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Category Archives: New Camera

Sony Alpha NEX-6 Review

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When it entered the mirrorless market with the NEX-3 and NEX-5 back in 2010, Sony, along with Panasonic and Olympus, saw vast potential to attract the millions of compact camera users who wanted better image quality but without the bulk of a DSLR. Today, however, as the smartphone market continues to erode compact camera sales we see camera makers increasingly turning their attention to a smaller – but potentially more eager – group. Namely, enthusiasts who want a lighter, more compact DSLR alternative, but still demand the level of customization and camera control to which they’ve grown accustomed.

Accordingly, the past couple of years have seen a rash of high-end interchangeable lens cameras like theSony NEX-7Olympus OM-D E-M5Panasonic DMC-GX1 and Fujifilm X-E1, which in both price and feature set are aimed well beyond point and shoot upgraders (ironically, the constituency that was originally supposed to be most profitable for ILC manufacturers).

With the announcement of the NEX-6, Sony appears to be refining the high-end concept by merging much of the technology from the NEX-7 with the connectivity options of the NEX-5R. In essence, the NEX-6 combines the hallmarks of an enthusiast-oriented camera – control dials and a high-quality viewfinder – with Wi-Fi functionality and apps. Oddly though, considering it has created a camera that is obviously designed to appeal to smartphone owners, Sony has removed the touchscreen operation found in the NEX-5N and 5R.

FROM THE EVER EXCELLENT DP REVIEW, SEE THE WHOLE ARTICLE HERE

Sony NEX-6 specification highlights

  • 16.1MP APS-C format CMOS sensor
  • 2.3 million dot resolution OLED EVF
  • ISO 100-25600
  • Control dial
  • Customizable Fn button
  • ‘Quick Navi’ interactive settings display
  • Multi interface hotshoe (supports standard contacts and proprietary connector)
  • Built-in Wi-Fi for connection to smartphones or computers, for photo sharing
  • Proprietary in-camera apps
  • Built-in flash (GN 6, ISO 100)
  • Electronic First Curtain shutter
  • 1080/60p HD movies in AVCHD (50p on PAL region models)

Fujifilm X100S First Look

The Fuji X100S is a much coveted camera, it definitely has style, if what you look for in technology is something that harks back to before you were born. It also has a pedigree of fine technical excellence so do you want one?

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When Fujifilm announced its FinePix X100 retro-styled compact at Photokina 2010, it instantly captured the imagination of serious photographers. With its fixed 23mm F2 lens and SLR-sized APS-C sensor, it offered outstanding image quality, while its ‘traditional’ dial-based handling and innovative optical/electronic ‘Hybrid’ viewfinder gave a shooting experience reminiscent of rangefinder cameras. On launch its firmware was riddled with frustrating bugs and quirks, but a series of updates transformed it into a serious photographic tool. Certain flaws remained, apparently too deeply embedded into the hardware to be fixable, but despite this, it counts as something of a cult classic.

Fujifilm X100S key features

  • Fujifilm-designed 16.3MP APS-C X-Trans CMOS II sensor
  • On-sensor phase detection autofocus
  • Novel colour filter array to suppress colour moiré, no optical low-pass filter
  • EXR Processor II image processor
  • Hybrid optical / electronic viewfinder with 2.35M dot LCD EVF
  • Analogue dials for shutter speed, aperture and exposure compensation
  • Fixed 23mm F2 lens (same as X100)
  • Improved manual focus system (more responsive focus ring, focus peaking and split-image displays)
  • 2.8″ 460k dot LCD
  • On-screen ‘Q’ control panel and tabbed menu system
  • Full HD 1080/60fps movie recording, 36Mbps bitrate
  • Socket for electronic remote release/stereo microphone

SEE ALL OF THE ARTICLE ON DP REVIEW HERE

By the way it costs about £1000

Pentax offers K-30 in a variety of colors and finishes

k30_colors_logoOh yuk!

Pentax has announced a wide range of new colors options for its K-30 weather-sealed mid-level DSLR. Available in either a shiny ‘Crystal’ or matte ‘Silky’ finish, the 16MP DSLR now comes in dramatic tones like orange, yellow and blue. The cameras are available for pre-order at a retail price of $799.95, including the 18-55 kit lens. See below for a complete list of available color options. If you are tempted there is more information here

 

Canon EOS 100D

One comes along and then immediately another. This little camera is a departure from the trend in DSLR cameras in that is attempting to offer a full DSLR experience but in  a smaller lighter camera. It is on sale at Amazon for about £700 with lens

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Last year Canon made its long-anticipated entry into the mirrorless camera market with the EOS M, taking aim at compact-camera upgraders who desire better image quality but don’t want the bulk or intimidating controls of a DSLR. Yet the company has long hinted that another path to competing with mirrorless entries from Nikon, Sony, Olympus and Panasonic lay in the miniaturization of its familiar SLR design. With the announcement of the EOS 100D / Rebel SL1, Canon has laid its cards on the table. Billed as ‘the world’s smallest, lightest APS-C DSLR’, the EOS 100D unabashedly merges the Rebel-series’ DSLR operational hallmarks with an impressively small body.

Thanks to a downsizing of internal components that has resulted in a smaller shutter mechanism, thinner sensor module and smaller-footprint circuit board, the EOS 100D is significantly smaller and lighter than the co-announced EOS 700D, while offering the same 18MP pixel count, DIGIC 5 processor and, presumably image quality. The EOS 100D is, in fact, comfortably the smallest DSLR we’ve yet seen, and not so far off ‘SLR-style’ mirrorless models such as the Panasonic Lumix DMC-G5.

As attention-grabbing as the EOS 100D’s small footprint undoubtedly is, what’s equally impressive is that Canon has been able to retain most of the controls and features typically found on a Rebel-series camera. A front dial and dedicated ISO, exposure compensation and AF/AE lock buttons are among the controls that will be familiar to any Canon DSLR user. Its touchscreen is identical in resolution to that on the EOS 650Dand 700D, but is fixed, rather than articulated.

The EOS 100D introduces version two of Canon’s Hybrid CMOS AF system, originally seen in the EOS 650D. While Canon is making no claims about focus speed improvements of its hybrid phase/contrast detect system, the new version covers a significantly greater portion of the live view area (80% of the area). This should make it a significantly more useful option than the version found on the EOS M and 650D. FROM DP REVIEW SEE MORE HERE

comparedto700d_front-001

This front view shows that the EOS 100D / Rebel SL1 is substantially smaller than the co-announced EOS 700D / Rebel T5i – itself not exactly a giant.

comparedto700d_rear-001

However, the 100D retains the majority of the external controls found on the larger camera. Although both cameras feature the same rear touchscreen, the 100D’s screen is fixed, not articulated.

The EOS 100D achieves its notable size reduction without sacrificing much in the way of external control compared to the EOS 650D. On the 100D the button at the center of the 4-way controller does double-duty as both the Q menu and Set button, and the surrounding buttons have lost their dedicated functions. The 100D has a lower capacity flash, with a guide number of 9m (versus 13mm on the 650D) and houses a mono versus stereo microphone, though it does retain a stereo mic input. And while the handgrip is not as deep as the one on its larger sibling, the 100D still provides a distinctly DSLR handling experience.

Canon EOS 700D

Canon have released details of the new camera added to their stable, this is effectively a replacement for the 650D, improvements keep coming and new cameras offer better facilities and quality and this one is no different.

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With the EOS 700D/Rebel T5i, Canon’s made an early move to replace last year’s 650D/Rebel T4i, though one with only very minor refinements. Indeed the changes over the 650D are so subtle that it’s the olderT3i/600D that stays on alongside the 700D – while the too-similar 650D fades into the sunset. The only real changes are that the 700D offers real-time preview of Creative Filters in Live View mode, includes a redesigned new mode dial that turns 360 degrees, and has a new ‘upmarket’ body finish.

Apart from those additions, the 700D is essentially identical to the 650D, making this the least distinct upgrade we’ve seen in this range of cameras. Elements carried over include the 18MP CMOS sensor, a 9-point cross-type AF sensor, 3-inch, a 1.04m-dot vari-angle LCD screen, and Full HD video mode. Its Hybrid AF system was also brought over from the 650D, and while the simultaneously announced 100D/Rebel SL1′s Hybrid AF II covers a wider area than the one here, neither is said to be any faster than the rather slow implementation on the 650D.

Canon EOS 700D / Rebel T5i key features

  • 18MP APS-C ‘Hybrid CMOS’ sensor
  • Phase-detection AF from imaging sensor for Live View and Video
  • Continuous autofocus in movie mode with subject tracking
  • New 18-55mm STM kit lens with stepper motor for improved live view/video autofocus
  • 14-bit DIGIC 5 processor
  • ISO 100-12800 standard, 25600 expanded
  • 5 fps continuous shooting
  • 9 point AF system, all sensors cross type, central sensor F2.8 (from 60D)
  • 63 zone iFCL metering
  • 1080p30 video recording, stereo sound with internal or external mics
  • 1.04m dot 3:2 touch-sensitive vari-angle ClearView II LCD (capacitative type, multi-touch support
  • more information can be found of the excellent DP Review site here
  • Amazon are currently offering this camera at £930

 

New Nikon D7100 digital SLR

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The arrival of the 24MP D7100 comes two-and-a-half years after the announcement of its predecessor theD7000, and it’s a pretty serious upgrade. Significantly, Nikon Europe’s presentation of the camera describes the D7100 as the company’s ‘flagship DX model’, and omitted mention of the D300S in the company’s DSLR lineup. Certainly, the gap between the D7100 and D600 now leaves little obvious room for a ‘D400.’

It was only a matter of time before 24MP resolution became standard across Nikon’s entire range of DX-format APS-C DSLRs, and lo and behold – the 24MP D7100 is the latest in the series, but this isn’t just the sensor from a D5200 packaged a newer body. In fact, this would be a fundamental misunderstanding of the new camera.

The critical thing here is that despite the fact that the D7100 is Nikon’s third DX-format 24MP DSLR, its sensor is new, and unique in Nikon’s stable. In a first for Nikon, the D7100′s sensor lacks an optical low-pass filter (OLPF). The D800E, Nikon’s highest-resolution DSLR has the effect of its OLPF ‘cancelled out’, but the D7100, like the Pentax K-5 IIs, omits it altogether. The result should be higher resolution than is possible from the conventional 24MP sensors in the D5200 and D3200, and Nikon clearly feels comfortable with the associated higher risk of moiré in fine patterns – one of the few black marks against the 36MP D800E when we tested it last year. Read more here

Why Good Photography Isn’t About the Gear

I was out in Australia over Christmas and I wish I had met up with Phil Hill, he sounds like someone I would get along with. Here, on the excellent Lightstalking site,  he makes some very fine points about equipment. I think he would probably agree with my often mentioned one liner, “if you don’t like your pictures don’t blame your camera”

With the release of the Nikon d800 and the Canon 5d mk3 many people will have no doubt begun checking their bank statements a bit more carefully and thinking about increasing that credit limit by a measly few thousand.

This got me thinking, how many bells and whistles do you actually need to take a great photograph anyway? Too many cameras are now available with enough fancy settings to give the geekiest of technology nerd’s nightmares…..With this in mind I decided I would go out and shoot some landscapes with my girlfriend’s entry level and well-used Canon 1000d and its bog standard 18-55mm f3.5-5.6 kit lens…more

Here is one of Phil’s pictures to illustrate this article

City-Beach-Perth-Australia-7042City Beach Lifeguard tower. f22 @ 3.2 sec ISO 400 ©Phil Hill

he concludes his article with The bottom line of course is that to become technically proficient at taking photographs all you really need is the ability to control aperture and shutter speed and you can do that for far less money than many of the cameras on the market will openly admit too. Think of it as if learning to play football brilliantly barefoot, then going out to get a gleaming pair of boots – bells and whistles will only complement a solid set of skills.

So if you have a camera and you don’t understand why your pictures aren’t great you might want to take a course, here is a link to our current schedule

Freelance travel and editorial photographer originally from the UK but find myself in Western Australia, Based in the amazing Scarborough, Perth, WA.

The Smart Threat: How mobile phones are forcing camera manufacturers to evolve

From Olivier Laurent at the BJP a very interesting article plotting the advances in smartphone camera technology and the response by camera manufacturers.

The rising popularity of smartphones is now forcing traditional camera manufacturers to reassess their strategies by offering devices that can, for example, connect to the internet easily. Nikon, for example, released the S800c, a compact camera powered by Google’s Android system, which allows users to download applications that can help email and share images on social networking websites such as Facebook, Twitter, Instagram and Flickr….A few years ago, the Nikon and Canon brands used to dominate the charts on Flickr’s Camera Finder, which tracks the most-used cameras on the image-sharing website. But since the release of Apple’s iPhone, as well as many other smartphones by the likes of HTC and Samsung, camera phones have taken over. Last month, the iPhone 4S and iPhone 4 were ahead of Canon’s EOS 5D Mark II and 550D, with compact cameras failing to appear in the top 10 of the most-used cameras on Flickr..…MORE

galaxy-camera-rightSamsung’s Galaxy Camera offers 3G, 4G and Wifi connectivity and is powered by the latest version of Android, making it a truly connected camera.

Jessops goes into administration

Is it camera phones, is it the wonder web, what has caused the death of the high street camera shop?

customized-geek-coffins-2We learn today that Jessops has thrown in the towel and is in administration. The death of camera shops is a great loss to everyone interested in photography because where do you go now for personal advice and to get the chance to handle a camera you want to buy. I believe the fit of a camera to an individual is very important, I know that I cannot use small compact cameras because of the sausages on the ends of my hands which other people call fingers, that is important when buying a camera. I also know that I will never buy the Canon EOS 1D mk 3 because it is so heavy, how do I know, well because I had the chance to handle one in a camera shop. The internet has brought savings to our equipment buying but it has not brought a better service. Here in Oxford we used to have 5 camera shops, mostly staffed by knowledgeable and enthusiastic staff who wanted to help you buy the right camera for you, now we have none. The best Morris Photographic has moved to a small town about 20 miles away, to an industrial estate, still they exist, here is their web address in case you want to find them in the wilds of Oxfordshire

This article int The Telegraph tells the tale of Jessops demise, if you prefer the BBC go here

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155 Cameras Tested and Reviewed 2012

Techradar are very good at what they do, testing, reviewing and recommending cameras, if you are thinking about getting a camera make sure you have a look here first

In-depth reviews from TechRadar’s team of experts. To find out how we review products and calculate our scores

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