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Category Archives: Masters of Photography

Garry Winogrand’s classic and unseen photographs

In the Guardian/Observer culture section we find this gallery of images by Garry Winogrand

Garry Winogrand is seen by many as the father of American street photography. His output was so prolific, he left many images unseen in his lifetime, on contact sheets and thousands of undeveloped rolls of film. The best of this treasure trove is included in a new collection of his photographs

Garry Winogrand, Los Angeles, ca.1980

Los Angeles, c 1980Photograph: The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

See all of the images here

Migrant Mother – Dorothea Lange the story of a picture

Probably one of the most famous images of depression era America, this image by Dorothea Lange sticks in the memory of everyone who has ever seen it. This is the story of that picture.

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The image of a worn, weather-beaten woman, a look of desperation on her face, two children leaning on her shoulders, an infant in her lap; has become a photographic icon of the Great Depression in America. The photo was taken in March 1936 at a camp for seasonal agricultural workers 175 miles north of Los Angeles by Dorothea Lange. Lange was working for the Farm Security Administration as part of a team of photographers documenting the impact of federal programs in improving rural conditions.

Lange had just completed a month-long photographic assignment and was driving back home in a wind-driven rain when she came upon a sign for the camp. Something beckoned her to postpone her journey home and enter the camp. She was immediately drawn to the woman and took a series of six shots – the only photos she took that day. The woman was the mother of seven children and on the brink of starvation…...read the rest of this story here

Florence Owens, the woman in the picture also has a story, here is that story Written by  Roger Spraque grandson:

She came to California some 15 years before, to a land of promise – a promise which, for her, had not been kept. In 1922 she had come, with her husband Cleo Owens and her three children. Her name was Florence and she was just 21 years old.

Her first house was in Shafter, California. Though it was small and poor, it was as much as she had in Oklahoma. But this place and these times held a promise of something more for her and her family. To own her own home, to raise her kids and give them more than she had, to live the American dream.

There was work in the mills and factories of California for Cleo. He was a frail man, light of build and weak of breath ever since a childhood fever scarred his lungs, making them a target for any germ that happened along, His only excesses were a tendency to overwork himself to provide for his family, and his deep, deep love for Florence.

Cleo had married Florence over the objections of his own family, who all felt that Florence was too headstrong. They all predicted that the marriage would fail, a “bad sin in 1917. A woman was there to raise the kids and do as she was told by her husband. Florence, in contrast, was only 17 when she informed Cleo’s family that they would never rule her or her kids. She loved Cleo, but she was who she was, and that was that! (Cleo’s people knew that Florence was a full blood Cherokee Indian, but they probably did not know that she was the granddaughter of the Indian renegade outlaw Ned Christy, who had died in a shoot out with a whole posse rather then be subdued by any man.)

In 1924 Florence and Cleo moved to Porterville, some 50 miles north of Shatter, where he and his brothers had found good work at good wages in the sawmill. But in 1927 the mill burned so they moved 125 miles further north to Merced Falls. There was no “Falls”, but there was a sawmill, a strong river to carry logs down from the hills, and the prettiest little town they’d ever seen…..MORE

 

15 of the Worlds Most Famous Photographers

I think we could all put together a list that might contain some of these but as a stab at one person’s list I think it is OK. From Tripwire magazine

What makes a world’s famous photographer noticed or well-known? Is it the number of years he or she has been in this profession, the experience they have gathered, or a particular field of photography that he or she has chosen? None of these; the most important reason behind any of the world’s most famous photographer is the pictures he or she has taken.

World’s most famous photographers do keep a low profile a lot of times. A by-line in their photo is enough to acknowledge their work. Some famous photographers would rather not reveal their own faces for personal reasons. These reasons can be to stay mysterious to their growing audience in particular or they are just too shy, plain and simple. World’s most famous photographers are celebrated because they have made a particular shot of a bizarre or amazing moment that can only happen in a millisecond. People admire how in so little time, they have captured such an astonishing event or happening. .………….MORE

51zRfHky7VL._SL500_AA300_well Steve McCurry would be on most people’s list

 

The 7 Common Habits of Remarkably Talented Photographers

From that other excellent antipodean photography blog, Lightstalking, we get this article by

Tiffany Mueller,  a professional music and fine art photographer. She has been published in various publications including magazines, art journals, as well as photography books. She blogs at Life Is Unabridged.

I think I probably agree with everything here so read on

One of the best ways to improve yourself is by observing the habits of those you find to be inspirational and talented. In doing so, we hope to learn what it is they have done that helped them achieve success. Of course, there’s no set route to the top of the photography game, but if you were to do a case study on the habits of some our favorite photographers chances are you’d find some very similar habits among them.

magnumHere are some of the greatest photographers ever just in passing ©Magnum photographers

Click Here: The 7 Common Habits of Remarkably Talented Photographers

 

Magnum City to Sea Workshop

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This spring, Magnum Photos are delighted to be partnering with Goldsmiths, University of London in organising a truly distinctive photography workshop with icons of the British holiday industry, Butlins.

The workshop is inspired by Goldsmiths’ 2011 international symposium ‘City to Sea’, which brought together artists, photographers and social scientists to develop visual projects and sociological research exploring culture, tourism, coastal regeneration and the heritage of the British seaside.

Following on from the symposium’s success, British Magnum photographer Peter Marlow will lead a four day workshop in the seaside resort of Bognor Regis in West Sussex, assisting participants with the production of new exploratory projects whilst developing photographic identity and visual narratives. During the workshop, participants will work alongside Marlow and the City to Sea curators, artists Rebecca Locke & David Kendall, in a daily program of shooting, reviewing, critiquing, mentoring and editing, hosted by Butlins.

The workshop program is accompanied by presentations and discussions with Goldsmiths, University of London researchers and artists, including Paul Halliday, Course Leader of the international MA in Photography and Urban Cultures and Bognor Regis historian Sylvia Endacott. Peter Marlow will also present his work in a public lecture.

Workshop by Peter Marlow

When: Mar 11 – Mar 15 2013

Where: Butlins Ocean Hotel Bognor Regis Resort West Sussex, PO21 1JJ United Kingdom

Costs: £950
Includes tuition and 4 nights’ accommodation at Butlins Ocean Hotel with breakfast. Also includes a welcome dinner.

Further details here

Man Ray Portraits Exhibition London

We recently featured  Man Ray in one of our blog posts here and now there is an exhibition of his portraits at The National Portrait Gallery

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Man Ray Portraits is the first major museum retrospective of this innovative and influential artist’s photographic portraits.

Born Michael Emmanuel Radnitzky in Philadelphia in 1890, Man Ray initially taught himself photography in order to reproduce his own works of art. In 1912 he began to change the signature on his paintings from ER to Man Ray, and the Radnitzky family adopted this shorter surname.

Man Ray’s earliest photographs date from around 1916, when he documented his own Dada self-portrait and made portraits of Marcel Duchamp. Man Ray’s support and promotion of avant-garde artists was formalised in 1920, when American patron Katherine Dreier invited Man Ray and Duchamp to establish the Société Anonyme, America’s first contemporary art collection.

Focusing on his career in America and Paris between 1916 and 1968, the exhibition highlights Man Ray’s central position among the leading artists of the Dada and Surrealist movements and the significant range of contemporaries, celebrities, friends and lovers that he captured: from Marcel Duchamp and Pablo Picasso to Kiki de Montparnasse, Lee Miller and Catherine Deneuve.

Featuring over 150 vintage prints and key works from international museums and private collections, the exhibition also demonstrates Man Ray’s use of revolutionary photographic techniques and early experiments with colour, as well as surveying his published work in leading magazines such as Vogue and Vanity Fair.

7th February until the 27th May NPG  Full details of the exhibition can be found here

Photographer Profile ~ Man Ray

On my new favourite photography blog “Anthony Luke’s not just another photoblog blog” I find an article about Man Ray, less of an article more a largish number of pictures plus a bit of biog. I have been interested in Man Ray since I learned that Bill Brandt worked with him, and as Bill Brandt was the most important photographer to me in my teens I have held that interest. Here is a bit of what Anthony says and a few pictures, if you want to see them all go here

Man Ray (August 27, 1890 – November 18, 1976), born Emmanuel Radnitzky, was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography, Man Ray produced major works in a variety of media and considered himself a painter above all. He was also a renowned fashion and portrait photographer. He is noted for his photograms, which he renamed “rayographs” after himself.….MORE

man+ray man-ray-solarisation-1931 Man+Ray+15

Annie Leibovitz Shoots Celebs as Disney Characters

Brian Griffin on Corporate Photography Thursday 7th August

The Social is back at The Photographers’ Gallery on Thursday, and this time we’re proud to have Brian Griffin speaking on corporate photography……

From Eurostar to Rekyjavik Energy, Brian Griffin has shot some of the biggest and best corporate commissions in the business. So who better to talk through corporate photography at The Social this Thursday? BJP and The Photographers’ Gallery are proud to announce that Brian will be joining us to talk through his experiences in this field and discuss how to get creative within this underrated area.

Also joining us will be photographer Brijesh Patel and project manager Franck Jehanne, who founded the Kalory Agency last year to specialise in creating photography and marketing content for the luxury, fashion and beauty industries. Now a team of eight people, Kalory has picked up lucrative contracts with Jaeger, Cartier, Vacheron Constantin and Mikimoto.

The Social is run by The Photographers’ Gallery and the British Journal of Photography, and takes places once a quarter at The Photographers’ Gallery, 16-18 Ramillies Street, London W1F 7LW from 7pm-9pm. The Corporate Photography special will take place this Thursday, 07 August.

The Photographers Gallery Events and Talks

From the Guardian’s Best Shot Series we have this from Brian Griffin

Four years ago, I was doing a big project in Iceland. It meant travelling all round, and at one point I went to the small town of Höfn, in the southeast corner. It has 1,500 people, one bar, one hotel. It’s like the end of the world – there’s nothing there. It looked like the most difficult place on earth to take pictures. So I decided to spend a month there, to see what I could do, even though this was before the crunch and Iceland was frighteningly expensive.

In May 2007, I housed myself in Höfn’s hotel. In that month, no one there made any attempt to even talk to me. No one bought me a drink, or invited me for a meal. I spent every single day on my own, except for the times when my wife Brynja, who’s from Iceland herself, came for a visit. As we drove around one day, I noticed this extraordinary-looking farmer.

While Brynja was asking if he’d mind being photographed, she spotted a newborn lamb and offered the farmer £350 to spare its life. She christened it Steinunn, a common woman’s name in Iceland. It struck me as the perfect way to shoot the farmer, so I brought out my lights. I shot in black-and-white on a Hasselblad. Looking at the sky, I think the rain was coming in. Iceland has extraordinary light quality: the cloud structure changes rapidly, the sunlight cascades through.

I didn’t have anything planned. It just occurred to me to ask him to lie down. I’m always looking for the unusual. There’s something spiritual about this picture: Christian iconography always seems to be hanging around in my work. “I want to make sure the lamb lives a complete life and won’t be slaughtered,” my wife told the farmer at one point. “You’re not going to kill it and eat it.” Brian Griffin

1000 photography links, tutorials, photographers, new camera reviews – posts

Would you believe that in the last 20 months we have made 1,000 posts about photography, wow seems like it was only a few weeks ago we dipped our toes into the world of blogging. Urged on by our favourite music blogger The Recommender to get stuck in, to share our knowledge and passion about photography; to spread the word and to bring the best photographs, photographers, tutorials, camera reviews, information about exhibitions and the wonder of the world of photography to those who care, you. Since October 2010 we have had over 120,000 views, our highest day was 957, I guess we must be doing something right some of the time.

©Steve McCurry – this is probably The Great Steve’s most famous picture but you should go and see his other work start here

We have had a look at our stats and rather encouragingly find that there is as much interest from you in the fantastic photographers we have brought to your attention as there is in cameras and tutorials. A good healthy mix we think.

Here is a list of the top 12 posts the highest has got over 6,000 views

http://oxfordschoolofphotography.wordpress.com/2011/03/10/top-10-compact-cameras-2011/

http://oxfordschoolofphotography.wordpress.com/2010/12/14/light-painting/

http://oxfordschoolofphotography.wordpress.com/2012/03/14/photographer-nan-goldins-best-shots-from-the-guardian/

http://oxfordschoolofphotography.wordpress.com/2011/07/27/duane-michals-sequences/

http://oxfordschoolofphotography.wordpress.com/2011/12/06/best-superzoom-bridge-cameras-2011/

http://oxfordschoolofphotography.wordpress.com/2011/04/14/15-digital-point-and-shoot-cameras-used-by-pro-photographers/

http://oxfordschoolofphotography.wordpress.com/2012/02/10/nikon-d800-review/

http://oxfordschoolofphotography.wordpress.com/2011/01/18/cecil-beaton-photographer/

http://oxfordschoolofphotography.wordpress.com/2011/09/05/steve-mccurry-london-exhibition-07092011-24092011/

http://oxfordschoolofphotography.wordpress.com/2011/11/04/20-free-photography-ebooks/

http://oxfordschoolofphotography.wordpress.com/2011/01/24/9-crazy-cross-eye-3d-photography-images-and-how-to-make-them/

http://oxfordschoolofphotography.wordpress.com/2012/04/25/google-photography-prize-winner-viktor-johansson/

The top aggregated photographer, that is the most views across all the posts we have made is Steve McCurry this link should get you to all the articles where we have mentioned Steve

The interesting thing we have found is how many of you are interested in the less obvious photographers, Duane Michals comes top for visits to a single post, Cecil Beaton, Nan Goldin and Dorothea Lange all feature heavily, I am sure you never thought you would see those 4 names in the same sentence.

Top camera before and after it’s release was the Nikon D800

The most viewed tutorial was on Light Painting

Our most favourite sources for finding the best photography on the web, and in no particular order are:

Lightstalking, fantastic for tutorials, tips, ideas, features

Digital-Photo-School similar to Lightstalking and also from Australia

Cambridge In Colour for the most sophisticated and intelligent tutorials

The Denver Post for some of the best photojournalism around

The Atlantic, same as The Denver Post, fantastic images from around the world

The British Journal of Photography, just the most complete magazine for photographers

The Pixelated Image blog, David DuChemin is just the man, what a photographer an eye with soul

Photo Tuts for Photoshop and Lightroom tutorials

DP Review, where you find out about cameras, the best review site

Steve’s Digicams, as DP Review a great place to find out about cameras

Tripwire Magazine, we like this for general articles on photography

Magnum, the world’s most famous photo agency, we love this bit Magnum In Motion

Photography Served, a place for finding new photographers with great work

Photography Now, such a beautiful site showcasing the works of the masters of photography

There are undoubtedly lots more we could include here but if you are a regular to our site you will know who we love as inspiration and as a source of great articles.

We have had such great response to the articles we post, the sharing is the thing, finding what is wonderful and putting it out there. We greatly appreciate hearing from you and would welcome more ‘finds’ from you, would consider articles or portfolios you may wish to share with the thousands of like minded people we reach. Here is to the next 1000 posts

Keith Barnes, Oxford School of Photography

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