successor to the great art of the past … an English lesson in Pakistan Photograph: Muhammed Muheisen/AP

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